I have kissed in almost all the films except in 'Once Upon A Time In Mumbaai.' I'm not sure if my kissing on screen has anything to do with the success of a film, but producers make sure to put a kissing scene or two. They feel my kissing scenes are my lucky streak.
Something that I learned from 'Friday Night Lights,' sometimes if you have four or five scenes in an episode, it's not having less than having 10. It's what you do with those scenes.
One of the dangers of science fiction, particularly bad science fiction, is that you have these scenes where the characters turn to a blackboard and start explaining how this faster-than-light drive works, or something like that. We never really have those conversations in real life. That's not part of the way we interact as human beings.
My job is designing shoes. It's work that happens behind the scenes, as they say, and that suits me just fine because in general I am a shy person. But sometimes I have these extroverted outbursts.
The biggest difference for me is momentum. On a smaller film you get to shoot sometimes four or five scenes a day and you've got to do the tight schedule. I think I really feel the luxuries of a big budget film.
I just shot my first dramatic movie in France, and for those dramatic scenes that I shot, I would not want to look at those. There's a certain mindset you have to put yourself into for those scenes, and looking at the monitor would just take you out of it.
I'm used to a lot of love scenes. I'm used to something that requires me to kick up my heels and wink-wink, flirt-flirt with a twirl of my skirt.
I didn't know how to write a novel, so I sort of let it happen in waves. The only way I could write it was to think like scenes in a movie.
To make it more familiar to me, I ended up treating my swordplay scenes like choreography. So it was, 'One and two and three and four and five, and turn and step and down and up and lunge.'
I've realized that I owe people a look behind the scenes of my own story, because I don't think anyone can have a true understanding of the music without an insight into where it came from.
I went swimming the other day and my wife was watching and she said, 'You know, it's funny, it's when you've got no clothes on, no one recognizes you.' I said, 'What are you saying? That I should do more love scenes?'
I watch a lot of movies, and I tend to be influenced by scenes that intrigue me, that make me want to use the same effects or technique.
The only time producers fed me lines on 'Laguna Beach' were more fake phone calls or pickup scenes. We'd film for nine months out of the year, and then they would start cutting episodes together, and they would realize that they needed a specific scene.
There are three kinds of people in this world: 1) People who make lists, 2) People who don't make lists, and 3) People who carve tiny Nativity scenes out of pecan hulls. I'm sorry, there isn't really a third category; it's just that a workable list needs a minimum of three items, I feel.
It was actually my older brother who wanted to start acting. He would point at the TV as a kid and tell my mom he wanted to do it, and he would act his favorite scenes from 'Home Alone.'
I didn't find it difficult to live in the 'Inherent Vice' world or play those scenes, because they just seemed so real.
The downside to making movies at a gallop like we did with 'Wish You Were Here' is that we're shooting four or five scenes in a day, and it's very exhilarating, but you worry at the end of the day that you missed some details because you were moving too quick, and you just gotta trust and be ready straightaway.
I feel like because I've done more gay characters, gay scenes, or gay projects than most straight actors, people see it as some sort of mission. It's more of a case-by-case basis, and just trying to capture figures that I love. I guess that a lot of the figures that I love were gay.
There are scenes from books I'm happy with. I tend to think my books are all broken. But then my favourite reads are almost always books that don't, in the end, pull off what they set out to do.
The nude scenes were a little eerie and I felt a bit odd. Yeah, when the camera scanned up my body, I said to my friend, 'Now, that's a close-up.' I mean, you see every inch of my body. But I'm okay with it and so it was cool.
I thought I was okay in my first film, and then I was really, really bad in some films. I really cringe when I see some of my scenes. There's a scene in one film where a dog is biting me; the expressions I have made should be qualified as the most over-acted scene in the history of the cinema. The dog's expressions were more real than mine.
I do all of my own stunts in videos. The Jet Ski scenes, the fight scenes, all of them!
I love scenes that are just emotional give and take. By the same token, action sequences are great to do. They have their own unique demands and requirements. So I take it as it comes, and hopefully you can get a good balance of all of that stuff.
An Emraan Hashmi film has come to guarantee certain ingredients: An intense, grey central character, a beautiful girl - if he gets lucky, then two - couple of kisses, a few bold scenes, fabulous music and a climatic twist.
Even with college, the reason I wanted to go so badly is because I wanted to major in film. I want to take screenwriting classes and learn more about behind the scenes stuff, because I love people like Steve Carell and Kristen Wiig who are able to write a lot of their own material and be so involved in everything they do.
It's hard sometimes, especially with a book like 'Scorch Trials,' to truly adapt to the way the book is because so many of the scenes that take place in the book are really graphed and painted for the imagination. Trying to bring that to life is a really big task.
I'm always interested in the ways in which a character can inhabit either a theme or a premise personally, so that those scenes that are about his character or his relationship with other characters feel in context and don't seem to be apart from or oddly vestigial to the actual drama.
Work out really hard and be confident because bodies are beautiful, sensual and natural. I've also trained in Wushu, a form of martial arts - it's very beautiful and flowy, and it's predominantly used in fight scenes in movies, which is how it was introduced to me, and I just love it.
Some scenes you juggle two balls, some scenes you juggle three balls, some scenes you can juggle five balls. The key is always to speak in your own voice. Speak the truth. That's Acting 101. Then you start putting layers on top of that.
I think my role, I want to have a presence both behind the scenes and in front of the camera. So I can't say on one particular thing, so I'll just name them all. I'll be the jack of all trades and hopefully decent at one of them.
I had so much fun working with Akshay, especially in the action scenes.
Too many actors try to get too much out of scenes that they ought to be leaving alone, just doing them quickly and getting the hell out.
Fight scenes are like learning a dance. You learn it move by move, and then you put it all together and it looks awesome when you edit it together. It's great!
A study by the Parents Television Council, a media watchdog group, found scenes of graphic violence and gore are increasing in TV dramas - and particularly on NBC.
I run advertisements and sell T-shirts to cover overhead costs and pay the few people who help me out behind the scenes. Anything left over is spent on production costs, animation costs, etc.
I don't do a lot of rehearsal. I don't like rehearsals. I rehearse the day or morning. I spend one hour and a half with all the actors, and we go over the scenes, and we change it and change the dialogue, and we do a lot of things to it, but prior to shooting, I don't really rehearse.
