I like to do TV series. I think they're so comfortable. You're doing the same part every week.
I wrote seven Myron Bolitar novels in a row, and I never want to write a Myron book where he just solves a crime. Every one of them I want to be personal, and I want him to grow and change. The problem with that is, it makes the series limited, you can't write a series where a guy is always going through some kind of crisis.
People who come to 'The Country House' are like, 'You're on 'The Good Wife' now.' But I've been on since the second season! I feel that the interest in the children in that series is almost tangential.
As for 'Independence Day,' we never intended to do any films in that series beyond the first one.
As far as the 'Mad Men' thing, I love 'Mad Men.' It's one of my favorite shows; I think it's an amazing series.
I frankly couldn't imagine being a series mystery-fiction writer, churning out book after book about the same viewpoint character.
Over at Marvel, I have a five-part series coming out very soon. The books or chapters will appear weekly. It's called '5 Ronin' and features some iconic Marvel heroes as you've never seen them.
'Until Friday Night' is the first book in my new young adult series, 'The Field Party.'
I actually wasn't much of a book reader at all before the 'Twilight' series. They just draw you in, and people love them. They're terrific books.
'Jurassic Park' and 'Star Wars' shoved me into loving sci-fi and film in general when I was a barely coherent 3-year-old. And 'Lord of the Rings' took me to another planet entirely. Before that series, I knew I loved writing, but after, I knew that I had to write.
I've worked with Len Wiseman before, on the 'Underworld' series, in which I was a vampire. The first two of those were his first two films. And I admire him beyond measure. I think he's tremendous, as a man and as a director.
I'm so convinced that hiking helps my writing that I recently decided to offer a series of hiking-writing workshops to see if others had the same experience.
When I graduated college I had a series of just humiliating jobs that I couldn't believe I was at.
The 'Scream' series is unique in that it's an ongoing murder mystery, even though it's a different killer, so if you know who that killer is, then half of the fun of the movie is gone.
A series is filled with compromises.
I really love Philadelphia and all of the fans, my teammates, the front office, the organization, everybody. I know I'm going to miss them. I really appreciate everything we did together. On the other side, I am happy because I have a chance to go to the playoffs. Another opportunity, maybe, to go to the World Series.
'A Tuna Christmas' is the second in a series of plays created by Joe Sears and Jaston Williams featuring the fictional town of Greater Tuna, the third-smallest town in Texas. What makes these plays so hysterically funny is the accurate portrayal of small-town life in the Lone Star State.
I am not proposing that we bring our oil and auto industries to a screeching halt. There is still time to begin a series of gradual steps toward new transportation and energy policies, livable cities, and more humane, efficient transit systems.
I love George R.R. Martin's 'Game of Thrones' series.
I've been watching more American TV because of all the great TV series that have come out in the last five to 10 years. I'm a 'Sopranos' fan, I'm a 'Wire' fan, I'm a 'Mad Men' fan. I'm a 'Deadwood' fan. It makes me optimistic for the future of storytelling on TV that producers are willing to take that kind of jump.
My goal all along has just been to work and support myself. I've been really lucky to walk away from the 'Twilight' series unscathed. Somebody asked me recently what it's like to be a star. I thought that was the strangest question. If you saw my day-to-day life, the word 'star' just doesn't apply.
What we know is that the environmental movement had a series of dazzling victories in the late '60s and in the '70s where the whole legal framework for responding to pollution and to protecting wildlife came into law. It was just victory after victory after victory. And these were what came to be called 'command-and-control' pieces of legislation.
When an actor gets a role, especially in series television where he really is the part, the audience never thinks of another actor playing that role. If they accept you in the role, then they can't separate the actor from the character.
The Cubs, we built one of best farm systems - I think for a while there, it was the best farm system in baseball. And that was great. It got a lot of attention. But we didn't want the credit for the farm system. What we wanted was to see if we could do the tricky part, which was turn a lauded farm system into a World Series champion.
For 'Inhuman,' it's a 'chess game' series. You have a lot of pieces moving different ways at once, and it's about what they do on their own and what happens when they collide into one another. It's about long-range planning, new character creation, and trying to really build things.
I kind of joke that creating franchises is a lot like directing pilot episodes of TV series. You set a look and feel and kind of pass it on.
Personally, I like to yearn a little and long for the next episode. On the other hand, I'm also a glutton. My kids love to dive in and eat whole series at once.
I love cartoons, I love comic books and graphic novels. 'Batman: The Animated Series' was a huge influence on me when I was younger.
The difference in working on a TV series and a movie comes down to one thing for me, and that is the travel. With 'The Bold and the Beautiful,' we are in one remote location, but with a movie, you get to travel, explore, and experience different things every day. But I've really enjoyed doing both.
I've read the whole 'Divergent' series, the 'Pretty' series. I just read it because I find this stuff interesting to read.
With a young-adult series, you need to get a lot of books out on the market quickly. Teenagers aren't going to wait years and years for the next book.
I fought to make a multiple series commitment with John Wells.
When I was young, I loved a series of books by an author called Maud Hart Lovelace and the series, which is still around, I'm happy to say, is - they're the 'Betsy-Tacy' books.
The displacement of scripted series by reality programming continues to be a severe obstacle to a working actor's ability to earn a living.
I directed a short series for Hulu called 'Paloma,' and being in an editing room, I learned a lot about acting. It gave me a new bolt of energy in terms of my interest in filmmaking because it made me realize how collaborative filmmaking can be and also that you're not just limited to one job.
I don't know of any American playwrights who earn the bulk of their living writing plays. Many of the older ones teach, while a growing number of younger ones write for series television.
