I couldn't be where I am today if I had children. My focus would be on my children and home. And you can do it later in life.
To go somewhere where nobody knows you, and to keep your eyes open... That was a beautiful concept in terms of putting yourself in a place to be inspired.
I attended first a military academy, then a public school in Beverly Hills, where we lived, and many of my classmates were the children of movie stars and studio executives.
History will tell where I stand in the ranks of Bond villains, I have no control over that.
You can't control people. You must understand them. You have to know where they're coming from, their beliefs and values, what turns them off, what they're against.
For every album, I look at where I'm at in my career and think of a title that kind of represents that. And for me, 'Night Train' was kind of a metaphor for where things have gone, from being on one bus with 12 other guys, pulling a trailer my first few years on the road, to now. We're out here with six or seven buses and eight or nine semis.
'Arrested Development' is great; Mitch Hurwitz is great. Plus, it's the one show I've ever had where, on the small parts, he just let me cast people.
I went on a long trip through South America with Prince Charles where I was the only journalist there - a couple of photographers but no other writers.
What has happened is that to some degree they have taken an attitude where they don't listen to demos of diverse subject matters. They're looking for demos like the record the guy on the left just did.
A political convention is not a place where you can come away with any trace of faith in human nature.
A teacher affects eternity; he can never tell where his influence stops.
I am happy everywhere except in places where I see glitz and rich farts. I am happiest in Brooklyn, where the concentration of rich farts is minimal.
I find the great thing in this world is not so much where we stand, as in what direction we are moving: To reach the port of heaven, we must sail sometimes with the wind and sometimes against it - but we must sail, and not drift, nor lie at anchor.
There are days where I've lost weight and I feel bigger or fatter or uglier and I want to just hibernate. I'll find every excuse not to exercise. I hate it.
Of all the movies I've done in my life, the one where I play a crazy awful psycho woman finds me my husband.
I always aspire to that, where it feels like the film was made by the characters as opposed to the filmmakers. I try to be invisible.
Basically, what Economic Hit Men are trained to do is to build up the American empire. To create situations where as many resources as possible flow into this country, to our corporations, and our government, and in fact we've been very successful.
I feel that my job is to create an atmosphere where creative people can do their best work.
I've done that kind of stuff in records, where you start going back and you want to just redo everything, destroy everything, because you think it all sucks and you can do it better.
I'd never been to a prom, I had never had the whole high school experience. I think I was kind of an anomaly. I don't think they knew where to put me.
The world turns aside to let any man pass who knows where he is going.
'Desperate Housewives' is an ensemble cast, where I played a tertiary character. I made a lot of great friends, but that show didn't keep me very busy.
The purpose - where I start - is the idea of use. It is not recycling, it's reuse.
We're trying to get to the bottom of where the picture came from, and we're trying to get to the bottom of what it's of and who it's of.
The athletes are still out competing the same as a Division I team, and I think we've done a good job of creating an atmosphere where they're responsible for their actions and their play.
It was a pretty rough neighborhood where I grew up The really tough places were over around Third Avenue where it ran into the Harlem River, but we weren't far away.
That's what I do and I enjoy even the hateful moments of a relationship where two people or four people come together to make a bigger mess than originally intended.
I always wanted to tell the story of how Pearl Jam is the story of lightning striking twice. As well as being the flipside of the classic rock tale where great promise ends in tragedy. This is where tragedy begins great promise.
I think what we do best, in the artistic world, are the things where we're handicapped.
Music is supposed to be an escape. It's supposed to be somewhere you go, where you can be yourself, or be whatever you want to be.
When I was young, I went to a church where the lighter-skinned you were, the closer you sat to the altar.
When I shall again write to you, or where I shall be tomorrow, I cannot tell.
I've always appreciated working with people I have chemistry with, who are friends, and where you feel that the work is growing while you are getting to know each other better.
I love actors that are brave, that are courageous. And courage to me is not the absence of fear, it's the presence of fear, and they go to places that really scare them, because as an audience, that's where you feel danger.
I wanted to make pictures where you would not know who took them. I also bring the present into the past.
I know people have tattooed my 'Sons of Anarchy' photos, they've painted them, on their bikes. I've seen a few of those, sent to me through friends, where they've actually taken my 8x10 Tig photo and put it right on their bike.
