I was lucky enough to have the songs in my first show written by George and Ira Gershwin. Then Cole Porter wrote five shows for me.
The first song I ever wrote was when I was 12, and it had, like, four lines in it. You progress and get better.
I was writing songs as a kid about leprechauns and Catwoman and teapots - whatever it is that little girls wanna sing about. The first song I wrote was called 'Kitten.'
Why is the public so interested in movies about the wealthy? My answer is that Shakespeare wrote about kings. That's where the action is. And it's the classic, cathartic thing. You get to indulge in a lifestyle you're not part of, a tragic error leads to a downfall, and you get to say, 'Thank God I'm not him.'
I wrote my first play as extra credit for my fourth grade English class. 'Can Helen Stop Smoking' was a satire on the ill effects of cigarette smoking. My friend Vicki Haugabrook played as Helen and I directed the show. At the time, my brother Vince was leading the campaign to get our grandmother to quit.
I guess if I had to pick one interest that is unique, it would be giant squids - I'm disturbingly fascinated by them and even wrote a story about the hunt for them.
I was listening to one of my favorite songs that Phil wrote and had an extreme emotional moment just before I got the news of his passing. I took that as a special spiritual message from Phil saying goodbye. Our love was and will always be deeper than any earthly differences we might have had.
The area we define as what Quora's good at is long-form text that's useful over time, and where you care about who wrote the text. Not that you need to be friends with them, just that they're someone trustworthy.
I wrote music as soon as I knew notation.
A lot of my early career, I wrote story songs that had narratives, that had plots.
When it came to using elements of your personal life in your work, my mother was the master, or the mistress. There were three or four songs she wrote about my father - songs about failed love.
When I was 13, I started writing songs, and it fell into my lap all of a sudden. I wrote poems and journals, but that's when it switched for me to songwriting. That's when I wanted to do everything. It was like a fire all of a sudden. I started coming to Nashville and moved here when I was 15.
When we started I wasn't the singer. I was the drunk rhythm guitarist who wrote all these weird songs.
I've always been one of those people that, if I am angry, I just hold it in. And I always kind of, like, wrote it in a song and put it aside for myself because it helps me get it out. It's almost like exercising; it's almost like that for me.
There were a lot of lyrics that I sang but didn't understand. But I had this facade in performance of looking like I wrote the book.
When I look back at my career as an author, I don't look at the first book that was ever published as to where my career began - I look to the first book that I ever wrote.
He's my favorite! He wrote and produced, and starred in and cast all of his movies! Can you imagine? I get really excited when I talk about Charlie Chaplin.
I learned that the songs that mean the most to me are the songs that I write by myself. While there were people I wrote really well with, particularly Gary Nicholson and Delbert McClinton, and I really enjoyed the experience, I came away from it feeling like I need to write by myself.
I wrote 'Mud' for Matthew McConaughey and had never met him.
I saw I could rhyme words. It came simply to me. But I wrote some pretty horrible songs that I still have on tape.
I grew up in a middle-class house without books, without art. No one around me wrote poetry or even read it.
Writing is the hardest thing I know, but it was the only thing I wanted to do. I wrote for 20 years and published nothing before my first book.
I was always a storyteller. I just didn't know it. I never shared the stories I made up inside my head when I was growing up. I never wrote them down, either. But I can't remember a time when they weren't there.
As an online journalist, newswire journalist, newspaper writer, I wrote every day. My whole thing was, 'I have to write and report and write every day.' That was my thing.
I remember I had a professor in college. I wrote a great paper. Could never please this guy. But it made me better.
I wrote 'Road Less Traveled' to make myself feel better and process what I was going through.
One of the greatest compliments you can ever get is when you make fun of a certain sect of people and they are laughing the hardest. When we did 'Men on Film' on 'In Living Color,' gay men wrote in how much they loved it.
People wrote me off, but I believed in myself. I got the confidence back, and it grew and grew. I won my first major and my last at the place that changed my life.
If you wrote something, you deserve to get paid and recognized for your work. No one should take a bow with another man's hat.
I started writing poems, and when I first tried prose, I wrote bad articles and essays and columns, and I didn't have a handle on it. I didn't go to a school that really taught you how to write that stuff.
'Carbs' is the first song I wrote, and 'I Wanna Boi' is the second song I wrote. I am very proud of every song I made since then. Anything I'm not proud of I wouldn't show people.
I find that the time that goes by is actually your best friend when you are making a record. The passing of time gives you perspective on what you recorded and what you wrote. If something sounds good to you 12 months after you recorded it then chances are pretty good that there's something valuable about the part or the song.
I wrote a draft of 'Playboy' for Warner Brothers, and it was impossible to really be independent of Hugh Hefner. In the end, Hugh Hefner was unable to take the back seat required to be able to write something about him that I felt I could do.
There's a gap between what I want to do, what I do on camera, and what gets edited. Right? So the goal is to try and close the gaps. What's the biggest compliment is if I read a review and it's exactly what I wrote down in my diary before ever filming it. That's really cool. That's the biggest signifier of closing the gaps.
I basically wrote five books with 'Night Soldiers,' called them novellas, and came in with a 600-page manuscript.
At last, the newspapers discovered the Bears. I kept writing articles about upcoming games, and by reading the papers, I learned editors like superlatives. I blush when I think how many times I wrote that the next game was going to be the most difficult of the season or how a new player was the fastest man in the West.