Football? Forget it. I didn't have that thing inside me where I wanted to smash against somebody and watch them break. I was too sensitive for that and disliked being that sensitive.
I could name you a dozen superheroes whose powers I'd like to have. But if I could have any power in the world, it would be the power to read or watch a creative work and absorb the technical skill of the people who made it. Because then I could have even more fun writing. That's my core identity. I'm a writer. I just love telling stories.
People go to the movies to watch a film and all they're thinking about is the actress's cellulite they saw in a magazine.
I don't watch my own films very often. I become so jittery and ready to cry... and miserable. I think it's awful.
A woman's body never really belongs to herself. As an infant, my body was my mother's, a detachable extension of her own, a digestive passage clamped and unclamped from her body. My parents would watch over it, watch over what went into and out of it, and as I grew up, I would be expected to carry on their watching by myself.
I really hated school and so I just wanted to stay home and watch 'I Love Lucy' and watch the movies that inspired me to the point where we are sitting here.
A few friends and me used to go and watch Bunuel, Carne, Cocteau... Cocteau and Bunuel were surrealism. And I was very excited by that. 'Un Chien Andalou', especially.
People come up to me all the time and say, 'Oh, I love to watch Food Network,' and I ask them what they cook, and they say, 'I don't really cook.' They're afraid, they're intimidated, they know all about food from eating out and watching TV, but they don't know where to start in their own kitchen.
If you break 100, watch your golf. If you break 80, watch your business.
Apparently it's cool to watch The Daily Show.
When I took on 'Fargo,' I thought, 'Well, this is just a terrible idea. Four people will watch it, and they'll hate-watch.' But that allowed me to just go for it and take the risks.
I've been drawing authors and politicians for newspapers for many years. I try to read up on the person; in the case of authors, read one of their books. I watch interviews via YouTube and collect pictures via the Internet.
I admire companies that give back to communities. It is an absolute essential for organizations to watch, mitigate, and improve their impact on the environment, people, communities, their health and overall well-being. But this is a necessary condition, not a sufficient condition.
TIVO executives stand up and say, 'Well, we're not getting rid of commercials, but we are letting them fast forward, because people like commercials, and if they see one that they like they stop and watch it.' I mean, please.
So many people are are using the Internet now to watch movies and TV shows online.
I used to get nervous, you know if my parents would come watch. And then I would get nervous if my friends came and watched. Today it's not a problem anymore actually, because now I enjoy it. I see that they, you know, respect me immensely, and I try to put on a good show and show that I can still play very good tennis.
It sounds ghoulish, but it would have been fascinating to be in Paris in 1789 and watch the revolution begin. I can't even imagine what the energy must have been like that year with all of that change crackling in the air.
I think if you ask people why they watch me, there would be some common thread among all of them that I'm somewhat of an awkward older sister. I have a teen, mostly female demographic. How that happened, I don't know. But I think they see me as some sort of bizarre role model, and I'll keep trying to do that for them.
Many people agree with me that many things are not clear in football these days and it is not something people who watch football deserve. The situation will be the same while football is run by people who do not understand football.
I never watch TV. I'm a Radio Four addict. I love listening to music too.
I am now in that happy comfortable state that I do not hesitate to indulge in any fancy in regard to diet, but watch the consequences, and do not continue any course which adds to weight or bulk and consequent discomfort.
When I was a kid, I wanted to emulate Mel Blanc, who is arguably one of the most legendary voiceover recording artists of our time. I used to watch all the cartoons where he would voice Daffy, Elmer Fudd and Porky the Pig. I knew one day I wanted to do that.
I'm not slim. I'm a curvy girl: I've got thighs and a bum. I don't mind baring the fact that I've got a bit of cellulite because everybody has. I find it off-putting when everybody on telly is the same size or looks the same build. For me, it's important for people to watch someone normal.
My constant battle is putting aside time wasters, and I have to watch out for procrastination. Staying on the path of something you're trying to create has much to do with having confidence in yourself and in your capacity to realize the things you want out of life.
If someone can watch an entire season of a TV series in one day, doesn't that show an incredible attention span?
I'm the kind of person who, if I see a shooting star, I wouldn't stay there and watch it. I'd run to my friends and tell them because I would want everyone to see it too.
Even though I only get a few days off, I do not stop, whether it's getting some stage time at an open mic or flying to L.A. to watch a ton of stand-up shows.
As filmmakers, we want the audience to have the most complete experience they can. For example, I interviewed Stanley Kubrick years ago around the time of '2001: A Space Odyssey.' I was going to see the film that night in London, and he insisted I sit in one of four seats in the theater for the best view or not watch the film.
But in film you always watch situations or stories that you really have no relation to. A lot of times just because there's no personal connection doesn't mean you can't connect with the film or the characters in the film.
I did two commercials, one for Porsche, but I was definitely not the type of child one would cast in a commercial or any TV that you'd typically go out for as a young kid. I wasn't the type of kid who would be in stuff that kids watch. I wasn't cutesy.
I enjoyed being a teammate of Deion Sanders. He brings different elements to the game that many people would not even realize, and to watch and witness a superior talent like him and watch him prepare and train, and study the game is truly amazing.
It's like Samson and Delilah: watch your back, because trouble could be the person you're sleeping with.
I always watch the work I do.
I watch comedy on TV, and it's too cutty for me. I get a little jarred, and it succeeds. It's not like it's not working, and I look at certain things, and it has the cutting... it's not like I'd make terribly different cuts, but for some reason, it moves too fast for me.
You hear a few people saying that, you know, maybe some of the past male players like to watch me play or whatever else, just because I play a bit differently and maybe they can relate to it a bit more with a bigger forehand rather than a backhand, good serve and whatnot.
If we're going to be getting treated like that, why can't we treat the clubs like that? I just want to see the game and the players looked after the way they should be because the crowds don't turn up to watch David Gallop play... they turn up to watch the players play.
