The wonderful thing about Clint is you can never second guess how he is going to react to anything.
Cottonmouth is the result of having to react to his circumstances. He had to, in some ways, take control of the situation and own his circumstances. But as a result of that, he became a person he didn't intend to become.
I believe that politics takes a much different set of skills than science. Science is about getting to the truth. Politics is about what people think and how they react.
When I don't feel free and can't do what I want I just react. I go against it.
No matter what the character is, I just say to myself 'If I, Melissa George, was in that situation, how would I react?' and once you do that you can just go for it, and hopefully the performance comes through.
In London, the weather would affect me negatively. I react strongly to light. If it is cloudy and raining, there are clouds and rain in my soul.
A lot of the time, when people meet someone in a wheelchair, or with some disability, it's the first thing they notice, but they don't know how to react.
My normal stuff is Dr. Perricone's hypoallergenic range. I have incredibly sensitive skin, so I struggled to find anything because my skin would react to so much stuff.
I didn't feel like gymnastics were part of The Cars. I certainly philosophically didn't want to prod the audience to react to anything. To me, it was more like negative theater. We didn't really talk to the audience. I didn't see that being a part of this band.
Variability is the law of life, and as no two faces are the same, so no two bodies are alike, and no two individuals react alike and behave alike under the abnormal conditions which we know as disease.
Why we cannot build a system like El Al to be proactive. Why do we have only to react? The shoe bomber - reaction? Take off your shoes. The Nigerian - the body scanner is a result of the Nigerian guy.
It's so interesting how success hits people and how they react to it.
Any time a writer thinks he has all the answers to how someone should talk or react or end a scene, it's a spontaneity-killer.
You have to react to what's around you in the moment, whatever the music is. Just think of it as some place you have to enter and you need to find the key.
A scene, a day of shooting, can often make you feel kind of stupid and inept because your one job is to anticipate and react and know what to go for.
When something terrible happens, how you react determines who you are from then on.
Pressure makes people react in different ways. Some people plunge in, and others take the way out.
The more I pay attention to what's going on inside, the more I realize that how I feel, and how I react to what I feel, really creates my reality. And the more in touch I can be, the better chance I have to control what's happening in my life.
You have to be careful to react when you start to deviate from your course.
I react emotionally to everything!
People react to fear, not love; they don't teach that in Sunday School, but it's true.
When it comes down to it, it's all about good music and what makes people react. That wins over everything else.
It's dangerous to generalise about sound because many of its effects work through association. These can be universal: we all instinctively associate any sudden, unexpected noise with danger and react with a release of fight/flight hormones, while most people find sounds like gentle rainfall or birdsong calming and reassuring.
I was active on Facebook for a while, responding to comments and thanking fans for their appreciation. But I found that the Facebook feed was numbing my emotions. I'd see an extraordinarily tragic news item, and even before I could react to it, see a hilarious meme right below it. This was confusing me.
The possibilities are numerous once we decide to act and not react.
I'm more interested in knowing my cues than my lines. If you know what your cues are, then you know what your reaction is going to be to them. Acting is about reacting, and if I can kind of purely react, that's easier for me.
I think I'm actually quite a materialistic person, I value what it takes to make a car or build a nice house. Money does change things, but how it changes people depends on how they react to it.
Caste is a delicate issue. It's ubiquitous, and we are full of it. We should start to change things from individual level. But when you go to people and deny caste, they may not react favourably. I think if a decisive percentage of people, especially elites, start marrying out of their caste, we may see a casteless India in a generation's time.
I try to live the moment and not obey laws, rules, conventions, or norms; to react to a sensation, a feeling, or an emotion. You can't program emotion.
When someone doesn't react to changes, the changes turn against him.
All forms of power - even based on the consensus of the democratic system - react when they are being attacked, or when those who exercise power become a target.
If I started worrying about how my constituents are going to react to every move I make, I wouldn't be able to do my job here. I'll do what I think is right and explain it later.
Realizing our society as it is, without theology dogmatically telling us how we should react to it, and being humane toward that society, that is all that we're sure of.
The real question is: How do you react? What do you do next? Evade responsibilities? Bury yourself in work? What do you do? All three of my novels take up that question, although none gives an answer.
It's not what happens to you, but how you react to it that matters.
I feel like when I do some dance moves during the week or at the house, I'm quicker on my feet. I can react quicker just from dancing.
