I remember taking my makeup off at a Saint Laurent shoot, and I was dragging it across my eye. The makeup artist was like, 'Don't do that to your skin! Don't pull it like that!' And I'm like, 'Really?'
Managing can be more discouraging than playing, especially when you're losing because when you're a player, there are at least individual goals you can shoot for. When you're a manager all the worries of the team become your worries.
Lipstick doesn't really suit me. For shoots or when I go out, I use it - but if I use it all the time, it makes me look really old, so I keep it natural with nude or a natural pink. Though I did just do a shoot where they did a big red lip, and it looked amazing.
If I had free time to go to Los Angeles to shoot a movie, I would rather spend it with my kids.
The hardest thing about movie acting is that if you're playing a character who changes within the movie, you've got to do that, but you've got to do it out of sequence, because we never have gotten to shoot in sequence, and that's really, really tough.
As for action movies, I did Tarzan, and I'm also about to shoot Meltdown, which John Carpenter wrote.
The thing is, when I feel like I have to lose weight, the opposite happens. I remember stuffing loads of chocolate on the plane to the shoot, and I thought, 'Why don't you have the courage to show up in a body that's natural, not overly worked out?'
Shoot for the moon - if you miss you'll end up in the stars.
When you shoot in a room, that's a symmetrical thing that contains you. When there's no contention, the sensation is overwhelming you. That's a challenge, to do that.
This one, even though it called for San Francisco, I think they wanted to initially shoot part of the film up here, you know get the exteriors and then go back to L.A. We really fought to get it up here and I think Paramount was really pleased.
I think we all want to really live good lives, and we all really want to have a healthy planet, although I don't know if we're supposed to be on it forever. Now, does that mean that we should be building rocket ships to shoot us into outer space? Well if we can, I think we should.
We had a script that was really solid and we knew how we were going to shoot and how the energy of it was going to go. So it gave us a lot of freedom to use the camera as a character.
Even when you have a big budget, you can't just shoot everything.
My curiosity sustains me for the period of the shoot.
In the World Wars, people were perfectly able to shoot other people just because they belonged to the wrong country, without ever asking what their opinions were. Faith too is like that.
When you film a reality show, it's so jumbled. They shoot episodes in all orders!
Acting is sort of an extension of childhood. You get to play all of these roles and have so much fun. Playing an athlete would be so cool. Or where you get to shoot guns, ride horses. I wouldn't turn down any of that.
Nothing is so beautiful as spring - when weeds, in wheels, shoot long and lovely and lush; Thrush's eggs look little low heavens, and thrush through the echoing timber does so rinse and wring the ear, it strikes like lightning to hear him sing.
I can understand there are things like shadows they need to fix after a shoot, but it's unfair to represent an image of yourself if it's not true. They're gonna see what you look like on film anyway, so why try to cover all your wobbly bits in a photo?
We are protecting civilians. We are unarmed. We are no threat to you. Please do not shoot.
I'm so excited. I love Peeta so much. I think that over the course of the next couple of books, he has so many interesting places to go to, character-wise. I'm ready to dive full-force into it. When I saw the movie actually, it got me energized. 'Let's go get some cameras! Let's go shoot the second one right now!'
I was court-martialled in my absence, and sentenced to death in my absence, so I said they could shoot me in my absence.
Is it right to shoot the poor prostitute or a woman who is unfaithful to her husband, or a man who loves another man?
As far as the media is concerned, I wouldn't shoot anything down.
Indies are always an extra challenge. The time is shorter because you have less money to spend and fewer days to shoot.
Working with photographer Mario Testino on Bulgari's 2017 global campaign in Italy was an incredible moment for me. I could see the Vatican from set! I got to play this powerful character during the shoot, and it was such an honor to represent that. My favorite pieces are from the Serpenti collection. It's distinctly Bulgari - very sexy!
Action to me is something very fun to shoot.
I always wanted to create this community that would come and tell their own story, shoot it - and watch them. The idea is to not have one entity who creates the work, the project, and another entity who consumes it; the idea is people create their own work, like somebody cultivating his garden.
I've always wanted to do a shoot with snakes - big snakes, like pythons.
That's the most difficult issue for me... to find a subject that holds my interest long enough that I'm prepared to go to work and spend the time and energy to shoot the subject.
There'll be moments when I'm out in the prison yard, chatting with the cast and the crew, getting ready to shoot a scene. And then I'll remember if I were actually an inmate, I'd only be out there an hour. The other 23 hours of the day, I'd be in my cell. It's kind of a downer.
There is no substitute for a real location when you're trying to shoot the jungle. You can't just go anywhere. You've got to go where it's lush and green and there really is those mountain ranges, the trees and the ocean.
I can shoot a basket pretty well.
An artist's only concern is to shoot for some kind of perfection, and on his own terms, not anyone else's.
With 'Love & Basketball,' I played ball my whole life and did track at UCLA. So, I'm an athlete. And it was very important for me to get it right. I started with casting: As an athlete, there's nothing worse for me than watching a sports movie and the woman that they hire can't run or can't shoot. It sets women's sports back years.
After 'Divergent,' I got a job rewriting a sci-fi script at Paramount. I think they really liked what I did, so I got a call saying, 'We're about to shoot 'Ninja Turtles' in three or four months; do you wanna come in and do a little work on the script?' That was the beginning of a many-month 'Ninja Turtle' odyssey.
