It begins with the kind of story the writers want to tell. We never sit around in those retreats and say, 'We really need to make a change. Let's change this character.' Or throw a dart at the wall and see what hits. It all begins with story.
As the Wall Street Journal called our economic plan, supply-side economics for the working man, is resonating in Minnesota and here in Missouri and across this country.
I often meet young directors who, you know, had a 'Ghostbusters' picture on their wall as they were growing up. And it's really nice. It just shows how inter-generational our industry is.
When I was 14, I used to have a calendar on my wall, crossing the days off until I was 15, because the school leaving age was 15. Then three months before I turned 15 they changed the leaving age to 16.
I love the idea of the Great Wall of Trump.
After the collapse of Wall Street in the 1920s, the culture stopped being all about money, and the country survived and ultimately flourished.
I'm not a kid. You don't get in this business for anonymity. It's not like I have posters of myself on the wall, but at the same time, I'm kind of ready for a little bit of it, but I worry for my little one, and my family - their privacy. That's what I'm more protective of.
One of my challenges was to try to photograph the Great Wall of China. And I did actually take some photos, but it was hard to discern the wall with the naked eye.
And last, it may be worthwhile trying to hang something beyond the partial wall because some of the pictures do very well in a confined space.
The words spoken by the leader of the free world can expand the frontiers of freedom or shrink them. When Ronald Reagan called on Gorbachev to 'tear down this wall', a surge of confidence rose that would ultimately breach the bounds of the evil empire.
The iPad - is that a phone or a computer? If I put it on my wall is it a TV?
Generally, I end up being the one thrown against the wall, because Zach is the drummer. He's stronger than me.
It's a different outlook, and one that I understand. When you are a former member of the Warsaw Pact, when you have lived behind the Berlin Wall, when you have experienced the communist systems that existed in these countries, for them, the West represents hope.
Science fiction was rocket-mad for about 40 years until aerospace hit a brick wall about 1970. I would not write off space colonisation or exploration completely, but we are profoundly ill adapted for going boldly into outer space.
There are a lot of ethical firms on Wall Street.
Drag breaks the fourth wall, which is why it's never been quite accepted, because nobody wants to be told that they are really a caricature of themself and to not take yourself too seriously.
I do hear about these actors who go on vacations to Bali for three months, and their agents are banging their heads against a wall trying to find their clients - but that's not me. I'm working hard every day. Enjoy your vacation.
I'd really love to watch David Lynch work, to be a fly on the wall.
I never started collecting figures or anything like that because I'm slightly completist with things, so if I start down a path, I'm worried where it'll end up - i.e. With a wall of something!
Whether it is Obamacare, the stimulus, Wall Street bailouts, the food safety bill - on vote after vote, Bill Nelson has chosen to side with Harry Reid, Nancy Pelosi, and President Obama over the people of Florida.
Ronald Reagan will be remembered for leading the United States during a time of tremendous international transition - the demise of the Soviet Union, the Berlin Wall coming down, and the end of the Cold War.
Architects design buildings; that's what we do, so we have to go with the flow; and, even though I'm still an old Leftie, global capitalism does have its good side. It's broken down barriers - the Berlin Wall, the Soviet Union - it's raised a lot of people up economically, and for architects, it has meant that we can work around the world.
If we take care of the customers and associates and grow the business, Wall Street will be pleased.
The upper 1 percent, the people down on Wall Street, the corporate executives, they're the people that control this economy.
I grew up under the spell of London. Illustrator Kerry Lee's evocative 1950 wall map of the city hung above our breakfast table at home in Canada. Over my corn flakes, I traced the capital's high roads and medieval alleys.
Sometimes when you do a part, the wall between you and the characters can be very porous. You can sort of move in and out of your character's persona and being. And that just couldn't happen on this one because of working with him.
I'd work for John Waters again, because he's so off the wall.
Those diplomas on my wall would not be there without the GI Bill that educated my father, without the public library, without the RIPTA bus.
I served in all commissioned ranks from a second Lieutenant to a Major General. And during that time, I spent most of my time being a high-class muscle man for Big Business, for Wall Street, and for the bankers. In short, I was a racketeer for capitalism.
The jet stream is a very strong force and pushing a balloon into it is like pushing up against a brick wall, but once we got into it, we found that, remarkably, the balloon went whatever speed the wind went.
After working for 14 years on Wall Street and growing up in a family with strong roots in small business, I know how important the entrepreneurial spirit is to attaining the American dream.
If Trump was really looking for Mexicans to pay for the wall, he should put in a call to Sinaloa. They'd probably build it for him.
But the good news is that out in the countryside, just about every place that's got a zip code has somebody or some group of people battling the economic and political exclusion that Wall Street and Washington are shoving down our throats.
Those of Manhattan are the brokers on Wall Street and they talk of people who went to the same colleges; those from Queens are margin clerks in the back offices and they speak of friends who live in the same neighborhood.
And we... right from moment one, we were always kinda up against the wall a little bit when it came to the future of the show. There were always rumors.
Most artists have experienced the creative block. We get stuck in our work. We beat our head against the wall: nothing. Sometimes, it is because we are trying something at the wrong time.
