I believe in process. I believe in four seasons. I believe that winter's tough, but spring's coming. I believe that there's a growing season. And I think that you realize that in life, you grow. You get better.
I'd love to drive a Lamborghini, but I think it's hard when the pedals are way down in there, and you sit real low, but I've come up with some pedal extensions. I actually sit in a kids' car seat that my old boss put this beautiful leather wrap around, and it looks just like a Corvette seat that sits on top of my leather Corvette seat.
In terms of the timeline, 'The Force Awakens' came out in December of 2015. I got the role in November of 2015. I was auditioning and waiting to hear back when their marketing machine was everywhere. It's like you're going for something that's so high stakes, and you try to remind yourself, 'Okay, stop thinking about it,' and it's everywhere.
I am a survivor and not a victim. Life isn't perfect. When you get a knock, you have to get up, dust yourself down and get on with it.
My favorite toy growing up was Polly Pocket. But one gift that I wanted though never received for Christmas was a pair of trampoline moon shoes. You strap them to your feet and they have springs on them, and you can just jump around!
Every film is hard work, and a few lucky people do get Oscars for what they do, and it's recognition for all that hard work on a certain level. If you didn't do the hard work, you wouldn't be standing there. On the other hand, people do a lot of hard work and don't get Oscars, so it's a mixture of glory and injustice at the same time.
The first entry into modeling doesn't build your confidence. They pull out the tape measure and pick you apart. I'm a curvy woman, so I was definitely told I was 'too curvy.'
For celebrities, privacy is utterly nonexistent. You are asked intrusive questions about your personal life. You can be photographed at any moment.
I will make myself sick on films, just because you want everything to be right. I can't sleep if something hasn't been done or is out of place.
My parents were fairly young in the city of Compton. So the things that they played - you know, that was the hip crowd. So I was being exposed to all these ideas, from Big Daddy Kane to Eazy-E to the Bay Area - Too Short, E-40 - you know, back to Marvin Gaye and the Isley Brothers.
I'm more than a songwriter. I'm a creative person. Some people you just always see. I won't allow you to see me unless it makes sense. There's a reason to see me.
It is the ability to take a joke, not make one, that proves you have a sense of humor.
The truth of it is that people are not going to want to go to improvisational theater if it's not funny. You can succeed in doing all the things you're supposed to do - be truthful to scene - and if it's not funny, I'm telling you that no one's gonna care.
You can't work in a steel mill and think small. Giant converters hundreds of feet high. Every night, the sky looked enormous. It was a torrent of flames - of fire. The place that Pittsburgh used to be had such scale.
I miss family and friends, and I'd like to get back to work more in Scotland, and do more things like theatre and 'Red Road.' But over here you have the beach and the mountains and the climate. A lot of people diss L.A. as being all tinsel town, fake this and fake that, but a place is only as good as the people you know.
Thrillers are my favorite. I like stuff that keeps you on the edge of your seat or maybe makes you jump.
Being a Jew is like walking in the wind or swimming: you are touched at all points and conscious everywhere.
I should tell you that many people think that authors just cut and paste from real life into books. It doesn't work quite that way.
How can you compare my life to any other MEP? I mean, come on, it's crackers, isn't it? Look, other MEPs do five days a week in Brussels and pop home for weekends. I'm working seven bloody days a week, all the hours God sends. If you include the socialising, it's over 100 hours a week.
You can get wrapped up in that megamerger mentality.
I had this moment in church, which I think really turned me off. I was 7 or 8 years old and I was sitting at church, and we happened to be playing with the sunlight that was coming down from the stained glass window, and the monsignor came down to the pew and grabbed us by our neck collars and said, 'I'll deal with you.'
I'm guilty of being fascinated by gadgets and toys and technology, but any penny that I spend, I try to make it be a part of what I do for a living. Because then you are forwarding. You are forwarding that art, forwarding that career ahead.
Part of the desire to live in a post-racial world includes the desire not to have to talk about racism, which includes a false perception that if you are talking about race, then you're perpetuating the notion of race. I reject that.
As human beings, we are vulnerable to confusing the unprecedented with the improbable. In our everyday experience, if something has never happened before, we are generally safe in assuming it is not going to happen in the future, but the exceptions can kill you and climate change is one of those exceptions.
I spend a lot of time working by myself developing songs, but I really need some other counterpart to help me pull it all together, because you go nuts working if I had to finish an entire project all within my own head.
I don't wash my hair very often. Once a week if I can. Because the more you wash it, you end up stripping out the natural oils. What I like to do is just rinse out the products that I've used during the week and then put leave-in conditioner in and let it dry naturally.
If you haven't forgiven someone, it does not hurt that person. They're sleeping at night. You're holding onto that, and all the damage is being done to you internally.
My grandmother was not a U.S. citizen. Growing up along the border, you see the real human side of immigration - not the picture often drawn by politicians far removed from the border.
There's something about real music, dawg. It comes to you; you don't have to go to it.
Our most fundamental social need, it turns out, to my amazement, is love. Now, I'm not a hippie-dippie whatever. If you look at the literature, our most fundamental need for children is an environment of maximum love, and that they can be hugged, kissed, and loved. That's what humanises us and allows us to realise our whole dimension.
Sometimes, you're just moved by people's journeys.
While I'd like to make movies that are uplifting, there's always that part of you that goes, 'I want to play the evil guy because it's not me.' So anything that is not me is a challenge, and if I rise to the challenge, then I've kind of proved myself.
I've hidden behind my hair more than clothes. Sometimes having long hair with a fringe is very useful when you don't want to look at people. I used to have very short hair, but long hair is my thing - a black nocturnal shield.
I think the process of 'SNL' is still pretty formal. You make an audition tape, your agent sends it in, they watch people's tapes, and then they invite people to perform at a comedy club in Los Angeles or New York. But I don't know how much actual scouting they do online.
Since you knew they was goin' to cheat you anyway, I recorded under any name with all of 'em.
When you genuinely feel like that was the right relationship, you're supposed to give it all you can. That's what marriage is about.
