Zitat des Tages von Harlan Coben:
Being a parent is not for the faint of heart. I may joke about knowing fear, but the fact is, the first time I ever knew real fear was the day Charlotte, my first child, was born. Suddenly there is someone in the world you care about more than anything.
I live in the suburbs, the final battleground of the American dream, where people get married and have kids and try to scratch out a happy life for themselves.
I've never chased the dollar, I've always chased the reader's heart. I love having more readers. The more people who read it, the more thrilled I am.
That's what a good crime novelist - any good novelist - should do with you: play with your perceptions while showing you everything in plain sight.
I like to see the difference between good and evil as kind of like the foul line at a baseball game. It's very thin, it's made of something very flimsy like lime, and if you cross it, it really starts to blur where fair becomes foul and foul becomes fair.
If I'm not writing well, I'm not happy. If I'm not spending enough time with my family, I'm not happy. If I'm not connecting to friends or if I don't work out enough... You get the point. Everything has to be balanced. Nothing should be an extreme.
The muse is not an angelic voice that sits on your shoulder and sings sweetly. The muse is the most annoying whine. The muse isn't hard to find, just hard to like - she follows you everywhere, tapping you on the shoulder, demanding that you stop doing whatever else you might be doing and pay attention to her.
What I want to do is tell stories about normal people in the American suburbs. I don't write the book where it's a conspiracy reaching the prime minister; I don't write the book with the big serial killer who lops off heads. My setting is a very placid pool of suburbia, family life. And within that I can make pretty big splashes.
Writing is one of the few activities where quantity will inevitably make quality. The more you write, the better you're going to get at it.
I'm not very happy idle.
Life may not always fall into neat chapters, and you may not always get the satisfying ending you're looking for, but sometimes a good explanation is all the rewrite you need.
I'm not very happy idle. There's always this voice in my head that says, 'I should be writing.'
When I was seventeen, I worked as a counsellor at a co-ed sleep-away camp for eight weeks. I loved it but it could be harrowing - it was far too much responsibility for someone my age.
I am very lucky that I get to tell stories for a living. I love being able to grab people's attention, to keep them turning the pages, to make them stay awake all night. I want to stir the pulse, yes, but also to stir the heart. I hope 'The Woods' does that.
I'm a little bit of a control freak.
If I didn't write, I'd be like a duvet cover; I have no other marketable skills. Clearly I'm not meant to do anything else.
The book I always say that influenced me, subconsciously, because at the time I didn't know I wanted to be a writer, was William Goldman's 'Marathon Man.' That was the first adult thriller that I loved. I read it when I was 15 or so, when my father gave it to me.
If I didn't write, I'd be like a duvet cover; I have no other marketable skills.
I would never write a memoir, because it would be too boring.
I once worked as a tour guide in the Costa del Sol of Spain.
Outlining is not writing. Coming up with ideas is not writing. Researching is not writing. Creating characters is not writing. Only writing is writing.
I try to stress to my children that buying something never leads to true happiness.
I wrote seven Myron Bolitar novels in a row, and I never want to write a Myron book where he just solves a crime. Every one of them I want to be personal, and I want him to grow and change. The problem with that is, it makes the series limited, you can't write a series where a guy is always going through some kind of crisis.
Writing my first book, I think in hindsight I went into it saying, 'It's gonna sell.' I was earning enough to scrape by sometime around a book or two before 'Tell No One.' I moved up from $50,000 to $75,000, then $150,000 for each book. I had never thought I would be doing anything else. I had enough encouragement.
In the end, we know what makes us happy. We also know what makes us unhappy. That's the irony. We know and yet we still mess it up. That's part of the human condition, no, and why we need to work on it.
I always say three things make a writer: inspiration, obviously; perspiration, doing the work. But the third is desperation. I'm not really fit for anything else, or to have a real job. That fear drives me. The pressure has always been self inflicted.
Writers always say, 'I always knew I wanted to be a writer; when I was a three-month-old foetus a pen formed in my hand and I began to scratch my first story on the inside of my mother's womb.' I started later, in my early twenties.
The state of New Jersey is really two places - terrible cities and wonderful suburbs. I live in the suburbs, the final battleground of the American dream, where people get married and have kids and try to scratch out a happy life for themselves. It's very romantic in that way, but a bit naive. I like to play with that in my work.
In short, the satisfaction of creating, not necessarily the process, always lifts my heart.
Let me back up a little and tell you why I prefer writing to real life: You can rewrite. A novel, for example, can be cleaned up, altered, trimmed, improved. Life, on the other hand, is one big messy rough draft.
Hope can be the most wonderful thing in the world or it can crush your heart like an eggshell.
Frankly I'm fairly boring or fairly busy. Between writing and family, I have little time for anything else.
I am very lucky that I get to tell stories for a living. I love being able to grab people's attention, to keep them turning the pages, to make them stay awake all night.