The platforms that are big, global, diversified, and both financial and physically enabled are competitively much better positioned than those which are not.
It's impossible not to be taken in by the spectacle of oneself, which is the biggest sin of the culture right now.
The return of my birthday, if I remember it, fills me with thoughts which it seems to be the general care of humanity to escape.
What mattered about Alan Kurdi's photograph was that it made Canadians very angry, and the Conservatives, Liberals and New Democrats ended up competing with each other over which party was offering the most generous refugee policy.
Once you walk off the set, if you're an actor, the rest isn't your responsibility, which I like a lot. I'm not responsible for the final product, which is why it's always a pleasure when you see it's in the hands of the people afterwards putting it together.
By vulgarity I mean that vice of civilization which makes man ashamed of himself and his next of kin, and pretend to be somebody else.
We respond to a drama to that extent to which it corresponds to our dreamlife.
I think about the question of perspective in reporting all the time, and since I spent 20 years of my career in Washington as both a reporter and an editor I'm keenly aware that a newspaper should not be dominated by stories in which the only voices and perspective come from those in power.
There's something rather wonderful about the fact that Oxford is a very small city that contains most of the cultural and metropolitan facilities you could want, in terms of bookshops, theatre, cinema, conversation. But it's near enough to London to get here in an hour, and it's near enough to huge open spaces without which I would go insane.
The internet is a wild land with its own games, languages and gestures through which we are starting to share common feelings.
Not knowing whom to fall in love with is like not knowing which film to make next. Life is pretty chaotic; it's just an illusion that one has control over one's life.
I am thrilled to be working with Alex Sanchez as the artist on 'Katana.' His work is wildly eclectic, exciting and powerful, yet slyly humorous, which is a perfect match for Katana.
There's a point at which writing a book, or a long article, begins to feel like mental labor, and it's too painful to connect in the world in any real way mid-process. The only way to survive is to write until it is all said and done.
When I was 11 years old, I was a member of 'Press Pack,' which was a thing that would come out in 'The Sunday Times' in England. You'd write articles and send them off and would get a badge saying 'Official Press.' I was really excited about my badge.
When I was a boy, the only thing which captivated me as much as music was the night sky.
We live in an age of generational turmoil. Baby-boom parents are accused of clinging on to jobs and houses which they should be freeing up for their children. Twentysomethings who can't afford to leave home and can't get jobs are attacked as aimless and immature.
I teach classes 28 weeks of the year, but the rest of the time I do research and write books. While I'm writing a book, which I probably do two out of every three years, it's like having a second job. I squeeze in the hours when I can.
I feel like a lot of the female relationships I see on TV or in movies are in some way free of the kind of jealousy and anxiety and posturing that has been such a huge part of my female friendships, which I hope lessens a little bit with age.
Sometimes people can only imagine that I live a glamorous life 24/7, which I don't. I just like the most natural and simple things. That's what makes me happy.
The instant that movies became described as character driven was the instant when characters stopped mattering in movies. In other words, the birth of the notion of the character-driven movie coincided with the birth of movies in which characters were incidental to the very activities in which they engaged.
There are all kinds of ways in which women, together, change the world. And I don't mean that in a cheesy way. I'm not somebody who believes all women should support each other. I believe very strongly in women critiquing each other, just not critiquing each other more intensely because they're women.
I've always had an affinity for the fashion industry - I've always been drawn to it. But I grew up in Calgary in Canada, which, being a fairly isolated city, is not particularly known for having anything to do with fashion.
Capitalism proceeds through creative destruction. What is created is capitalism in a 'new and improved' form - and what is destroyed is self-sustaining capacity, livelihood and dignity of its innumerable and multiplied 'host organisms' into which all of us are drawn/seduced one way or another.
In 'Attachments,' which is told from a male point of view, people asked me if a man would really think that much about whether a woman likes him. But I have a husband and three brothers, and they're all like that.
Certainly, poverty and economic decline have a lot to do with the so-called rage of Islam. You've got all these young men in countries which are economically in bad shape. The idea that they might be able to make a good living and get married and have a family, a decent life, seems very remote to a lot of people in a lot of the world.
Theo van Doesburg wanted to teach in the Bauhaus in 1922. I refused, however, to appoint him since I considered him to be too aggressive and too rigidly theoretical: he would have wrought havoc in the Bauhaus through his fanatic attitude, which ran counter to my own broader approach.
'Love Don't Let Me Down,' which is the original title of 'Country Strong,' was just as difficult emotionally as 'Tron' was physically. I play a country singer that basically gets on tour with Gwyneth Paltrow's character, who is one of the biggest country stars out there, and she's fallen down too many times and it's an intense emotional story.
People come to my shows on purpose as opposed to coming to a 'comedy show.' Which was always my goal.
In writing lyrics - well, for me, anyway - it's about getting into character, you know? 'Who is writing this?' In the case of the original 'Thick As A Brick,' supposedly a precocious, very young child who's fantasizing about his future and the context of all the confusing elements to which school boys are subjected at that time.
You cannot compare your athletic achievement to the importance of children and giving them a safe environment in which to grow up and enjoy life.
Although the precariat does not consist simply of victims, since many in it challenge their parents' labouring ethic, its growth has been accelerated by the neoliberalism of globalisation, which put faith in labour market flexibility, the commodification of everything, and the restructuring of social protection.
My father's death from prostate cancer in 1993 was tragic. He never complained about pain. He was a fighter. By the time he was ready to die he wasn't able to die in the way that he wanted to, which seemed an outrage to me.
I'd have to say that Nixon feels like the public figure who most dominated my life - from the time I went to fourth grade wearing a Nixon-Lodge button in the fall of 1960, through my college years, which overlapped with Kent State, Cambodia, the China trip and all the rest.
There are certain sorts of jokes which have only to do with the substitution of the unexpected word in a familiar context. If you translated something into French and then had it translated back into English by somebody who didn't know the original, you'd lose what was funny.
In my other books, things do happen, but they are kind of bookends to the real action, which for me was an exploration of consciousness. Not that I don't get into the consciousness of the people in 'The Surrendered,' but you could say there's not as much anxiety about it.
In 1987 I got dartitis, a psychological condition which means you can't let your darts go properly. For a time, I wondered what the hell I was going to do if I didn't recover. But I remained positive and, thankfully, got over it. It occurred during the Swedish Open when I found I couldn't let the darts go.
