Age, style, where you come from, where you were born, it's different every time, which, to me, is refreshing because it says that there isn't any one thing, one formula or kind of character that makes a great comedian. Everybody has had a different approach.
It's funny because I'm so used to acting in English that any time I have these moments where I have to speak Russian, it definitely takes a different part of my brain to pull it off, but it's always nice and fun.
Creativity can release you from the limitations that the world has constructed around you; the everyday, mundane, 9-5 jail cell where everybody is waiting for the weekend to party so they can get outside of their head.
There are no journalistic ethics that transcend the value of human life. There are none. In a situation where you can save a human life, you must. There isn't any conflict in my mind.
Childhood was very nice. The only thing wrong was that I was so introverted, everything became a big deal... 'Oh, no, here comes the bus. Where am I gonna sit on the bus?'
I was always interested in acting and writing, and I honestly thought I'd make my name as a scriptwriter one day. But somehow, I ended up in London in the early '70s, and that's where I had my David Bowie adventure.
When a movie opened - if you lived in New York, you would see it at Radio City Music Hall where it would play a couple of weeks, and then you moved on to the next movie. Now you can see it the rest of your life - it's going to be on Netflix and DVD.
Once you've been talked to by voices, it's not possible to go back to a world where talking voices is not possible.
China is an area where we need to be present. Lots of companies want to supply their products to China.
I would do a 'Pitch Perfect 29', where the Bellas take on the Spaniards instead of the Germans. All the girls would have to learn Spanish. I'll teach them!
I was at the Royal Shakespeare Company, where I thought, in my naivete, I'd stay for the rest of my career. I'd thought I'd work up through the ranks and go from spear carrier - or in my case, the eunuch, which was several rungs below the spear carrier - to King Lear.
I was fortunate as a young actor, to go straight to the RSC, where I learned that being an actor can bring with it wonderful responsibilities.
My parents got me a sewing machine for Christmas during my senior year of high school. I made three pieces of clothing and had a fashion show at the end of the year, where we had to wear the clothes that we made. I took it to a whole new level; I made all my friends clothes.
An energetic man will succeed where an indolent one would vegetate and inevitably perish.
Basically, most good science in space flight has to do with the behavior of the human body in space. That is where we are lacking info, and where info can only be obtained by flying in space.
I spent over ten years in the Central Intelligence Agency as an undercover operations officer serving overseas after 9/11 where I carried out covert operations against al-Qaeda and other terrorist groups, as well as other countries who are 'hostile to liberty,' as I like to say.
I'm not invited to the Vanity Fair dinner where they watch the Oscars - or even the Oscars themselves - so I sit at home and watch it with a bunch of close friends.
I suppose popularity is measured by ratings. If a broadcaster is known as the leader because of ratings, then that's where people most want to be seen and heard, so there's no question that there's an advantage.
I know my body's limits. I've never enjoyed Spin classes, where they're like, 'Push it further!' I'm like, 'No. If I pull something, I can't work tomorrow.' That's why I gave up Bikram yoga.
There are projects I've done, such as 'Queen,' where I played Halle Berry and Danny Glover's son, where I'm so extremely proud of the work that I did that I will sit down and watch that any time.
If you want to become a fossil, you actually need to die somewhere where your bones will be rapidly buried. You then hope that the earth moves in such a way as to bring the bones back up to the surface. And then you hope that one of us lot will walk around and find small pieces of you.
Where I'm from, you're a square if you go to church or if you decide to read the Koran or Bible.
I always feel like 'as long as I'm doin' what I love to do, the money's naturally gonna come.' When you start thinkin' business and you start thinkin' 'What's hot? What's the wave? Who is hot? Let's get at that person,' it becomes a point where you're tryin' to strategize to make money. And that's always a gamble.
The artists that I relate to and love the most are the ones where I can listen to the record, and I can know them better, and for me, that's writing it.
St. Louis sprawls where mighty rivers meet - as broad as Philadelphia, but three stories high instead of two, with wider streets and dirtier atmosphere, over the dull-brown of wide, calm rivers. The city overflows into the valleys of Illinois and lies there, writhing under its grimy cloud.
The paradox of being in an industry where other people are usually the gatekeepers: publishers, editors - there are a lot of barriers to having control over your career. But coming out of hip-hop, the mindset was always to create your own.
There was no concept of fashion and catwalk shows where I came from.
I like to surprise myself. I've always been attracted to projects where I don't know how they're going to turn out.
When people think of the word 'drive,' they often think you have it or you don't, and that's where we're wrong. Drive is something that can be encouraged by a wonderful teacher, by a terrific classroom environment, by an awesome soccer team that you are on, and it can be squashed as well.
Frequently I get asked if I'd rather have spent my career in a big city like New York or Los Angeles, where the exposure would be greater than in Seattle. My answer is no, not at all. Exposure is not important to me.
I've had a very unusual background in science - not the usual route of planning on being a scientist from age 3. I think my story shows that success is more about personal motivation and determination than it is about where you were born or what your economic status was.
Sometimes I play something, and I haven't recorded it, and I don't know where it came from, why my hands did what they did, what key it was in, anything.
Certainly, Continental has taken advantage of pipe and sponsored pipeline projects where we could. As a historic shipper, we have put a lot of oil on pipe. We have over half of our oil on pipe coming out of the Bakken. We feel good about that.
I think one of the things I enjoy about acting is the transformation, and part of that is certainly the physical transformation. If people are confused forever, wondering where they have seen me before, that feels like exactly where I want to live. It feels like something's working.
If I can go three grandmothers back and find a slave, that means someone else can go three grandmothers back and find a slave owner. When you interrogate your histories, it forces you to rethink who you are and where you are.
Races always are good to show where you are reaching in your training as well as to keep you sharpened. Every race, in my program, I put it in a special way like a ladder, climbing up slowly and slowly to the next one. I see where my training is, and that is like a test.
