I think people assume that because I talk the way that I talk that I grew up with money, and then I've had to say, 'No, I grew up poor.' And then I was like, 'Why do I have to play this game where the only black experience that's authentic is the one where you grew up in poverty?' I mean, it's ridiculous.
I feel like I've grown up a bit. I'm a bit more confident, and I've been reading more, and I've had a little more time to myself. I went on this writing trip to gather my thoughts about where and who I am in this world, and why we're all here.
London cabs always dis me. I purposefully give them a good tip because I'm trying to straighten up the image where they don't want to pick up some shady-looking, bummy kid like myself. I'm trying to teach them that if you pick up the bummy-looking kid, you still get tipped, man. But they still jerk me around.
I'm not trying to project any persona. Often people don't know where to put me. I don't fit comfortably under banners, and that's fine. I'm not worried about not making sense to people. That's probably my best asset.
I remember a lot of conversations where I was constantly hearing, 'You've gotta do this movie so you can do that movie. You've gotta make a big movie so you can make a small movie.' But I can't act like that.
There's a thing in the U.K., particularly in London, where it's kind of the idea of subculture and counterculture and the outside and the idea that it's great to be a freak, and the freak always wins. So I think English girls are a lot less scared of being the freak or looking like an idiot.
I'm not going to do anything crazy, but I want to do music that I'm passionate about. I'm finally at an age where I can do the music that I grew up loving, which was urban pop, '90s music. I grew up listening to the divas, so I'm very happy to finally do urban pop. I hope that it's received well, and it has been so far.
I always have CNN on. That's where I get my ideas.
Nashville, I think, for me, personally, would be where I want to live and work. L.A. is a whole other world and has a whole other vibe to it, so I would like to come out here for work for a couple of months, but L.A. is just not really my scene, per se.
I go through periods where I don't shop at all, and then I go crazy and buy everything in sight. I never know what to wear, and I'm at my worst before an audition. I pull everything out of the closet, throw it on my bed. I'll get entirely dressed and then take it all off again until I'm in a kind of frenzy.
We all come to the point where it's time to get yourself straight, as a businesswoman, a mother, whatever you are in life. It's tough love but it's also being real with yourself. It's important to take those rose-coloured glasses off and see what's going on.
I can honestly say, there was a moment when I was writing 'Upstream Color' where I fell so hard for what it was becoming that I couldn't think of anything else. I was absolutely secure in this story in the way I'm rarely secure about anything else in my life.
Once everyone is connected to everyone and everything else, nothing matters anymore. If everyone in the world is your Facebook friend, then why have any Facebook friends at all? We're back where we started. The ultimate complexity is just another entropy.
I want to be able to be a father to my kids, where I've never seen my father, but my kids can see me whenever they want, so that was broken.
I say that I suffer from what Rosalind Krauss was calling the post-medium condition, where an artist essentially employs several mediums in order to bring to life whatever specific ideas that they have. For me it's always been that way.
It's one of those jobs where you go, 'Oh no, I've got to play Alfred Hitchcock. I have to play him even though I know what this is going to involve.'
Brazil is where I belong, the place that feels like home. They love their family, their country and God, and are not afraid to let anybody know it.
I had this really great amazing thing happen where I almost finished the book and I really needed to come up with an ending and I decided to go back and re-read the book and see if I could come up with an ending.
Forney in 'Where the Heart Is' has more fans than any other character I've played.
When I went to bed as a child, I was told, 'You don't know where you'll wake up.' When I ran in the garden, I was told that running was bad for the heart. Everything had its sinister aspect - milk shrinks the stomach, lemon thins the blood.
My music is about where I am at the time. In 'Raymond vs. Raymond,' I was going through a lot of things, and it came out in my music. My marriage fell apart, and I was suddenly a single father.
What do we do to just rebuild and focus on creating a big and inclusive tent, where we're focusing on making sure every child gets that fair shot, that every woman gets to compete on a level playing field, that we are true to the core values of our country, and we're making sure that we honor those values?
I've learned that, in many cases, people say, 'I want ground truth,' and they don't really mean it. There are warts all over this organization, as there are in many organizations, but you just have to tell truth to power and let the chips fall where they may.
We live in a society of victimization, where people are much more comfortable being victimized than actually standing up for themselves.
I'm a pretty avid reader, but I missed feminism in college. I did take an intro course where I read Mary Wollstonecraft, but I didn't read a lot of the seminal writers. Then I had two teenage daughters and was reading books on development and different issues.
I've had some friends that are actually homosexual. And, I mean, they know where I stand, and they know that I wouldn't have them anywhere near my children. But at the same time, they're people, and they're going to do their thing.
Look at where Jesus went to pick people. He didn't go to the colleges; he got guys off the fishing docks.
The great difficulty with Guantanamo is it was perceived correctly as being a place where people were not being detained subject to rules. I don't think the world thinks that you can't detain suspected terrorists - the world thinks you can do that, but you have to do it pursuant to rules and to clear charges.
Pregnant women who are in places where Zika is spreading should do everything they can to avoid mosquito bites. And we, as a society, need to do everything we can to control Zika. That means learning more about it; that means controlling mosquitoes more effectively. That means achieving a vaccine.
If someone arrives, fully functional yet a tabula rasa, how does their environment influence, educate, even mold them? And if that is a nurture question, then where does that character's nature fit in? How does that manifest?
I'm not sure why I still think of myself as 28 - maybe that's the point where you start growing up, and then you just feel the same for evermore.
I feel like the menswear blogger is a special breed, and by that, I mean they really have brought menswear out of the closet and into the public discourse where guys are not afraid to talk about style, dressing, clothes.
Abortion and racism are evil twins, born of the same lie. Where racism now hides its face in public, abortion is accomplishing the goals of which racism only once dreamed. Together, abortionists are destroying humanity at large and the black community in particular.
Trying to decipher where President Obama really stands on free trade can be like trying to trace the U.S.-Mexico border with a Google map. There are words, and there are actions - but there is mostly that long squiggly line in between.
The American people overwhelmingly oppose taxpayer funding of abortions, and it's no different in Arizona, where we have long-standing policy against subsidizing them with public dollars.
I'm a sinner just like everybody else and I have my faults and I've been through my dark times in my life to where I wasn't walking the walk and talking the talk, or I may have been talking the talk, but I wasn't walking the walk.