Zitat des Tages von Ben Schnetzer:
Movies should make people uncomfortable sometimes.
When we were shooting 'The Book Thief,' I was keeping all these journals. And I remember talking to my mom, really trying to verbalize all the experiences I was having. And I remember my mom saying, 'Ben, reflection is a retroactive process.' When you're going through it, that's the time to just let it wash over you.
I grew up with an older brother, and the bond between siblings is unlike anything else, and it can be a real journey to accept what that bond is once you both mature into it. Because it's not always what you want. It's not always what you expect. It's not always what you imagined or hoped. But it's one of the most important things in the world.
I didn't start drama school until I was 20, and I don't think I would have gotten nearly as much out of it had I gone when I was 18. I didn't show up there to please anyone. After I was accepted, I wrote, 'The Audition's Over' and put it on the door of my dorm.
If I audition for a job that I don't get, to be honest with you, I'd rather my friend get it. I think there also has to be an acknowledgement of the fact that, as an actor, being in employment is not the norm.
I think whenever you have a common goal with someone, you're going to bond. It's really hard to get two people together and be like, 'Hey guys, why don't you just bond!' But if you say, 'Listen, I need you guys to build this house, or I need you to do this or I need you to make this movie,' you'll get to work and you'll get close.
When I decided I wanted to go to drama school, I realized that a lot of the actors whose careers I really admire and whose work I really admire were English and English trained. I felt there was a real vocational feel to work in the U.K.
When you're working on a film, it's not theater; you don't have a few weeks of rehearsal. A lot of times you are showing up on set, and you've never been to the place; you've never met the other actors you're working with.
The more comfortable men are with dealing with their own vulnerability and their own ideas of masculinity and feeling emasculated, the healthier they are. It's a healthy thing to deal with.
I left drama school to do 'The Book Thief' - it was a real trip going straight from school kind of right into it, but I feel like the momentum of being in school put me in a good mindset as far as going into it as a learning experience.
A lot of the messed-up stuff that men inflict on women is kind of a symptom of the messed-up stuff that they should be dealing with themselves.
I really admire people who concern themselves more with how they perceive the world rather than how the world perceives them. I think, as an artist, it's very important to do that. You can limit yourself a lot if you spend too much time caring about what people think of you.
It certainly isn't like I'm reading scripts thinking I need to do something really different. But you want to stretch yourself and challenge yourself; that's really the major turnon when you're going into work.
