Generations of gun owners have taught their sons and daughters that it takes as much patience and skill to be a good shot as it does to be a good steward of a powerful weapon.
My aunt is a newscaster in Lubbock, Texas, and she got a letter that said, 'Natalie Maines will be shot dead at their show in Dallas, Texas,' with the date of our concert. It was freaky to see that in writing.
Why is it that if you hit a shot to within a tenth of an inch of the hole, it's a great shot, but if it goes in, it's luck?
My grandmother was an actress too. In the thirties and forties she was under contract with Universal Studios. Crazy credits, lots of them. My dad was also under contract with Universal Studios. And my first film was shot on the same stage they both worked on at Universal.
My mother named me after her favorite actor, Joel McCrea, and dressed and presented me as her avatar. I'm sure she wanted to be a performer, but when that was impossible, I was her next best shot.
I like the energy of doing things fast. We shot 'Starred Up' in just four weeks, and we edited it in four weeks.
We shot 'Party Girl' on film, and I remember being told, 'We need to get this in two takes because we don't have a lot of film in the mag right now!'
I admire a lot of people, but in terms of sport I've always loved the mentality of Tiger Woods on a golf course. I always love his eyes when he's setting himself and focusing on his decision; he has a really strong, focused face and believes that he can make the shot.
In America, people of a certain age ask, 'Where were you when Kennedy was shot?' In my house you were more likely to be asked, 'Where were you when you first read 'The Catcher In The Rye?'
A lot of people say that I took the first shot for Bitcoin. The first person to walk through the door always gets shot, and then everyone else can come through.
Not missing games, miss one game due to injury in my career, and that even hurt me to miss that game, but I just love to get out there and compete, both ends of the ball, and I don't think I'm afraid to take the big shot. If I'm 2-for-15, I'm not afraid to take that shot, make it 3-for-16.
L.A. is a long shot city, and those who make that shot - you can tell. You can see very clearly who's made it and who hasn't.
The Bible says not to worry so I don't. I just get up in the morning and ask God for help to get through the day. If tomorrow shows up then I'll take the same shot tomorrow.
Basically, with a regular camera, you have to take time or allow the camera to focus before you take the shot.
Whenever I don't have anything to do, I play Candy Crush or Scrabble. We actors have time between shots, which we need to kill. And we cannot call friends or family, as you are called at a moment's notice. So you need to do something which you can dispose of immediately when called for a shot.
I couldn't beat people with my strength; I don't have a hard shot; I'm not the quickest skater in the league. My eyes and my mind have to do most of the work.
I never wanted to be an actor as a kid. I wanted to play hockey, like every other kid in Canada. I had a pretty good shot at it until I was 15 and badly injured myself.
I had worked for a lot of directors whose work I didn't respect, and as I was editing material, I was thinking about how I would have shot the scenes and what I would have done to make the scenes better. After several years of that, I got to the point that I was pretty confident I could sit in the director's chair.
The logistics of blood is something that I didn't even understood as a first-time director. Not just actors and make-up, but once a set gets bloody, you don't un-blood it. Once something gets bloody, you either rebuild the set, or you just don't get the shot.
Growing up in Texas and Oklahoma, Ben Johnson was more famous than John Wayne to some of us. I knew him. I worked with him on a low budget film years ago, and we'd sit around at night while waiting for a shot.
When I started doing advertisements, I really enjoyed the whole process of shooting, and I realised that I could do the little bit of acting required quite easily. My directors also told me that I have a flair for acting and that I should polish it and try for films. Then I thought I probably had it in me - why not give it a shot?
In such a therapeutic, pragmatic, pull-yourself-up-by-your-bootstraps society as ours, the message of God having to do all the work in saving us comes as an offensive shot at our egos.
All my films are shot on hand-held cameras. These cameras took five years to build and had to be light enough to be carried.
Having been a cameraman, I think about, 'Well, if this was real, how would this be shot?' I try to inject as much realism as much as possible.
Even before 'Moon,' I did a short film called 'Whistle,' and it had a lot of the things that I thought I would need to be able to do on a feature film: I shot on location, there was special FX work, there was stunt work, we used squibs, I shot on 35 mm film.
I don't want to be known as the guy who always takes his shirt off... I've done a lot of photo shoots lately for the press coming up with 'Immortals' and 'Breaking Dawn,' and every photographer wants to get the topless shot. We've really had to be choosy and not do that for every magazine. I've actually been trying to keep my clothes on more.
One of the greatest casualties of the war in Vietnam is the Great Society... shot down on the battlefield of Vietnam.
When you think of Yahoo, they had a shot to be what Vox is doing, in terms of taking content and distribution, and really focusing on news, sports, finance - the things that uniquely Yahoo was really terrific at - and really build that whole flywheel.
In Bosnia, little children shot in the head by a guy who thinks it's okay to aim his gun at a child.
I was very aware of the fact we were so out of fashion when I shot 'Chicago.' And I was trepidatious as to whether it would be seen or embraced by anybody, but I've never stopped believing in the genre. There's nothing like it. It's American-born.
I was a roving guard on the Lowell Hebrew Community Center's girls' basketball team all through high school. My specialty was stealing the ball, but my only shot was a lay-up.
I've never seen a player that can dominate a game the way LeBron James can. He don't always have to score. He makes plays for other guys. But when the game is on the line, and you need a shot to be made, he's going to make that play.
If you film a scene in a wide shot, especially a disturbing, distressing moment, I do feel like that helps you feel as though you're the room with these people, instead of cutting it up and getting close - which you wouldn't be doing if you were actually in a room with these people.
I love being on stage if I'm not on a set. If I'm at home, I'm usually in my office editing or reconstructing my website or whatever it may be. I just love putting creativity into a performance, so if the right script comes along, and I certainly am reading comedies and dramas now, then I'm ready willing and able to give it a shot.
My best album is called In Search Of A Song. That was my best shot right there. My finest hour, as they say. I could listen to the whole thing all the way through. There's nothing really crammed into it.
My dad moved to London in his early 20s and didn't really go back. So the irony is I've spent lots and lots of time in Ireland, but not with my dad. I've shot films in Belfast, where he's from. And I've shot in Dun Laoghaire. Which is great. And I've shot in Dublin.