Zitat des Tages über Viszeral / Visceral:
Hip-hop and electronic music are so similar, in the fact that they're both very visceral, have so much bass; a lot of times, it's the same tempos. The culture and some of the sound design is different but a lot of times, it's the same stuff.
My whole mood or sense can change by virtue of the music that I'm listening to. It really does affect me on a visceral and emotional level.
I love the rehearsal process in the theatre, and the visceral sense of contact and communication with a live audience.
'Up the Junction' went on to inform my love of British social realism. It was the first film I saw of this ilk, a very stark, visceral reflection of England, an England I didn't necessarily feel a part of but that I knew was out there. You could almost smell the bread and butter and cabbage.
When people tell me I can't do something, I have a visceral reflex to say, 'Yes, I can.'
Jacobean plays, before Shakespeare, were particularly visceral.
Clothes allow you to see yourself in a different light. They can transform you instantly and have a very real, visceral impact. Clothes become symbolic of who we are.
Every fundamentalist movement I've studied in Judaism, Christianity and Islam is convinced at some gut, visceral level that secular liberal society wants to wipe out religion.
With years of experience doing whatever it takes to get to the bottom of each story, I am looking forward to covering the stories in the human dimension and impart the passion and visceral reactions the audience seeks.
In the theater, it's a visceral and physical response because you move around so much. You have to do something physical to pull you in. On TV or in movies, everything is so small. You can just lock into a character and ease yourself into that way.
It's fun to figure out a way to make something happen that will get the reader involved on a visceral level. When written well, an exciting scene on the page will actually have a physical effect on the reader - your heart will beat faster, your adrenaline will start to flow.
For me, the perfect film has no dialogue at all. It's purely a visual, emotional, visceral kind of experience. And I think one can create wonderful depth and meaning and communication without using words. I started out as an illustrator and a cartoonist and caricature artist, so for me the visual is primary.
Art comes from a visceral need and is usually generated by something I have seen; writing comes from something that happens in my head and my heart.
From the moment I saw 'Camelot' as a kid, the organic inclination of performing before a live audience is raw and visceral. Once you're out there, there's no yelling 'Cut!' or any such thing as a do-over because that moment has passed, and you're in it as it's happened and gone, sharing it with everyone.
I'm always going with my visceral reaction when I read a script. I am more drawn to characters who are conflicted, and in developing a character exploration. If it's a baddie, I'm rarely intrigued, and if it's a goody two-shoes - too much of a good guy - I'm not, either.
The visceral experience of seeing a movie in three dimensions, coming at you in the theater, is obviously here to stay, because it is a unique experience. I think that kind of format is only appropriate for some genres, but I'm all for it.
To me the goal of comedy is to just laugh, which is a really high hearted thing, visceral connection and reaction.
Marriage is a blood sport. Marriage is jousting. It's disembowelment. It's just terrible, terrible visceral injuries. It's not for everybody.
The whole process of making movies and writing screenplays is visceral and intuitive.
I like visceral writing that people can't help but respond to, even if they respond, and they're shocked, or they're angry, or they're offended. I think that's the only way to reach people.
The companies that I really admire the most are the ones that have a deep visceral understanding of why people use their service, and they figure out ways of making money that are completely consistent with how people are feeling and what they are doing at the time.
Comedy is so subjective. You could be in a room with 400 people laughing at a joke and you could just not think it's funny. You're just sitting there like, 'Am I in the twilight zone? Why is everyone laughing?' It's such a personal thing. People have such a personal visceral response to comedy.
And there's a visceral fun in watching Team America and making it, like taking a puppet and throwing it against the wall. Because it's not CG, there's something funny about it.
I love a visceral sound, the kind that hits you in the belly.
For guys playing sports at a high level, for money, I can't put my finger on it, but in a man's world of sport, there is something visceral to beating another man.
I think a film is a failure if it doesn't have an emotional effect. That's the film's failure. Not if it doesn't deliver a message, but if it doesn't have emotional effect or visceral effect.
Oberst is one of those musicians that some people hate in a visceral, biological way.
I remember early on, in the first couple of years especially, I would run into some people that would try to put Kickstarter under the 'social good' label. And I actually had this very visceral reaction - I just didn't like that at all.
I just think that sports movies have such a built-in visceral, rooting interest, an epic win or lose redemptive quality. When they get it right, it can make for a really rousing movie experience.
I feel more Irish than English. I feel freer than British, more visceral, with a love of language. Shot through with fire in some way. That's why I resist being appropriated as the current repository of Shakespeare on the planet. That would mean I'm part of the English cultural elite, and I am utterly ill-fitted to be.
There is a visceral dislike of George Bush, and it's going to bring these guys together.
The marketplace tells us that good, visceral storytelling has a place. But there are lots of questions about the format that stories take.
When I read 'The Water Diviner,' I was having the same kind of visceral reaction that I would normally have acting in something. I believed that I was the only person that could tell this story the way it needed to be told. That's the real arrogance of a director!
Acting is kind of difficult to intellectualize - it's a far more visceral experience. It's really hard to be able to think about and then employ these kind of esoteric notions of this person's backstory and try to weave it in somehow. It's just kind of impossible.
I don't really begin with ideas about genre. I certainly wrote a gothic novel, 'The Keep,' that conformed to and, in some ways, played with every convention I knew of to work with in the gothic, but the way I came to it was very instinctive and visceral.
I've been all around the world, and there will be a thousand kids crying out your name, and it's such a weird, visceral experience. It's like, it's disorienting.