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I don't think you can teach people how to be funny. You can make suggestions about how to speak a line or get a laugh, but it has to be in them.
I think if a book has the power to move a reader, it also has the power to offend a reader. And you want your books to have power, so you just have to take what comes with that.
Without solid connections between homicides, we may have the reverse problem of believing three local murders are the work of one serial killer when they may actually be the work of three!
A lot of times in movies, especially in sequels, the characters become caricatures and just sort of improv machines and joke machines, rather than people you can actually connect to.
If a script is good, you are 10 steps into the part just reading it. But my choices are not all down to my taste. It is about people you have worked with before.
'Rescue Me' is the first book in a three-book series. Although, like all my series, the books are purposely written so that readers do not have to read them in order.
I think many people love poetry who don't know they love it. People are sometimes afraid of poetry, or they've been introduced to poetry that doesn't speak to them.
I'm not really a good reader. What I mean is, I think I'm not one of those people who can read a story and analyze it just like that.
When someone says to me, 'I love your book - I read it in a day,' I want to tell them to go back and read it again.