There are times, especially on 'The Five,' where I've lost control for a moment. I always feel bad about it, but those always seem to be the times that people realize, if I'm mad about something, it must really matter.
The artist likes to seem totally responsible for his work. Often he begins to explain it, to make it appear as if it were a reasonable process.
With 'The Librarians,' we want to be a smart, fun, crazy, genre show, but we also want to be something that people of all ages can watch and enjoy. That, to me, does seem to be increasingly harder to find.
The profession of book writing makes horse racing seem like a solid, stable business.
Many of those people involved in Adolf Hitler were Satanists, many were homosexuals - the two things seem to go together.
Though actually the work of man's hands - or, more properly speaking, the work of his travelling feet, - roads have long since come to seem so much a part of Nature that we have grown to think of them as a feature of the landscape no less natural than rocks and trees.
I know, people have had different things to say about Marvel, about how creatively free they are or not free they are, but for me, the rule has always just been stay as good as I can possibly be, and stay one step ahead of the curve, and stay unique, and stay myself. And they seem to like that.
If your work becomes a source of enjoyment and a challenge, it will never seem like work - it will be fun. If you ever feel that your work is a burden, there is no point carrying on with it.
Some guys seem to jump right out and win tournaments, but for me, I've been the kind of player who is getting a bit better each year.
So many people walk around with a meaningless life. They seem half-asleep, even when they're busy doing things they think are important. This is because they're chasing the wrong things.
I encourage the translators of my books to take as much license as they feel that they need. This is not quite the heroic gesture it might seem, because I've learned, from working with translators over the years, that the original novel is, in a way, a translation itself.
Toronto girls are super interested in skincare, which is actually kind of unique. Because in New York, the girls seem to be mostly interested in makeup.
Sharon Shinn is a lover of words and a builder of worlds. She makes science-fiction seem like fantasy. Her characters jump off the page, finding their way under your skin and into your heart.
To an outsider, I just seem like a list of accomplishments. To me, all there is is how often I fail.
People have asked me a lot, 'What comes first? The pictures or the story? The story or the picture?' It's hard to describe because often they seem to come at the same time. I'm seeing images while I'm thinking of the story.
I've made movies where people say it's their favourite, but they don't take it seriously because it just didn't seem to break through commercially.
Quality that significantly exceeds the customer's expectations doesn't seem to pay off. This 'delight the customer' stuff isn't rewarding. One has to be careful about delighting customers too often, because it sort of reshapes customer expectations.
I find it really awkward to do a scene where I'm supposed to seem like I'm in love.
A sense of the universe, a sense of the all, the nostalgia which seizes us when confronted by nature, beauty, music - these seem to be an expectation and awareness of a Great Presence.
I'm always trying to find 'connections' between things. That art is the juxtaposition of a lot of things that seem unrelated but add up to something recognizable.
Apart from finding a first job, college graduates seem to adapt more easily than those with only a high school degree as the economy evolves and labor-market needs change.
I started out writing when I was young; stuff about exposing the truth about how people are not what they appear, about how they are much more dysfunctional than they seem. Pulling back the curtain - that felt smart. But as I got older, exposing how frail people can be seems less and less deep.
A lot of more modern films seem to just be out for violence or sex or what have you, without relating it to what's going within human beings. But every now and then one comes along that does that, and it's a joy.
Republicans can be a funny bunch. They're against affirmative action, but they always seem to be able to find people of color to fill a slot just when they're most needed.
Generally the aesthetics of broadcast journalism seem to me to be incredibly primitive.
We seem wired to grieve with greenery. Allowing the dead to dissolve into the earth, to become part of the cycle of the seasons, has, for millennia, held the promise of cheating mortality.
Without a dog, I would have tassels on my throw pillows instead of little stubs of yarn that look like small worms. The pillows seem to function just fine without the tassels, so perhaps it isn't a problem.
I'm no ethnomusicologist. There is a connection between the five-note scale used both in traditional Chinese music and the blues, but I don't really understand it. All I know is, whenever I play with Chinese musicians, we seem to belong to the same musical gene pool.
There are two languages: one as things seem to us and the other of knowledge.
Among the rednecks of America, which there are many more than people seem to realize, it was terribly damaging. I got blamed for O.J.'s acquittal.
Discomfort levels in our societies are rising, or so it would seem. In theory, we invoke diversity and tolerance. But in real life, we raise our hackles and withdraw into ourselves.
The older people that one admires seem to be fearless. They go right out into the world. It's astounding. Maybe they can't see or they can't hear, but they walk out into the street and take life as it comes. They're models of courage, in a strange way.
Somehow, the greater the public opposition to the health care bill, the more determined they seem to force it on us anyway. Their attitude shows Washington at its very worst - the presumption that they know best, and they're going to get their way whether the American people like it or not.
I think my job is to keep the ball down. I always say I try to go out there and get early contact, and strikeouts just seem to happen.
Working moms commonly testify that they feel guilty when they are away from their children and guilty when they are not at their jobs. Devoted fathers certainly miss their children deeply, but it does not seem to be with the same gnawing, primal anxiety that often afflicts women.
Loud peace propaganda makes war seem imminent.