The way films establish the order of scenes is very artificial.
I used to watch 'Coming to America' every day after school. I have full-on long-running inside jokes with friends and family about different scenes in that movie alone. Also, my brother and I loved 'The Golden Child,' so, yeah: I was a huge fan of Eddie Murphy growing up.
The quality of television is becoming so good from an actor standpoint, where you get to do these amazing scenes with amazing directors and cinematography.
There is a lack of humor in fashion. To me, it's always been the fun, cool industry to work in, and I always wanted people to be on my side and see how much fun we really have behind the scenes.
Rewriting isn't just about dialogue; it's the order of the scenes, how you finish a scene, how you get into a scene.
I have these huge black foam boards on the wall, and tacked to them, I have these white punch cards with my story ideas, scenes and notes.
OK, I love 'The King and I.' I'm a huge Yul Brynner fan. I love the scene where they danced after the big banquet; that's one of my favorite scenes in a movie of all time. It's romantic and sweet and wonderful.
It's my official role to represent BTS to the world, and it's been a chance for me to mature as a person, but behind the scenes, I'm just one of seven members, and I'm inspired by the others all the time.
I grew up watching movies and being amazed at the animatronics you'd see in stuff like 'The Dark Crystal,' and all those kinds of movies. So, I'm always enthralled with how they can make it all work, behind the scenes, with the visual effects.
I like to give dimension to shots inside action scenes. It's demanding because you have to rehearse a lot of things happening at the same time and frame all those things in a shot. But I feel like when you accomplish that then you've got a cool action scene.
I run all the brands like cousins. You want your cousins to do well, but you want to do better. All of our brands want to win, but we certainly want to fight fair and coordinate as much as we can behind the scenes. But to the consumer, we want to offer the broadest, most competitive set of products that we can.
I was writing a scene where a guy was choking another guy to death. You can go online and type 'chokeholds' and watch scenes where martial artists choke each other out. You can hear what noises they make when they go unconscious, see how their bodies flop and everything. YouTube is amazing for the more detailed stuff.
I don't like when you necessarily know that this is the end of the movie. I like when a movie ends abruptly. You go through this, and some of the scenes are uncomfortable, and some are funny - and then suddenly it's over.
The process of doing films is not my favorite, but I love television. Television is a quicker turnaround. You shoot more during the day, which makes me feel more productive. It would be like, 'I did five scenes today and ten pages.' That's television.
I'd be lying if I said that any part of writing is easy for me, but I have always found that setting comes more naturally to me than, say, writing action scenes.
I can't bear kissing scenes.
I never rehearse scenes with the whole ensemble, because I need to preserve some surprise. Instead, I work with the cast individually on their characters.
I don't want to be Batman. Let Val Kilmer do it. I just want to be Uncle Batman. I have this whole 'warm relationship' plot in my mind. In the final scenes, the new Batmobile breaks down, the new Batman's stranded on the side of the road. We grab our old Batmobile, pick him up and drive away.
'Cinderella' the cartoon scared me. I watched the bits with the mice, and the scenes with the stepsisters ripping her dress apart scared me. Cinderella was never even my favorite character in 'Into the Woods.'
Congress suffers a great deal of criticism for its partisan acrimony. But while we may disagree politically, and air our opposition in this chamber, it is the conversation behind the scenes that cements and defines our relationships.
The joy of 'Crash' was that it was all about the work. It was my first real part. Before that, it was a line here and there, maybe a scene. 'Crash' was five scenes, a beautiful arc, a little vignette of my own. It really meant something.
Some of the best scenes in drama take almost no time - helping to illustrate that life-changing events in real life often occur in a split second, after which nothing is ever the same.
Kissing scenes with a boy or a girl, they're awkward. There's nothing sexy about it. There's a lot of people standing around.
The biggest challenge for me has been in coping with my perfectionism. I have a stiflingly hard time moving forward in a project if it's not 'just right' all along the way. The trap I so easily fall into is rewriting and rewriting the same scenes over and over to make them perfect, instead of continuing on into the wild unknown of the story.
Every time one can write a self-deluded song, you are way ahead of the game, way ahead. Self-delusion is the basis of nearly all the great scenes in all the great plays, from 'Oedipus' to 'Hamlet.'
Before I'd written movies, I never could do big set-piece scenes with a lot of different speakers - when you've got twelve people around a dinner table talking at cross purposes. I had always been impressed by other people's ability to do that.
I've seen movies that are slavishly devoted to books but don't work because they haven't turned it into a movie: they've turned it into a dramatisation of the different scenes.
A lot of people behind the scenes were telling me that I was going to have to do something with my hair, my weight, all of that stuff.
I love action. I love doing fight scenes; I always have. I love it.
I really don't like when you see improv scenes go on too long. It really bothers me, even if the jokes are good.
My tutors at drama school commended and criticised my use of comedy in my acting for a long time at drama school. They said I had a tendency to somehow perform the most tragic of scenes in a slightly flippant way.
The fight scenes in 'The World's End' have a certain balletic quality to them.
