Zitat des Tages von Allison Tolman:
I know the benefits of having a really great improv show are amazing because it was this one rare and fleeting thing that was incredible, but the risk just didn't appeal to me. I liked the control of sitting down and writing things.
I've always had a day job and never been just acting.
I started getting Twitter followers after I started doing press for 'Fargo.' One of my best friends from college is a librarian, and she started tracking after each interview how many Twitter followers I got. She and her librarian friends were like, 'We're going to make a graph.' And I was like, 'Alright, nerds.'
I moved to Chicago when I was 28, and I wasn't completely idealistic about going to Second City and making a living from comedy, but I knew it would be great for the resume.
I moved to Chicago and I did theater, and then I started writing and I stop acting and I did sketch. You know, I did all of the things that, if you were serious about doing television, don't do.
In theater, we know a scheduled season months in advance.
'The Secret Garden' was the first musical that I fell in love with when I was a kid. My mom took me to see it, and it was the first one that I owned the soundtrack to and listened to over and over again.
I don't have any phobias per se, but both tight and vast spaces tend to make me nervous after a prolonged time.
When I first got out of school, I went on a children's theater tour, and I went around the country a little bit that fall, and it was the first time I went to Chicago. We spend a couple of days in Chicago, and I was really struck viscerally by the city.
As a comedian who's used to, like, punching the jokes, it's hard to teach yourself that that's not the strong choice in the sense that you have to really have to dial it back.
The best thing I ever learned when I first started acting is that you audition, and then you forget about it when you walk out the door. Even when you have a callback, you can't bank on things until you actually book that job, or your heart will just be broken over and over again.
I do find that when I see women who flesh out the television or film world and make it look more like the world I actually live in, I gravitate towards those characters.
There are a few directors as a young person where I was kind of like, 'Well, these are a sure bet.' The Coens, Paul Thomas Anderson, Wes Anderson.
I did Internet dating for a while, and that is rife with horrible dating stories.
I worked in IT, which is all boys, and I was the queen of the boys. That's what I did. I was the one who knew where the paper towels were, which was very important. And I organized happy hours and things like that.
At Clements, I was an officer in Thespian Troupe No. 3689.
I guess my interest in performance has evolved and changed many times over the years.
The thing about theater that always and still kind of makes me edgy is that you work and work and work and work, and then you're just in performance mode, and then you have to just be on; the work is done, and then you just have to do it over and over again, so you're just constantly at that performance level.
I liked in television that you do some work, then you perform, then you stop and you have a break because they have to set up lights, and then you do some more work. I really liked the pace of it; it really agreed with me. I enjoyed it.
Body-shaming is something I feel really strongly about. I think about my niece, I think about my friends who have daughters being on the Internet and reading these things, and it just makes me furious. It makes me so angry.
When you go in to do a screen test, you negotiate your contract and sign all your paperwork before you even get on a plane.
I grill, like, every day.
Coming out of Dallas and doing commercial work in Dallas - if you had improv background in Dallas, then you were instantly shot to the top of the list of commercial bookings because they loved improvisers because you could elevate the material.
My mother has stories of leaving me in the bath as small kid, like a 3-year-old, and there being mirrors on the side, and her going to get a towel and coming back in, and me making faces at myself, like, 'Now I'm happy. Now I'm sad.'
I need an office and a place I can sit down to get away from television and just write.
For me and accent work, I think once you've figured out where that energy is, where the sound is in your throat or your mouth, it's a whole lot easier to do.
Whenever I've done a sketch in which I'm asked to play a mom, my brain goes to Minnesota. It makes the character seem matronly, warm, the kind of person that takes care of you and brings you Campbell's soup when you're sick. It's a great shortcut.
I'm from Texas, and Texas has a reputation that far precedes actual Texas, and it is irritating sometimes.
At 32, I kind of thought I was past the point where I was gonna get a break that really changed my life overnight.
I've been working as an actress and sort of struggling along for ten years, so I've been on a million auditions for a million things I haven't booked.
I don't know what my next dream role gig is, but I have so, so many shows that I'm like, 'Oh my God, can I guest star on 'New Girl?' Like, that would be amazing!'
I don't think I have ever worn more outfits over the course of four days than I did Emmy weekend. You barely sleep. You don't eat.