Those of us raised in modern cities tend to notice horizontal and vertical lines more quickly than lines at other orientations. In contrast, people raised in nomadic tribes do a better job noticing lines skewed at intermediate angles, since Mother Nature tends to work with a wider array of lines than most architects.
You don't rehearse jazz to death to get the camera angles.
A lot of these angles are really about trying to mimic broadcast sports angles in order to anchor the scene, to sort of normalize it before it becomes abstracted.
I made a photograph of a garden in Kyoto, the Zen garden, which is a rectangle. But a photograph taken from any one point will not show, well it shows a rectangle, but not with ninety degree angles.
Even the dullest bird or face becomes interesting when you give it a good look in the wild/flesh. The way the shadow drops across the cheek, the light hits an eyebrow, etc... there are many more angles, positions etc. than you can ever imagine. My heart always makes a little jump when I see things in birds or faces that surprise me.
Cock your hat - angles are attitudes.
You can really walk around a song and completely, if it's a good song, look at it from a lot of different angles. Johnny Cash with Rick Rubin illustrated that perfectly.
What's important to me is offering perspectives into worlds that people don't often get to see. Do you know what I mean? From angles they don't often get to see.
I feel like all the songs are little scenes, different angles, of the feelings that come around something ending.
I now find magic in the mundane. I'm also more creative - better able to look beyond the obvious and come up with new story angles.
There's a fun, nostalgic aspect to Legos - people connect to the art on a different level. But it's also a medium that lets me design anything I can imagine. I especially enjoy creating curvy forms using rectangular pieces. Up close, you notice the sharp angles, but when you back away, the corners blend into curves.
I do seem to have a lot of family secrets in my novels. I guess I'm one of those writers who is often writing about the same sort of themes, but taking different angles on them.
I'm 25. I'm a white, blonde girl in the entertainment industry - it's so easy to fall into a world of pleasing everyone. I feel more comfortable showing all these odd angles to myself.
I'm sort of like Jean-Paul Goude, the graphic designer who used to style Grace Jones and shoot all her visuals, just meaning that I use all mediums in one - music, fashion, and art. I'm hitting it from all angles.
The opera tells the story with all the built-in contradictions and from many different angles.
'Babel' is about the point of view of others. It literally includes points of views as experienced from the other side. It is not about a hero. It is not about only one country. It is a prism that allows us to see the same reality from different angles.
Some people thrive under pressure, but pressure can also ruin your performance, it can push you down angles which you don't want to go.
Can we call the essay its own genre if it's so promiscuously versatile? Can we call any genre a 'genre' if, when we read it from different angles and under different shades of light, the differences between it and something else start becoming indistinguishable?
When I'm shooting on location, you get ideas on the spot - new angles. You make not major changes but important modifications, that you can't do on a set. I do that because you have to be economical.
You give them recommendations. You throw different angles at them where, hopefully, they can get something out of it.
I was a lawyer for about ten years. The law teaches one to see things from all different angles.
I like to train the body from as many different angles as possible to use every modality available to do it.
In 'Beowulf,' director Robert Zemeckis uses a technique called 'motion capture' to conjure fantastical things, angles into action and sweeping vistas to stun your eyes and take your breath away. But what he hasn't mastered and what the technique can't do is this: emotion capture.
I've learned new footwork patterns that are very unusual. I've learned how to find a lower centre of gravity, and I've found more angles to throw shots.
There's a lot of thinking when you choreograph something. You're not just choreographing some bodies, arms, legs flying around to look cool. It's a lot more complicated and sophisticated. You also have to deal with the connection of the whole film, so when I choreograph, I think of the movement itself, the camera angles, the characters.
I can teach many sports, but obviously, tennis is the one. When you do other sports, you see things from different perspectives: different footwork drills, body positions, angles and geometry. All that stuff is helpful, and so when I do other sports, I can see things, because once you know one sport, then the other sport becomes more clear.
What I do, basically, is look at things from different angles. That is what I do on stage comedically, and that is what I do in art. I was always fascinated by the structure of things, why things work this way and not that way. So I like to see how things behave if you change the point of view.
It's all about the light. Always face it, because that's how you give your face good angles. If you're outside when the sun is overhead, you're going to have dark circles from the sun creating shadows on your face. So no outdoor pictures between 12 and two!
Some time ago, I investigated the possibility that a computer might be able to reconstruct a picture from sets of very accurate X-ray measurements taken through the body at a multitude of different angles.
TV helped me understand camera angles, close-ups, master shots.
The Trump Administration is working from all angles to bring jobs back to our country by making it a better place to do business.
There are a lot of artists in Gowanus, and certain things come into your visual vocabulary from living there - the scale of the subway and the canal, sometimes it almost looks like a de Chirico painting, with the intense angles of the shadows and everything.
We would get 20 different angles and then cut them all together. That's what I called it at the time - the 'cubistic' treatment of shooting football. It was the same thing Picasso did except we did it with a football play. It's taking a single image and looking at it from multiple perspectives.
If you can show something as complicated as two people falling in love with just music and camera angles, well, just think about what you can do with football.
Your woods, irons and wedges are built with specific lengths and lie angles, which demand that you stand to the ball a little differently for each one. The secret is to know which elements of your address position remain constant, and which ones you have to tweak to match the club in your hand.
Always try clothes on before you buy them. Stand, sit, walk and inspect yourself from all angles before you buy it so you don't regret it later. Knowing what it looks like on you is very important, as your body shape must suit the cut of the outfit.
