Zitat des Tages von Kendrick Lamar:
My whole thing is to inspire, to better people, to better myself forever in this thing that we call rap, this thing that we call hip hop.
We're in the last days, man - I truly, in my heart, believe that. It's written. I could go on with biblical situations and things my grandma told me. But it's about being at peace with myself and making good with the people around me.
In all my days of schooling, from preschool all the way up to 12th grade, there was not one white person in my class. Literally zero.
The way people look at me these days - that's the same way I looked at President Obama before I met him. We tend to forget that people who've attained a certain position are human.
I don't want to be something that just comes and goes.
My moms always told me, 'How long you gonna play the victim?' I can say I'm mad and I hate everything, but nothing really changes until I change myself.
I got a greater purpose. God put something in my heart to get across, and that's what I'm going to focus on, using my voice as an instrument and doing what needs to be done.
I've got an extra-specific story about Dr. Dre. I saw him when I was 9 years old in Compton - him and Tupac. They were shooting the second 'California Love' video. My pops had seen him and ran back to the house and got me, put me on his neck, and we stood there watching Dre and Pac in a Bentley.
As a kid from Compton, you can get all the success in the world and still question your worth.
I like to let things breathe.
The majority of my interactions with police were not good. There were a few good ones who were actually protecting the community. But then you have ones from the Valley. They never met me in their life, but since I'm a kid in basketball shorts and a white T-shirt, they wanna slam me on the hood of the car. Sixteen years old.
The worst part of success is, to me, adapting to it. It's scary.
If my edge is dull, my sword is dull, and I don't want to fight another guy whose sword is dull. If you've got two steel swords going back and forth hitting each other, what's gonna happen? Both of them are going to get sharper. Everybody that's in the industry has lost their edge.
Temptation is just the feeling that you're the most independent person on planet Earth. That you know everything. That's something that we all go through as a kid. Now, this lifestyle that I'm in, the same thing exists! But it's 10 times worse, because everything is at my disposal. When you're in the limelight, you can get anything you want.
I always tell people that if I move anywhere it would be Toronto.
I'm sticking to the script, I'm putting that organic feeling back in the game.
Me, as a person, I grow. I'm like a chameleon. You know? That is a gift and a curse for me. But more so a gift, because it never puts me in a box.
I can't help the way you was born if you was gay.
I think my worst problem is actually living in the moment and understanding everything that's going on. I feel like I'm in my own bubble.
I'm selfish.
This is the thing about hip-hop music and where people get it most misconstrued: It's all hip-hop. You can't say that just what I do is hip-hop, because hip-hop is all energies. James Brown can get on the track and mumble all day. But guess what? You felt his soul on those records.
Eventually you get to this point where you understand what you want to do and get across and sound like.
I had to come from something, come from a place that was negative and positive but the majority of it is a negative place.
When you go on your Twitter or look down your Timeline and it's all great positivity - I love that. But at the same time, it can really divert you from what your purpose is or what you're trying to do. And I've seen artists get caught up in that.
Sonnymoon and Quadrants are a couple of bands that really inspire me in terms of the melodics of things and certain tones and just what feels good. It takes me back to the type of music that I grew up on in my household. We played a lot of gangsta rap, but we also played a lot of oldies, and I think that mix is part of what inspires my sound.
My passion is bringing storylines around and constructing a full body of work rather than just a 16-bar verse.
I knew I was blessed with a gift of having both parents.
My pops and my mom started playing Marvin Gaye and the Isley Brothers and all these people, but at the same time, they always had Snoop on right behind it in the same mix.
I'm just writing, writing, writing. I keep these tablets on me until I'm inspired to go back in and make the music. I never take a break from my pen, because I pride myself on that.
God to me is love.
I used to consider the listener. But now I'm in a space where, if I'm not inspired, I can't really do the music. I can't feel it.
I'm putting out this free music, constantly putting it out.
As long as my music is real, it's no limit to how many ears I can grab.
My parents were fairly young in the city of Compton. So the things that they played - you know, that was the hip crowd. So I was being exposed to all these ideas, from Big Daddy Kane to Eazy-E to the Bay Area - Too Short, E-40 - you know, back to Marvin Gaye and the Isley Brothers.
From the moment I started writing raps, I was always aware of the pressure. I always wanted to live up to how huge Snoop got, how huge Dre got, how huge Pac got. I was always aware.
I don't really believe in the type of pressure that people are wanting to put on the type of music that I make.