As a member of the audience I don't like it that I can't see what's going on in the eyes and in the face and in the most subtle responses of a performer when I'm more than a few rows back. I find it very frustrating.
I don't see anything wrong in someone wanting to be famous or having sky-high ambitions.
If I pick up a book with spaceships on the cover, I want spaceships. If I see one with dragons, I want there to be dragons inside the book. Proper labeling. Ethical labeling. I don't want to open up my cornflakes and find that they're full of pebbles... You need to respect the reader enough not to call it something it isn't.
I see myself as a former politician, and in that capacity, I say to other politicians, 'Hold back.'
I can see myself always writing songs - but I'm not sure if I'll always want to perform.
I can see how a person could get addicted to the adrenaline of moviemaking.
Raising the minimum wage seems to all economists to, at the very least, fail to 'raise' employment, and we'd all like to see better inclusion of low-skilled workers into good-paying jobs.
I see my buildings as pieces of cities, and in my designs I try to make them into responsible and contributing citizens.
Make it your profitable habit to carefully study facial expressions. You can see the entire human drama in a face; you can tell its owner's history.
I want to be age appropriate. I don't want to be that girl you see walking away and she looks 25 and then she turns around and she looks 90.
I love what I do, and to be able to see a show that is inspired by my life's work is exciting because it exposes people to what a crisis manager does.
Women see me as a figure they can respect. They know I've been through a lot. I'm not going to let no man put me under.
I was on the abutment.
Me and my mum didn't see eye-to-eye for a lot of years, and I've never really felt connected with my dad, because he wasn't there.
It's hard to get a film, you know, you need a very special film to be able to get that experimental. But, I would love to see that happen. I would love the opportunity to be more experimental than I am.
Well, I think people don't recognise my face because I'm so much older now, but it is astonishing that people can recognise a voice. I do sometimes get recognised, and indeed a lot of people do come and see me.
For as long as I can remember, I have wanted to be a godly person. Yet when I look at the yesterdays of my life, what I see, mostly, is a broken, irregular path littered with mistakes and failure. I have had temporary successes and isolated moments of closeness to God, but I long for the continuing presence of Jesus.
If I find something I like, I'll chase it and see what comes out the other side. Once a song gets momentum and gets away from you, that's a good sign.
I have always been mainstream. It's so weird, because I don't see it as something negative at all. So many people see it as something negative.
When I finish a first draft, I often look back at first chapters I wrote and laugh at them. They're like pictures of yourself in middle school. You're embarrassed to see them.
I'm so jealous of people who have crushes on people they go to school with or work with. That's such a blessing. You actually get to see them all the time and spend time with them.
When I was 13, I had these episodes where I could just see the world without any words attached to it, without any associations. It was a little bit spooky. A lot of people might have even thought it was pathological. I thought it was interesting.
My kids see feminism in action every day, and leading by imperfect example is how I'm raising them.
A lot of our insights are based on the ways in which people spend time at museums. They're curious, open, interested, and engaging. They want to express themselves and see their own identity refracted through the museum's.
Just recently I was in Target with my mom shopping, and out of the blue, I see this father and his two daughters and he says, 'Can they get a picture with you?' And I'm thinking to myself, 'Am I the one millionth customer or something?'
I love Canadians because I don't see very much racism in Canada.
I don't see myself as an actor. I see myself as a storyteller.
Classical music in Venezuela is now something like a pop concert. You can see people screaming or crying because they don't have a ticket.
I think it's more optimistic about human nature to acknowledge that people are the products of their time but then to see that they have moments of grace and dignity that everybody has.
What is the intersection between technology, art and science? Curiosity and wonder, because it drives us to explore, because we're surrounded by things we can't see.
For a decade, I had been studying a transparent worm, the C. elegans. I immediately thought, if you could put the G.F.P. gene into C. elegans, you'd then be able to see biological processes in live animals. Until then, we had to kill them and prepare their tissues chemically to visualize proteins or active genes within cells.
There is only one thing which can master the perplexed stuff of epic material into unity; and that is, an ability to see in particular human experience some significant symbolism of man's general destiny.
I'm not against a border wall, OK, but go to China, and you'll see a border wall there. We need technology, we need drones, we need surveillance capabilities, and we need rapid-reaction capabilities.
I do have a mouth - I will say. I speak up when I see things I don't care for.
A majority of Americans want redemption for racism - for our terrible, destructive racist past - and so see a vote for Obama as redemptive.
I see drawings and pictures in the poorest of huts and the dirtiest of corners.
