There are so many things I want to do. Like, I want to get an artist, a musician, a photographer, and a bunch of dancers that I know and just travel across Africa and just film it and just see what happens. Do and learn as much as I possibly can. Luckily, I have a lot more time.
I love or hate things straight away. I like to go directly to action to see the result. I think I must be difficult, but at the same time, it's not for me to say.
I see fans all the time. They're always very complimentary, and they're always very eager to talk and to share their experiences or get a selfie. They're really, really loyal. And intense.
I always wanted to see why Captain America was on this team of Avengers. He's got to have a reason - he can't just be really fast and punch really hard.
We made the joke when we screened 'Bucket List' that there was 100% desire to see amongst our demographic with a 40% ability to get them to see it.
I think men under pressure - I mean, that's what brings out the worst and the best of us. I like to explore that quite a bit in my characters because I don't see a lot of it on the screen that moved me like the films that I grew up with - that are honest, at least, about honest emotions and honest heroism.
I once joked in a book that there are three things you can't do in life. You can't beat the phone company, you can't make a waiter see you until he is ready to see you, and you can't go home again. Since the spring of 1995, I have been quietly, even gamely, reassessing point number three.
Giving shape to a painful experience is powerful because it helps us to see, first, how we got through it; second, how we can share it. The experience doesn't stay trapped within us, unspoken, curdling - instead, the art of arranging and transforming it reduces the burden. It no longer belongs to only you.
Sherlock is a portrait of humanity - he takes nature's gift of thought and runs with it, bringing along all the human struggles, fears, and insecurities. He's the hero we could see ourselves being.
Learn to see yourself as Heavenly Father sees you - as His precious daughter or son with divine potential.
What makes me laugh about politics, sometimes, is it seems like once we get to a point where our problems are seemingly unsolvable, it's because we're looking through a wrong point of view. If we turn the thing on its head, then maybe we might see it differently.
It's going to be very interesting to see somebody playing me.
You don't really get the full grasp of something until you see it for yourself.
From now on, any flick I'm ever involved with, I conduct critics screenings thusly: 'You wanna see it early to review it? Fine: pay like you would if you saw it next week.'
I went to Coachella once, and it was only to go see Leonard Cohen. I got in the car and sat through all the crazy traffic in L.A. to get there - instead of a two hour drive, it takes, like, six hours. Then I watched his set and turned around and left. I just so wanted to see him perform in the desert.
People come out to see the players. When do you see a manager anyway? When he's out on the field arguing with the umpires, making a fool of himself and you know you can't win, and when he brings out the line-up card.
My focus in 2010 was on just running fast races. My focus in 2011 was for winning at the World Championships. This year has been a combination of the two so we'll see what kind of time it brings.
We in the NFL unquestionably are in sports and competition, but we're also in entertainment, and that's the entertainment capital of the world. It just bowls you over when you see the opportunity in L.A.
I always loved bluegrass, but there was so much I didn't know about American country music in respect to the origins of this country. It was interesting to see the evolution of it.
I do my work to the best of my capacity. I don't pick a role looking at its length. I take up a film because I would like to see it.
I think a really rich world to live in is where you're thinking in terms of human behavior and human types and not being super literal. In order to see the deeper truth, you need to break out of literal frame of mind.
Personally, I don't see old economics and behavioural economics as opposed. It is useful to assume people are rational as a good approximation to their long term behaviour, but it would be unwise not to think how in practice their behaviour may deviate from that simplifying assumption.
For a long time, when I was very young, I went to go see arena rock bands. I was 16, and it was all I could get in to see, legally. And I saw Led Zeppelin and Ted Nugent and Van Halen and all that.
For any sport to be sustainable, it cannot survive on government or corporate grants alone. The sporting ecosystem needs more investments from businesses, and businesses need to see the returns from their investment in sport. Cricket has achieved that distinction, but I feel a country of a billion-plus people cannot remain captive to one sport.
My mom convinced me to audition for 'The X Factor.' And I just said, 'O.K., let me see what it's about. $5 million? Might as well try.' I tried out, and it worked out. I got through top seven out of 200,000, so I'm proud.
If you see something is going wrong within politics and the world today, then some Hip Hop artist is gonna come along and get straight with it. If they think that there's a lot of racism going on then there's another Hip Hop artist who's gonna come out and speak their mind.
Usually, when I see films that don't have any score attached to them, I think they're beautiful. I love just the naked sound of the voice. That's already music.
Perfection would be something that you see in 'Architectural Digest.'
We always see a trend on TV, and others follow suit. I think 'Rangrasiya' will be a trend setter, too.
I knew from an early age that people didn't see the different sides of me. I formulated a kind of bi-cultural identity quite early, and I was always very comfortable with it, but I knew people didn't quite see that.
There aren't enough good roles for strong women. I wish we had more female writers. Most of the female characters you see in films today are the 'poor heartbroken girl.'
Slayer fans are unforgiving. Early on in the career, if something changes, it's accepted. But 30 years down the road, in my opinion, they would rather see us do a three-piece than even try to replace Jeff, in a sense.
In Hollywood, there is one dominant voice. It is a white, male, straight gaze. When I talk about positive portrayals of black people and women, I'm saying complexity. I'm not saying goody-two-shoes, everything's okay. No. The positive view of me is to see me as I am: the 'good,' the 'bad,' the gray. That is a positive portrayal.
I want to see Haiti do better. We have the sun everywhere: that's a big asset. We have wonderful coasts, beautiful islands, mountains. Other countries that have that are known for it, but Haiti has been so focused inwards, on its problems.
'The Muthaship' was an experiment. All my friends are working at Endemol, so they just kind of pushed me into it to see if we could shoot a little web series on an iPhone - and that's what we did: we shot it on an iPhone. So it's so experiential and so silly.
I can no longer walk. I can no longer swim. But I'm lucky when I see how animals suffer.
