The President has a quick and able mind, though not everybody gives him that, not by a long shot.
I don't know if it was much of an interview. We just shot the breeze.
I often thought I was in the wrong business. I was pretty seriously thinking of tossing it in before I shot Shine. I do not know why. I was pretty restless, I had been through a bad period of stress induced anxiety - panic attacks - and I was not sure of what I wanted to do.
In horror movies today it's lots of fast cut shot and lots of loud noises on the soundtrack. I tried to do the opposite. Playing with silence for instance.
I can explain that shot. Arnold moved his wallet to the other pocket.
But the two of them together, broke my heart. Olympia and Peter, those scenes... When they're kissing in their 20s and then kissing in their 70s, that's what it is. And they had never met five minutes before they shot those scenes.
I'll tell you what I would do in a shot if I could. I would sing in the barbershop quartet in The Music Man.
I see these college kids taking these crazy shots, and it's like, taking that shot is going to leave you without a job. You're not Steph Curry.
I'd go down to the end of my street, to a garage that had a certain feeling about it, or a particular light; I'd take a picture of a friend who needed a head shot. That's how I learned, instead of having school assignments and learning camera techniques.
I have a strange fascination with the Midwest. I'm waiting to find out that my parents are actually from the Midwest. I grew up in Beverly Hills, up the street, and I just feel comfortable there. I've shot in Minneapolis, in Detroit, in St. Louis, in Omaha - they would say they're the Plains, not the Midwest - and I love it.
My best move is probably my pull up jump shot.
From the rough, I'd use a 6-iron, play the ball back an inch or two and swing down on a steeper angle to catch the ball first. It also helps to aim slightly left and open the clubface at address. You'll get more height on the shot, and the club will cut through the grass more easily.
But 'Hey Dude' was shot in Arizona, and that took me to the West Coast. We did 65 episodes. It was not a show that a ton of people saw, so it was like doing acting classes and getting paid for it. At that point I had the acting bug. So I went to L.A. to give it a try and never left.
Well, number one I like dancing. Number two I knew it would be challenging because I had never done this type of dance before. I always wanted to and I happened to have the courage to go out there and give it my best shot.
Film is shot in fragments, and the same moments can be shot again and again until the director is satisfied.
I wanted to be a sportswriter because I loved sports and I could not hit the curve ball, the jump shot, or the opposing ball carrier.
I spent two months in Fredericksburg, Texas, when I was 8, while my father shot a movie, and I loved it. I just embraced the whole cowboy culture. I got myself a pair of awesome boots and a cowboy hat.
I'm a fast healer. I was on the air a week after I got shot.
What's so amazing about 'All in the Family' is sometimes an entire act was one camera shot. It was all about characters.
Once the referee throws the ball in the air, it's either your ball or their ball and you have to just take your shot.
Theses officers were good friends, so it must have been a terrible argument, because the one who played chess with my father was so angry that he walked over to the dentist's house and got the dentist out of bed and shot him.
I'll do whatever it takes to win games, whether it's sitting on a bench waving a towel, handing a cup of water to a teammate, or hitting the game-winning shot.
If movies are set in New York, they really should be shot in New York.
When we shot 'The Lord of the Rings,' we had special permission to film in wild areas of New Zealand that could be accessed only by helicopter. They would drop us off and we would work all day, and they'd pick us up and take us out again.
Something like 'Without a Paddle' does really well at the box office and I'm like, 'Oh, here we go.' In 'Without a Paddle' I'm the romantic lead - great! A comedy and that's what America wants. Then it did nothing for me and I went into kind-of a work abyss. I just didn't get another shot.
Whoever invented double clicking should be shot in the head! Twice!
We were shooting 'Hot Fuzz' in my hometown of Wells, Somerset, and I remember looking at the dailies and going, 'Wait, there's a Starbucks in the shot. I don't remember that being there!' We had to digitally remove it; the same thing happened with a McDonald's in another scene. I had this sensation of, 'What's going on here? Where am I?'
I shot images of everything I could find over the course of a year. I would go all over the world and take pictures. In a day, I could easily take thousands.
I am a prince I have it all, and I hear your foot steps on the wall, I wait in silence for your call, and take a shot and watch you fall.
In Ferguson, there are witnesses who say Brown had his hands up when he was shot. That should be enough probable cause to go to trial to then determine if Officer Wilson is guilty or not. It is at trial that he can then defend himself and his attorneys can present their own witnesses and their own defense.
I grew up on a farm, so there were rifles around. Every March around springtime, there's a big hunt that goes on, and you go out and hunt down all the pheasants. I actually never shot the pheasants; I'm not a big fan of killing animals myself.
I shot a couple of movies in jail, but I was never in jail.
More negatives write than call. It's a cheap shot for me to go on the air with the critical letters or E-mail I get because the reaction of the listeners is always an instantaneous expression of sympathy for me and contempt for the poor critic.
The serve, I was too young and too small and... not enough powerful to have a good serve when I was young, so my forehand was always my signature shot. So I used to always run around my backhand, you know, use my forehand as much as I could, and so that's why I think it's my strength also today, you know.
The message that I gave on the - on the steps today was that you need to stand for those things that are right and empower the individual. Believe in the power of one person. Don't believe that you can't do it. Everybody wants - everybody wants a shot. That we can all agree on. Beyond that, it becomes politics. I'm not talking politics.
Rita Hayworth in Gilda... there's not a shot of her in that movie that isn't gorgeous.
