I don't mind getting old except for the pain. I have two new knees, so going downstairs is not perfect. Nobody tells you about the pain.
We have this culture of financialization. People think they need to make money with their savings rather with their own business. So you end up with dentists who are more traders than dentists. A dentist should drill teeth and use whatever he does in the stock market for entertainment.
It might sound so stupid, but guys do not hit on me. I'm not really sure why, but it's very rare that a guy will ever come up to me and be like, 'I'm going to lay down my game right now, and you're going to like it.'
I have saved $1,638,580 over my four years. That may not seem like a lot, faced with our deficit, but multiply it by 435 members of the House - and then the senators get three times as much - and you are adding up several millions in savings.
Nerd rage to me is kind of just empty rage. I mean, ultimately, you're not going to do it; you're not going to fight somebody, you know.
The more you are different, the more interesting. The more you are not like me, the more I want to get to know more about you.
One of the things you learn as an actor is that human beings are capable of almost anything. I'm sort of in the business of illustrating that fact.
It's a human desire to be scared. On some level, that's how we survived - that sense of fear and danger. Our lives are much safer, so we gravitate to those stories that makes us feel those things and learn lessons, even if it's just, 'What are you doing? Don't go in the basement!'
Don't let the American twang fool you. I still say, 'I'm going home,' when I come to England, and I love a good old cup of PG Tips with a Jaffa Cake.
I'm sure players in Europe would like to play in MLS, but you maybe have to change some little things to make it more attractive for the players in Europe.
Just to take a couple steps back historically, Korea, as you can see, is located among what we call big countries. And historically we've always been the victim of numerous invasions and whatnot.
I think that if you write what you love to read, that will be what your audience wants to read, too.
You American people worry too much about the China economy. Every time you think China is a problem, we get better, but when you have a high expectation for China, China is always a problem.
Pictures have a lot more power than text. Text is just a bunch of little symbols. You have to actually read it and imagine it, and even that can be censored. With pictures, it's a lot more immediate.
It's nice to stay up nights worrying about the material, and not about the investors who gave you $10 million to do your musical.
I am drawn to those parts; I like the tough girls because they are not tough. It's a veil; it's a disguise. It's defenses. At the core, everybody is human, everybody is fragile, everybody is terrified, and the fear is what propels you to be tough.
When like-minded people, talking mostly with one another, end up thinking a more extreme version of what they thought before they started to talk... If you put a bunch of rebels in a room and ask them to discuss rebellion, they'll get more extreme.
When you're doing a different kind of film, you have to bring a different kind of attitude; you have to bring a different kind of concentration.
This ultimate fighting stuff is something I don't agree with. Once a man is down, you have to let him have a chance to prove how good he is.
Part of my style was getting into a muddle. Audiences think that's part of the act. Sometimes it might be - but you have to guess which bits.
I think, some countries, you have to be dead to have your picture on a stamp.
I still believe there is a lot of truth in Orthodox Judaism, but not the whole truth. Each person has his truth that he has to discover. You don't necessarily have to mold yourself to another idea of who you are.
People think they have to be ambitious. But at a certain age, all you want is to be around nice, decent people.
I think that when something happens when you're growing up, like a death or divorce, it does open the world slightly because things aren't as straightforward.
Imagine how foolish you'd look if, like one clever salesman who once pitched to me, you tried to license your product to a big industry player without knowing they just launched a competing product. With the right background research, he could have avoided that and other landmines - and so can you.
People come up to me on the street and make some little joke - like they'll say, 'Excuse me, sir, what time is it?' And I'll say, you know, '5:15,' and they'll say, 'Hey! Made you talk!' And that's merely a way of saying, 'I know your work and I like you.'
I still start to get panicky each morning before I go on television. I'll say, 'I'm in awful shape, something is wrong,' and if I start to look like I'm going off the deep end, Jimmy Straka, the stage manager, will say, 'You're all right. Calm down.' Then Bryant Gumbel will grab me by the leg or something.
There's nobody you can point to in the world that doesn't make a mistake. The best players, the best business people, the best coaches. So one thing is not going to make or break a person.
I think that's an incredible thing that we can do as actors - to feel empathy toward someone that you may otherwise detest, you know?
'Game of Thrones' couldn't be a movie. There's too much in it. You couldn't do it justice.
At school, I'd be the dude singing to the girls, always up in the auditorium, in the lunch room singing Christmas carols, in the halls between class. I was always singing, and same thing with my grandfather. The apple doesn't fall too far from the tree; you know how that goes.
I think it's foolish to think that if you've done something for so long, you can kind of delete it out of your memory bank or delete every emotion attached to it. I knew when I retired what that meant.
I respect coaches; I respect what good coaches do. I know that you don't learn to be a coach in an hour and a half.
If you're fascinated by America, you'll be fascinated by family.
Sometimes you become friends with the characters you portray.
There is a degree of role-playing in modeling, for sure, and you're also in a high-profile job - there are lots of similarities for sure. But when I'm acting, I've got to try and be present, and I've got to be emotionally committed to a character, both physically and intellectually.