I literally remember when I made my audition tape for 'Buffy'. I went to the Arsenal Mall. I got my outfit at Contempo Casuals in the Arsenal Mall and put some safety pins in my jeans. I remember telling whoever the clerk was that I was making a tape for 'Buffy', and they were so excited.
I didn't know I could sing until I auditioned for 'Les Miserables.' My friend was auditioning, and I wanted to audition too.
As evidenced during my failed audition, I'm a thorough introvert who would completely hate living in a 'Real World' house. I would have taken my Ikea comforter to the confessional room and never come out.
The blind audition process can be nerve-wracking.
That's where the theatre of dreams is, over in L.A.; it's the land of opportunity for actors, and to go over there with a good team behind you and have a part you want to audition for really makes it a joy.
I had never picked up a basketball before. I went through a grueling audition process. It was almost as if I was learning to walk. It would be like teaching somebody to dance ballet for a role.
I have found that so many directors and producers in the room say nothing, and this can be deadly. It's very difficult to audition for comedy in the vacuum of a small room, but it's the only way most do it.
I ran away from my house when I was about 12 years old to audition for a film.
But I certainly know a lot of people that existed at that level and are always kind of pining for more, always thinking that the next big break, the next opportunity, the big role are just around the corner of the next audition.
'Sister Act' was my first audition out of school. I was 21 and cast as the understudy. It was non-Equity, so I lived in L.A. on $300 a week. I did that for a month and then came to New York to do a couple of gigs, including 'Hair' in the park, before going to London with 'Sister Act,' where I played the lead.
I want to do acting as much as I can. When you're on contract with a show, you can't really do other shows. It's hard to do film. I haven't had the opportunity to even audition much for films because I don't have an agent.
I audition for a lot and don't get a lot.
Because I sleep with him he asked me to audition, you know?
It's easier to get an actor when you just ask them to do a day on something rather than have them come in, audition, get picked.
My characters have to talk, or they're out. They audition in early scenes. If they can't talk, they're given less to do, or thrown out.
And when I have lived elsewhere, every two weeks I have to fly back to LA. Even New York directors go there to audition. So I have to be there to a degree.
The best thing I ever learned when I first started acting is that you audition, and then you forget about it when you walk out the door. Even when you have a callback, you can't bank on things until you actually book that job, or your heart will just be broken over and over again.
You have to have talent. You have to get the audition and then you have to nail the audition.
I didn't know how to box so I would have looked like a complete street fighter actually, but what we did have to do was pick up some sides and then just memorize them within two days and go there and audition.
If you want proof that 'Catfish' was real, just put me in an audition room and watch me fall apart. I can't pretend. I'm really bad at it. That's partly what makes me good at hosting a reality show.
I have had the auditioning process go on for two weeks or three weeks. I am always incredibly anxious. The audition and the wait is definitely the hardest part for me.
I'd knocked on doors when I'd gone to theater school in Los Angeles the summer of my junior year, trying to find an agent and submitting headshots, but nobody would see me, and I knew it was virtually impossible to get an audition if you didn't have an agent.
I was going to move to New York after college and had no interest in pilot season. I'd seen what happened on TV shows because of my dad, and I didn't want to open myself up to that. But 'Pretty Little Liars' had a very early audition, and my agents encouraged me to go even though I didn't think it would be my thing.
I feel like every time I walk into the audition room, they can tell if you're faking it and if your heart's really not with it. So I try to keep it as real as possible.
It's an interesting thing when you're casting a film - especially when you're trying to discover someone - you're waiting for someone to step into the room in an audition process and claim the role.
I was about 15 years old, and I needed a job, and somebody I know - I don't even know who it was - said that there was a television show that needed a presenter and that I should go and audition for it, so I did. That was a show called 'The Word,' and I got that job.
My family moved from Massachusetts to Maryland after my sophomore year of high school, and that's when I got the audition for 'Uncle Buck.' I took the train into New York, and I think I did the test with John Candy. Then I got the part, and it was my first movie and my first screen anything.
If I said to most of the people who auditioned, 'Good job, awesome, well done,' it would have made me actually look and feel ridiculous. It's quite obvious most of the people who turned up for this audition were hopeless.
I wasn't originally taking drama, but the drama teacher asked me to audition for Bye, Bye Birdie. I did and got the lead role. Initially I was kind of scared, but once I did it I got bitten by the bug and loved it.
I didn't start drama school until I was 20, and I don't think I would have gotten nearly as much out of it had I gone when I was 18. I didn't show up there to please anyone. After I was accepted, I wrote, 'The Audition's Over' and put it on the door of my dorm.
I'm in so many videos. There was a period of about two years where I danced for everyone: Kylie Minogue, Ed Sheeran, Jessie J, Taio Cruz. It got to the point where my fees were double the other girls', and I wouldn't even have to audition. They'd call my agent directly and say, 'We want twigs to come in.'
I'm good at cold reading; I've made a living doing this, and most of the time I do audition, but it's very tough. It's a very uncomfortable, awkward process. You never get used to it, really.
Quite honestly I never had a desire to be an actor. I tell people, I did not choose acting; acting chose me. I never grew up wanting to be an actor. I wanted to play football. In about 9th grade an English teacher told me I had a talent to act. He said I should audition for a performing arts high school so I did on a whim. I got accepted.
Anytime I audition for something, it's always a question of whether or not the people I'm auditioning for understand I'm an improviser and I like to do that, and if they like that or if they just want someone who's going to do what's written.
I would drive down in my Volkswagen Jetta to Los Angeles and just audition, audition, audition, audition, and hopefully get something. I did that for two years, and the third year I came down, I auditioned for 'How I Met Your Mother.'
I hadn't worked for a year when I had my Prison Break audition and it was the easiest audition I've ever had. I got the script on Friday, went to the audition on Monday and got the part on Tuesday. I was shooting the pilot a week later. I didn't have time to be nervous - it happened so quickly.