Before I start, I create a set list that I listen to while I'm writing. For 'Intimate Apparel,' I loaded Erik Satie, Scott Joplin, klezmer music, and the American jazz performer and composer Reginald Robinson.
My favorite - my very favorite movie, which I suppose is a bit of a guilty pleasure in that it's like, you know, every scene, you know, pushes every button, is 'True Romance' directed by Tony Scott with Patricia Arquette and Christian Slater, and it's a fantastic, fantastic film, very violent, very romantic.
I went to my first CMA Music Fest when I was 14 and waited in line for two hours to meet two people: Taylor Swift and Hillary Scott from Lady Antebellum. It's very ironic but not accidental that those two people refer to me as their 'little sister' now.
For 'So Cold the River,' I'm actually working on adapting the book with Scott Silver, who was just nominated for an Oscar for 'The Fighter,' and who also wrote '8 Mile,' which I think is a terrific screenplay. The chance to work with Scott is a tremendous pleasure and I'm learning a lot.
Tony Scott was one of the best directors I've ever worked with, and I was devastated when I heard about his death. He was a great guy with great energy. But this is a difficult business, and people's lives are sometimes difficult.
Architectural kitsch is most common in the commercial pop vernacular - typified by the Big Duck of 1931 in Flanders, New York, a Long Island roadside poultry stand resembling a duck, which Venturi and Scott Brown made a cult object through their writings.
I've had the fortune of meeting most of the 'Kids in the Hall.' One meeting was special in particular because this was before I had gotten anything, before anything was clicking, and I just found myself hanging out with Scott Thompson.
My feelings towards Scott Card are pretty mixed. Politically, he and I are pretty far apart.
The big problem in translating is that we had to translate the language. People may not know that we record the podcast in Japanese, translate it to English and then actors play us on the podcast. I'm not actually Scott Aukerman, I'm the actor who plays his voice on the podcast. Unfortunately, it's cost prohibitive on a television show.
The best work of literature to represent the American Dream is 'The Great Gatsby' by F. Scott Fitzgerald. It shows us how dreaming can be tainted by reality, and that if you don't compromise, you may suffer.
My role models in the business were the older guys on my team when I first got there: Gray Scott, Adrian Smith, Roland Taylor. These were the guys who took me under their wing, and really schooled me in terms of what the business was about.
I was a big fan of Luc Besson and obviously Ridley Scott.
I've done movies with a sword before. But I haven't really been given the full responsibility of something like a Ridley Scott film.
I had heard before that there were rumors I was gay. It's funny. My cousin gets his hair cut at this place, and one of the guys there told him that Scott Wolf was gay. He didn't realize that he was my cousin.
I wasn't ever advised by Scott Sullivan of anything ever being wrong.
I have to say that it was a very strange experience when, later in life, I represented Byron Scott and was negotiating with West - whose picture I used to have over my bed! That took some getting used to.
All I can say is working with Ridley Scott is a dream come true.
There were times over the years when I wanted to take a break from 'Scott Pilgrim,' or even just stop doing 'Scott Pilgrim,' when I was feeling down or whatever.
YI think what's cool about 'Scott Pilgrim' is that it shows that there is a superhero within all of us. There's not one ideal image of what a superhero looks like, and you don't really see that until the end of the film.
I was speaking to Ridley Scott the other day and he makes a film every 18 months. He's amazing really.
The visual team of 'Blade Runner' - one of the last big fantasy movies to be made without much computer graphics finery - worked directly for Scott, who sketched each of his prolific ideas on paper (they were called 'Ridley-grams').
My breakthrough as a reader was when I discovered the European adventure story writers - Alexander Dumas, Robert Louis Stevenson, Sir Walter Scott, to name a few.
Making a great television show is hard enough. To also tackle F. Scott - whoa.
Ridley Scott was part of the production team on 'The Good Wife.' I auditioned on my iPhone, and it moved very quickly after that, as they thought I was right for the role, and pretty soon I was filming in Iceland for two months.
It is every producer's dream to be part of a dedicated, hard-working team that produces an outstanding broadcast like the 'CBS Evening News with Scott Pelley.'
There's a high school in Camden, New Jersey, I call the Jill Scott School. It's the Camden Creative Arts High School. Those teachers and kids are so passionate about what they do, and 98 percent of the senior class went on to college.
I like Jeremy Scott, and he has some really dope sneakers.
The world is better because of Coretta Scott King. She affected countless lives and her voice will be deeply missed, especially by those who carry on her incredible undertaking.
All my friends from my past would know me as Scott Diggs. Taye Diggs comes from Scott-taye. When I went to college I liked it because it was so different and I have an infatuation with nicknames.
Oh my God... I worked with George C. Scott, way before 'Chips,' in 'The New Centurion.' I co-star in that movie. It was great working with him. I worked with Charlton Heston, Glenn Ford, Robert Mitchum. Stacy Each. The old Hollywood. I met John Wayne, and that was a thrill. I was working next door to him.
The Petersons have not come forward in the press. Apparently they feel the media bears a large responsibility for Scott's conviction. It may be a while before we hear anything from them.
In a big movie, like Ridley Scott's 'Kingdom of Heaven,' where I had a small part, you realize your task is to support everything that has to come together. You're just a piece of the puzzle. You're the guy in the hat.
We haven't sat down with Scott and Caroline and said, Now you realize that there's X amount of pounds of thrust. And this can happen and that can happen.
Every time Jimmy Scott sings, it's the same but slightly different. I don't know how he does that or where he gets that from. I think it's instinct. Nothing he does is by chance; he's in complete control of what he's doing. He's just beautiful and unique.
Upon reading the deeply serious opening of Scott Spencer's 'Endless Love', you will very likely laugh out loud. The tone is something like what you might find in a teenager's diary: verbose, feverish, furiously self-important.
Scott Ritter is a very well-known archetype of a certain U.S. military officer. Very hard talking, very ambitious, zealous, and completely consumed with carrying out his mission. He's a guy who, throughout his career, I would say, did not break rules, but he worked around road blocks.