I don't do anything to impress anyone, quite successfully I can tell you.
My primary goal is always to tell a story that will resonate with people on a deeply emotional level.
We don't tell New Zealanders we can stop the global recession, because we can't. What we do tell them is we can use this time to transform the economy to make us stronger so that when the world starts growing again we can be running faster than other countries we compete with.
I think when you go in, with film or television, you want to tell this narrative. And with 'Joshy,' you want it to be grounded with moments - it's not like, 'Everyone be as funny as you can, quickly, at all times!' It's not like that. You have to pick the right improvisers.
I hear actors complain about being stereotyped, and a lot of the time, you have yourself to blame. Just don't take the part if you feel like it's a stereotypical part for you. You have control over your life. We don't have the old studio system, where you have to do what they tell you.
Success is a sort of metaphysical experience. I live exactly as I did before - only on a slightly bigger scale. Naturally, I won't be corrupted. I'll sit there in my Rolls, uncorrupted, and tell my chauffeur, uncorruptedly, where to go.
It's definitely the highest rated pre-school show on Cable. It's difficult to mix markets that way in terms of ratings. It's hard to tell, you know, where channel 12, or Public Television, is.
What great writers have done to cities is not to tell us what happens in them, but to remember what they think happened or, indeed, might have happened. And so Dickens reinvented London, Joyce, Dublin, and so on.
My mom and I were super tight. I think she really wanted me to be an artist, you know? She used to like to tell people she wanted to be Beethoven's mother. That was her thing. She wanted to be the mother of this person.
I am a very private person. No one ever knows anything about me as I don't think it is necessary. I tell people as much as I want them to know about me.
My hats off to anybody filming action, because you get beat up. If I'm going to get the crap kicked out of me, I would love 15,000 people on hand to tell me that I'm doing good or I'm doing bad. So, if I'm going to be in any physical duress, I'd really like it to be in a WWE ring, which is why I was so amped to be a part of 'Trainwreck.'
I grew up in a drive-in theater, from the time I was 8, working in a snack bar watching four features every week. It was silent theater in the sense that this was a drive-in, which meant that I often saw the films going with no sound. But I learned to tell stories through action.
When you're a 20-something-year-old athlete and you're getting a six-figure check every week, you're not thinking about next week. You're not thinking, 'I'm going to be broke,' or 'I'm going to need another job.' But I'll tell you, there are a lot of broke athletes out there - I know plenty - and I didn't want to end up as one.
I'll tell a young kid in a minute, 'If you don't know how to read, then what good is trying to be an MC?' Like, you can MC, but if you're not trying to be a better person, learn and apply that to your MCing, then how far do you think you're really going to go?
Let me tell you, my career went from zero to 900. Its hard keeping up with that pace, but I wouldn't trade it for anything else in the world.
I will tell you this: I have fun, a lot of fun with 'The Apprentice.' When I did the books - and now we have a book out. And all the time, books are prestigious. But there's sort of nothing like having the big hot show on television.
I'll tell you, there's no goodies and baddies in the world, there's just people with intentions that sometimes clash.
Very gifted people, they win and they win, and they are told that they win because they are a winner. That seems like a positive thing to tell children, but ultimately, what that means is when they lose, it must make them a loser.
The best way to honor real people when you play them is to try to tell the story of their dynamics and the struggles that they're dealing with rather than lose sight of the connections and personal relationships, and do a really good job at an accent.
If you're struggling to make your mortgage payment, and you've got three kids between the ages of 12 and 18, and you and your spouse works, and someone says, 'Oh, by the way, the world's ending,' it's like, 'Please. You don't need to tell me that.'
Critics will tell you the 'meet cute' is a tired old writing cliche, but the thing is, cliche's work - because they ring true with the reader.
I tell women to not make hasty decision based on circumstances on just that moment in time. Press the pause button.
Go to a job interview and tell and employer that you can recite the 17 times table; they don't care. Why are we still teaching it?
I would tell anyone who wanted to be an actor not to bother with drama school.
I think the feeling was that 'Venture Brothers' really has something to sell in terms of a feature. 'Aqua Teen' is an element minute cartoon, and its very subversive and non sequitur and weird. We were writing the one show where we were constantly like, 'God, I wish we had another hour to tell this story.' It seemed like a natural fit.
Women tell me they won't date a guy with bad shoes. There are good-looking guys with good-looking outfits, and then really bad-looking square toe I-don't-even-want-to-mention-the-label kind of shoes. There is no reason for that. Again, invest in something that looks proper. A great pair of shoes can make your old outfit look great, too.
The things of Catholic life are never boring because we have such a rich tradition and so many stories to tell.
Genetic modification has many different areas, for example in medicine, and Britain is at the leading edge of this new technology. I don't know, but people tell me, it could indeed by the leading science of the 21st century. All I say to people is: 'Just keep an open mind and let us proceed according to genuine scientific evidence.'
I tell my clients to feel powerful - you and only you own your power. You are the one who can make yourself eat right, work out and not touch the biscuits.
I always tell my clients to be tough, to be strong. Never weaken yourself. I believe God favors only strong persons.
One of the cool things we're seeing at TaskRabbit is local tech and gaming startups hiring TaskRabbits to test their products and deliver immediate user feedback. As the founder of a tech startup, I can tell you that this type of focus group testing is paramount - and usually really pricey and difficult to coordinate.
There must be a story within him/her that wants to come out. That's the reason why 'Dil Chahta Hai,' 'Lagaan,' and 'Rang De Basanti' worked so well: Ashutosh, Farhan, and Rakesh had a story inside them. It's very important that the director should have the fire in the belly to tell the story.
I can taste a meal and tell you every spice that's in there. I have taste buds like Betty Grable's legs - they should be insured with Lloyd's of London.
While the documentary community is way ahead of Hollywood, it is still nowhere near where it needs to be. Filmmakers of color rarely get hired by the powerful production companies, and they are not getting supported enough by broadcasters and funders to tell their own stories.
The spirit around leaving New York, for me, was that I just felt I needed to do something really outside of my comfort zone. And I really couldn't tell you at the time why I needed to do it. It wasn't like I was running from something dark; it was a desire to shake things up.
I don't want to tell people how to remember me. I want people to remember me as they remember me.
