I want to be judged by who I am, not what I am. I mean, I am Johnny Weir. Judge me the way you see me, love me the way you see me, hate me the way you see me.
In voiceover, you have to restrain yourself when you're acting in the sound booth in front of the microphone. If you lean left or you lean right, you're going to lose the voice. Yet you yourself become animated when you're doing the part. So you'll see a lot of flailing arms, but a very still face.
I am deeply saddened for the people of Ferguson who woke up to see parts of their community in ruins. No one should have to live like this; no one deserves this. We must do better, and we will.
What you see is what you get with me. There's no show.
When you let those defensive backs know that you're a physical player, they don't really want to tackle. That's it. That's why you see me get a hurdle every game. Those guys don't want to tackle me when I get to the second level.
As much as the mystery element is all a lot of fun, when you do go to 'Edwin Drood,' you're going to a theatre to see a show about going to a theatre and what that relationship between actors and audiences has been for years.
I'm very blessed and fortunate that people want to go see my movies.
I came to the United States to see what would happen in 2000 after working for 20 years in Australia and asked my agent to look out for the nasty roles because I'd become famous for playing the nicest man in Australia. So I wanted to play bad guys.
I don't see myself as angry, although other people see that. I just see myself as a short, dumpy guy with bad feet, and I'm passionate.
Ask an eight-year-old kid or see his face when he sees a car being blown up. They come to me, ask me what I am doing next. They loved 'Singham' because there were so many cars, and that's why there was no blood, because I knew they will come to watch my film.
I've got deeper journeys to take. Metaphysical journeys. Journeys to see Christ. Shaman journeys. It's what I've been elected by God to do.
In my family, there was no celebration of ignorance. They'd come and see Chekhov or Shakespeare. I've got a sister who got a first in her degree. We don't sit around watching TV all the time.
We're interested in things that have big teeth, and you can see the evolutionary value of that, and you can also see the practical consequences by watching 'Animal Planet.' You notice they make very few programs about gerbils. It's mostly about things that have big teeth.
Baseball and the players association have rules. If you stay within the rules - which say that you can play while you're appealing - I don't see what anyone would be in arms about.
I think our movie, 'Now You See Me,' is an emotional movie rooted in smart and wits and fully amazing actors working perfectly together. It's like a supergroup of musicians.
I had an opportunity to meet Elvis, only once. It was at the MGM Grand. It was certainly not at the height of his career. No, it wasn't at the height of his career, but it was still a thrill to see him and meet him anyway. You know?
I only ever play Vegas one night at a time. It's a hideous, gaudy place; it may not be the end of the world per se, but you can certainly see it from there.
People that have known me for a while tell me how they see me grown as an artist and as a writer. I think that this comes with continuing writing each day. I try to write as often as I can and explore more while I do it. I feel more comfortable with opening up and telling more of my story to everyone.
The great thing about getting older is that you become more mellow. Things aren't as black and white, and you become much more tolerant. You can see the good in things much more easily rather than getting enraged as you used to do when you were young.
There's a lot that's wrong with the way we work - bad habits that develop around control of information, people hoarding information as a means of preserving their own power. When you're using Slack, everyone can see what's going on because the default mode is public.
It's just difficult to see that people want to be like the actors and the performers and the politicians who are - who they see all the time, but the people that are probably having the most fun are the writers and the directors and the producers and the scientists, right, the people in the back that are getting to do the creative process.
My father raised us like... we were not allowed to see people in any sort of colors, but also we were not allowed to call people fat. If ever we were to say, 'Oh that fat person, or this person,' he would make us put a bar of soap in our mouth and count to 10. We weren't allowed to look at people like that.
I've been hearing from people saying they see me more than they do their city council member.
Don't get me wrong - our fanbase is super passionate, and I love them, but there's a difference between stalking me at the airport and just happening to see me.
I try to just make what I want to make or what I would want to see. I try not to think about the audience too much.
If somebody tells me I'm famous I say, 'I'm not.' I can't see myself as famous and I don't think I'll ever call myself famous. I definitely don't feel famous.
We are beginning to see that money, after all, is not the main thing. The real values cannot be bought and sold.
It's interesting how we often can't see the ways in which we are being strong - like, you can't be aware of what you're doing that's tough and brave at the time that you're doing it because if you knew that it was brave, then you'd be scared.
We have no regulation of drones in the United States in their commercial use. You can see drones some day hovering over the homes of Hollywood luminaries, violating privacy. This question has to be addressed. And we need rules of operation on the border, by police, by commercial use, and also by military and intelligence use.
I want my people to work hard. But if they see me earning a lot more than they do, they would lose their sense of being owners of the factory, and what I say as factory manager wouldn't stick.
I'd started acting as a child. But I wanted to see if it was something my true personality was interested in. I stepped away from offers when I took five years off to go to college. I've only really just decided to whole-heartedly embrace acting.
I was very influenced by The Magic Mountain. It's a book that had a huge impact on me. I loved that as a shape for a novel: put a bunch of people in a beautiful place, give them all tuberculosis, make them all stay in a fur sleeping bag for several years and see what happens.
No one looks at your hands to see how much they shake when you are interviewed to be a surgeon. The physical skills required are no greater than for writing cursive script. If an operation requires so much skill only a few surgeons can do it, you modify the operation to make it simpler.
The way my parents brought me up to see the world is still absolutely key to what I am about. The beliefs I was raised with - to respect animals and to be aware of nature, to understand that we share this planet with other creatures - have had a huge impact on me.
I always like to take my time and examine the two candidates, see not only the two candidates but the policies they will bring in, the people they will bring in, who they might appoint to the Supreme Court, and look at the whole range of issues before making a decision.
Every season, I absorb everything around m:, the people I see on the street, the discos, the art, the music, and the energy of places from my travels. I mix all of this together, and then I begin to create.
