People come to Portland, many of them for the quality of life. They love the physical space here. And yet every year, people climbing the mountain get killed by avalanches.
If you're going to go into space, you have to have an objective, a mission. Where do you want to go? Earth orbit? The moon? Mars? What's the technology to get there? You develop the technology for the mission.
In the United States there is more space where nobody is than where anybody is. That is what makes America what it is.
The 'International Style of Modernism' came with the advent of building services. In the end, the architecture became like a container space, essentially like a boring box with a basement full of machinery to make it inhabitable. As a result, buildings literally started to look identical all over the planet.
A lot of my works deal with a passage, which is about time. I don't see anything that I do as a static object in space. It has to exist as a journey in time.
In California, you can stretch your arms out and not be touching another person. You get space, sun and, in general, dignity.
Knowledge born of the finest discrimination takes us to the farthest shore. It is intuitive, omniscient, and beyond all divisions of time and space.
We have a secret project at Third Man where we want to have the first vinyl record played in outer space. We want to launch a balloon that carries a vinyl record player.
The real lover is the man who can thrill you just by touching your head or smiling into your eyes - or just by staring into space.
Space is dark but, of course, when we're on the sun side of the Earth, we're in full illumination and we have all the reflection of the Earth below us, beautiful blue Earth and we're in daylight. Only on the back side, opposite side of the sun, it seems like night to us, too.
A big misconception is that a black hole is made of matter that has just been compacted to a very small size. That's not true. A black hole is made from warped space and time.
As a species, we've always been discoverers and adventurers, and space and the deep ocean are some of the last frontiers.
The idea of 'Badlands' was creating a space with sound, which is a really difficult thing to do.
Think about what happens on Earth when you throw up. You throw up and you have a bag of something horrible and then you throw it away, but if I have this bag, what am I going to do with it? This bag is going to stay with me in space for months, so we want a really good barf bag.
I had a book that was given to me as a kid that was called 'Faeries.' It was this dark, sinister book with pictures that used to scare me because they were these creepy little creatures. But, I was always really drawn to that fantasy world, more than a sci-fi world, in terms of outer space stuff.
What I love about what I get to do is that I'm allowed to create the stories that I want to tell with minimal interference by some very big corporations like Microsoft and Sprint and EA and BioWare. The advantage that these tech companies have is that they understand the space organically, versus traditional media companies.
I believe that public space should be intentional: it should be obvious that you belong.
It's probably what I'm most interested in as a choreographer: how I can alter and shift and develop the structure of a piece and of the space.
You can get anything online, including things that don't even exist. We've invented our own collective unconscious. The normal rules of time and space don't apply. It's held together by some other force than gravity. It's endless. It's like some unimaginably huge, messy novel that's writing itself both with and without us.
The best space movie in my view is 'Apollo 13.' That's just the way it happened.
It shouldn't be so difficult to determine what a planet is. When you're watching a science fiction show like 'Star Trek' and they show up at some object in space and turn on the viewfinder, the audience and the people in the show know immediately whether it's a planet or a star or a comet or an asteroid.
I internalize a lot of thoughts, and sometimes it seems like I'm not listening or totally zoned out, but I'm always on a loop of ideas and song titles. I'm definitely kind of a space cadet, but I'm very laid back.
As I grew steadily more comfortable in the kitchen, I found that, much like gardening, most cooking manages to be agreeably absorbing without being too demanding intellectually. It leaves plenty of mental space for daydreaming and reflection.
When the time comes to start building deep space transports and refueling rocket tankers, it will be the commercial industry that steps up, not another government-owned, government-managed enterprise.
As a child, I spent a lot of time wandering around the prairies and in the hills, and there was a sense that it was such a wide-open space, and there was kind of a feeling of potential. I could imagine anything happening there.
Having plenty of living space has to be the greatest luxury in a city, and I guess in some sense Bombay is the antithesis of what living in Canada must be.
I like to play as a No. 10. I think I have more freedom offensively. For Belgium, we have full backs who run hard and create a lot of space, which is good, and I like to play there.
I can't deal with someone wanting to take a relationship backward or needing space or cheating on you. It's a conscious thing; it's a common-sense thing.
When walking, you see things that you miss in a motor car or on the train. You give your mind space to ponder.
I have absolutely no idea about space exploration. I'm a software guy. But because I'm a non-expert, I've been able to bring the software concept of modularity into the space sector, which was never done before.
As you get older, the physical abilities decrease, which is particularly frustrating because your brain gets so good! So as you are becoming less technically or physically able, younger dancers are emerging who need the space to perform.
When you get into your car, shut the door and be there for just half a minute. Breathe, feel the energy inside your body, look around at the sky, the trees. The mind might tell you, 'I don't have time.' But that's the mind talking to you. Even the busiest person has time for 30 seconds of space.
I went to film school, trained as a director, have made a lot of movies, and taken a lot of photographs, so I tend to envision things spatially. As I'm working, I need to have a map of the space. I need to know what's happening in all corners simultaneously.
If you're going to lead a space frontier, it has to be government; it'll never be private enterprise. Because the space frontier is dangerous, and it's expensive, and it has unquantified risks. And under those conditions, you cannot establish a capital-market evaluation of that enterprise. You can't get investors.
I would always consider flying in space again, without a question.
If you put the collections together, whether it's Rick Owens, Alexander Wang, or whomever, sometimes they do streetwear, but they're never called that. They're always called 'sportswear' or 'high-end' or 'luxury.' I feel like I'm tossed into that streetwear category so that I don't exist in this space.
