I have written some poetry and two prose books about baseball, but if I had been a rich man, I probably would not have written many of the magazine essays that I have had to do. But, needing to write magazine essays to support myself, I looked to things that I cared about and wanted to write about, and certainly baseball was one of them.
The summer of 1976 was so hot that bars of chocolate melted on the shelves before confectioners could sell them.
I think it's more interesting to throw people into a story and let them catch up instead of explaining and feeling like you have to slow down for them. I think audiences, for the most part, they don't want to be ahead of you.
If an alien race lands on the planet Earth tomorrow and asks me to prove I'm really here, what do I do? What do I give them? What do I tell them? What do I show them? I can't sing or dance. I can't paint. I've never built anything, and I've never contributed anything significant to the human race.
I have scripts that I've only shown to animals... and they passed on them.
Government is not being honest with taxpayers when it renews existing tax breaks and calls them new tax cuts.
My thinking was taught to tribes in South Africa like the Zulus and Xhosas. At the time there were about 210 fights breaking out among them every month, but after they listened to my lessons, this fell to just four.
I think the whole business of people emigrating was that no one ever told them, although everyone knew, especially if it was to the United States, that it was forever, and the party before you left was called an 'American wake,' in the sense that they knew you wouldn't come back.
I do not believe in a fate that falls on men however they act; but I do believe in a fate that falls on them unless they act.
When I started out, I wrote the songs, recorded the songs, mastered, mixed, did the artwork, made the packaging and did the distribution, all myself. Now I understand what everyone's jobs are, who is doing them right, and who isn't.
We live in a culture that's been hijacked by the management consultant ethos. We want everything boiled down to a Power Point slide. We want metrics and 'show me the numbers.' That runs counter to the immensely complex nature of so many social, economic and political problems. You cannot devise an algorithm to fix them.
I am very lucky to consider many of my business associates friends. Some are closer than others, but I respect and value all of them.
Before I did comedy, I'd freestyle with all of my friends. In high school and into college, I recorded songs with my friends, not to perform but just to play for them. So I've had interest in music for a while. Early on, I'd host a lot of music open nights or hip-hop nights, so a lot of my early experience performing was around music.
I've achieved what every artist wants, which is that some of their work will outlive them.
I'd say the best way to train someone is to remember that you have two ears and one mouth, and use them in that ratio. That's hard to do, and ultimately what we've learned is how many false positives you get from listening to what someone says they're going to do instead of observing what they actually do.
How are we supposed to get old? What am I supposed to do? Am I supposed to get old? My kids tell me, 'We want you to look like a grandmother.' I agree with them. I want to look like a grandmother.
I like to be around dancers who are totally committed to the art form, totally committed to the men and women around them.
People think of me as a privileged young girl born to wear a chiffon party dress. I was born into a big acting family, and although I absolutely adore them, it's taken me time to work out how or where I feel comfortable.
I know dock leaves pretty well, but I should not attempt to introduce them into a picture without having them before me.
One of the greatest experiences I ever had was listening to a conversation with Joni Mitchell and Wayne Shorter. Just to hear them talking, my mouth was open. They understand each other perfectly, and they make these leaps and jumps because they don't have to explain anything.
I showed what I can do with butter, right? Eighty-five percent increase in sales. I'm very proud of them Country Life ads. They were funny and clever and classy like the Toblerone ads I grew up with.
Working with children is very different than the way in which I work with adults. One has to work just as much with children as with adults, but the manner of work is very different. I never tell the children the actual truth of the thing that I want them to act.
Sisters, when about their work, should not put on clothing which would make them look like images to frighten the crows from the corn. It is more gratifying to their husbands and children to see them in a becoming, well-fitting, attire, than it can be to merely visitors or strangers.
The first encounter was when the Vikings came across 10 Indians taking naps under their overturned canoes - and the Vikings killed them. That did not set up a very good mutual relationship.
There's good movies and there's bad movies. The genres are never dead, it's just about how to apply them and articulate them and execute them - the story, the quality of the writing, the acting, the design elements, the directorial execution - all these things make it what it is.
I knew what my scripts would say before I opened them: 'Enter Conchita.' I played handmaidens, Indian squaws, and Mexican dancers.
My approach with actors is to try and give them whatever it is they need from me. Direction to me is about listening and responding and realizing how much they need to know from me and how much they have figured out for themselves, really.
It's too bad that there aren't as many light comedies around in the movies as there were when I was making pictures like 'The Bachelor and the Bobby-Soxer.' The boys are just not writing them. Many writers are more serious now than they used to be, and that's showing up in all phases of entertainment.
Yesterday, the president met with a group he calls the coalition of the willing. Or, as the rest of the world calls them, Britain and Spain.
Critics at their best are independent voices; people take seriously their responsibility to see as many things as they can see, put them in the widest possible perspective, educate their readers. I really do think of myself as a teacher.
You're trying your best to make people laugh; then if you fail, they hate you. But your intent's the same. It's not like you're trying to do evil to them.
You put too many songs on your record, and it ends up like a family with too many kids: some of them get neglected.
I think you have to remember that the people that are really muscly and toned at the gym started somewhere. You have to remember that they didn't always look like that, so when you're in there, don't look at them and feel intimidated.
Some people when they get older are so firm in their beliefs that you'll never move them.
I don't watch sitcoms. I really don't. My problem with them is they take so long to film them that there's no spontaneity. I want to see that.
But I honestly don't read critics. My dad reads absolutely everything ever written about me. He calls me up to read ecstatic reviews, but I always insist that I can't hear them. If you give value to the good reviews, you have to give value to the criticism.
