Whatever you may look like, marry a man your own age - as your beauty fades, so will his eyesight.
The beauty of jazz is that it can accommodate all styles. You can take jazz and put rock in it, and it's still jazz.
There's ageism in everything. I don't give a hoot. It isn't what other people think; it's what you think. But it's hard to come to terms with getting older. I admire people like Vivienne Westwood.
There's so much of a desire in the entertainment industry for newness, a desire to build somebody up and then treat them as old news within six months. I think you'd be naive if you didn't try to hold on to your own way of doing things.
If what you want is a life where your homosexuality is not an issue, move, as many have done.
Next to doing the right thing, the most important thing is to let people know you are doing the right thing.
I did an internship at the Ardent theatre company in Philly after dropping out of college. I was earning $165 a week building sets and cleaning the toilets. Cleaning toilets is a good way of getting in touch with your creativity. That's when you find out if you got anything going on in your head.
You can embrace nostalgia and history and tradition at the same time - it has to progress or it can't survive.
For me, to just have my own shoe is unbelievable. As a kid, you see Jordans and wonder what that feels like to have your own shoe, and the fact that I have one is really surreal.
You still should enjoy the beach and going outside. Having a good time at the beach can still include being smart about protecting your skin because getting burned is no fun at all.
I hate interviews - but you have to do them.
'90s fashion is awesome. Best of both worlds - you had power pop, like the Spice Girls and Shampoo. But then you had Nirvana and Hole. And you also had '90s dance music like N-Trance, who kind of blended both.
I know you aren't supposed to speak ill of the dead.
I want women to see, especially us big women, that you don't have to let them cut you and suck it out. You don't have to let them staple you up. You don't have to let them give you a pill. You don't have to let them put a band around your organs. If you just put the work in, baby, I promise you, it comes off.
I also like to follow nature's rhythm. In times or places, they have their own rhythm. So you cannot push it. So we must accept that as well. Wherever we're born at this time, we just live it.
It's a natural thing for people to say, you know, Who's in this book? I find myself get ting a little defensive. People come along and I'm waiting for that first question.
When you inject capital into the parent, it may or may not benefit the subsidiary.
What's important is to be able to see yourself, I think, as having commonality with other people and not determine, because of your good luck, that everybody is less significant, less interesting, less important than you are.
If you're going to tear down a hero, you should never forget that you're tearing down someone else's hero. You're tearing down somebody else's son. You might have to face her one day.
It's hard to say if actual places really affect the way you write.
Weak arms don't cause you to lose games. When you hit, be sure to get on base. Then no one will care about a weak arm.
Even if the coverage is leaning toward you or whatever it may be, there's ways to beat it.
That's always an interesting concept when you try to make your dream into a reality and you come up against the facts of exactly what it is you're attempting to do.
If you don't know about it, you can't get it.
Eat what you want to eat, but just be willing to pay the price. If you know you want to eat more cake or more cookies, be willing to work out a lil bit more. I think that's the problem people have is you want to eat bad, but yet you don't want to pay the price to work it off.
I'm shooting in Brooklyn, we've got all kinds of crap going on, and I'm all alone now in a big hotel suite that you can't believe the size of it and a thing sticks in my foot and I just think it's the funniest thing that's ever happened to me.
You can be creative and not addictive, or addictive and not creative. Most addicted people do not produce anything of remarkable note.
If you don't have a valentine, hang out with your girlfriends, don't go looking for someone. When it's right, they'll come to you.
Beware of the naked man who offers you his shirt.
When you talk about aiding this country against that country or about fighting terrorism, when you actually take that decision and strip it down, it always comes down to one person in the field giving specialized training to somebody else in the field.
Sometimes you read a script, and you just think, 'Wow, I would love to go and tell that story, and I don't even care what happens to the film, I would just love that experience.' And often, that mentality makes a great film.
It's not what you pay a man, but what he costs you that counts.
Exactly the same with dancing, you can't dance until you've learnt steps, the things your feet can do.
You play for a club like Real Madrid, the people outside start talking.
I'm really private, and also, when I'm home, I'm home. I don't like people in on my business. I believe that you can be overexposed.
I think by that time I knew where Chewie was going, and he left me to do what was called for, because the character had been well established. You know, it was like putting on a second skin by that time.
