They say it's not the snoring itself but those anxiety-packed moments in between snorts. It's the waiting for the nasal passages of the person lying beside you to strike again. And strike it always does. In the dark, almost against your will, you produce that special glare reserved for people who cannot control their own behaviour.
I just do these 'Sleep' type tracks when the situation presents itself. I never set out to do them, like wait all day until I'm really tired or something. Gotta come natural.
Rap and spoken word have reawakened the country to poetry in itself. Texting and Twitter encourage creative uses of casual language, in ways I have celebrated widely. But we've fallen behind on savoring the formal layer of our language.
China is not to be won for Christ by quiet, ease-loving men and women... The stamp of men and women we need is such as will put Jesus, China, souls first and foremost in everything and at every time - even life itself must be secondary.
Put your blog out into the world and hope that your talent will speak for itself.
I see people who work on their look and they work on their poster and their website and you know, the music will speak for itself no matter what. So if you put maybe like 95% of your energy on music and 5% on playing out and telling people about it. That's kind of a good equation.
Some people focus more on sonics. Some people focus more on story. I focus on both sonics and story, but music sometimes, just music itself, can turn into more of a maths problem. I guess everything in life is a math problem, but it can be more about an empirical route to getting the symmetry that you want, and this vibe, sonically.
Literary generations come and go, and each generation passeth away and is heard of no more. In the end, simply the making itself - of poems and stories and essays - delivers the only reward a writer can be sure of. And, perhaps, the only one that matters.
I find the whole Blairish idea more and more repugnant every day. 'New Labour': the term itself is so trashy. Kind of ersatz.
We all like to look good. However, this basic human desire can often get in the way of our listening and our speaking. This tendency often evinces itself in two simple words: 'I know.' But if I know everything, what can I learn? Absolutely nothing.
Remember that a noble logical diagram, once recorded, will never die; long after we are gone, it will be a living thing, asserting itself with ever-growing insistency.
The desire to economize time and mental effort in arithmetical computations, and to eliminate human liability to error is probably as old as the science of arithmetic itself.
Whereas recessive traits require two bad copies of a gene to become noticeable, a dominant trait expresses itself no matter what the other copy does. A benign example of dominance: If you inherit one gene for sticky wet earwax and one gene for dry earwax, the sticky earwax gene wins out every time.
I really get up every day and try to deal with the problems that are in front of me, and I don't really worry about history. That will work itself out over time.
The problem for me, still today, is that I write purely with one dramatic structure and that is the rite of passage. I'm not really skilled in any other. Rock and roll itself can be described as music to accompany the rite of passage.
I thought cars were essential ingredients of life itself.
Times change; Hollywood is not the same as it was when I first entered the business. It felt to me like it was starting to narrow down and centralize itself around what would... make money.
I see how the Midwest distrusts the East Coast. The Midwest sees itself as morally superior. The Coast sees itself as intellectually superior. And the two are actually the same thing.
It's perceived as an accolade to be published as a 'literary' writer, but, actually, it's pompous and it's fake. Literary fiction is often nothing more than a genre in itself.
We were bemused, I guess, when we got the call from Hollywood. We didn't know anything about the entertainment industry or even what a casting agency was. But I thought, 'What do I have to lose?' It's not every day a great opportunity presents itself.
I confess, I'm one of those actors who finds it incredibly hard to divorce myself and my performance from the work itself.
How can the United States preserve its financial and security leadership role when it conducts itself with such ineptitude and such disregard for the consequences for the world?
That's the biggest problem, is the tax code itself.
I think our existence in professional sports is almost a protest in and of itself in sometimes the very sexist society that we live in. For us, it's just kind of right in line with what we always do.
I believe in infrastructure, I believe in investing in your hard assets. Where I think government starts to fail is when it starts getting itself weighed down with the social programs. And I think the American public just feels like a lot of that money is tossed aside and wasted.
A mere ape in our world may be a scholar in its own, and the low life of any beast may be a source of deep satisfaction for the beast itself.
Boycott is not a principle. When it becomes one, it itself risks becoming exclusive and racist. No boycott, in our sense of the term, should be directed against an individual, a people, or a nation as such.
I think of L.A. as truly the melting pot. It's basically a mini-country unto itself.
A creative writing workshop will contain students whose ambitions and abilities, whose conceptions of literature itself, are so diverse that what they have in common - the desire to write - could almost be considered meaningless.
The pharmaceutical industry likes to depict itself as a research-based industry, as the source of innovative drugs. Nothing could be further from the truth. This is their incredible PR and their nerve.
Changes in our aesthetic tastes have no value or meaning in and of themselves; what has value and meaning is the idea of change itself. Or, better stated: not change in and of itself, but change as an agent or inspiration of modern creations.
However much, as readers, we lose ourselves in a novel or story, fiction itself is an experience on the order of memory -not on the order of actual occurrence.
The problem with Ebola is that it makes mistakes while it copies itself. The mistakes are actually good for Ebola because they help Ebola change, and as a result of this, as it jumps from one human body to the next, roughly half the time, it's got a mutation.
When you're editing, you're putting it together in a way that makes sense metaphysically. You're not inventing it, but you're finding the story that's there. You're making a play that's eventually going to go on stage and present itself to an audience. You want to show what happened, not exactly what you have evidence of happening.
The mind itself is of the form of all, i.e., of soul, God and world; when it becomes of the form of the Self through knowledge, there is release, which is of the nature of Brahman: this is the teaching.
I don't plan ahead; each book finds me. History itself, the resonance of the past with the present, is the common denominator in all of them.