Zitat des Tages über Orchester / Orchestra:
I created a foundation for poor children called Sinfonia por el Peru, where they play in orchestras and choirs, learn values and get away from the bad life, become better citizens in every aspect.
I feel I'm most successful when I'm playing a concert, and it doesn't necessarily seem like I'm playing a saxophone but am coming off more like an orchestra or something like that.
Ergo, because of the money problem, it is probable that our orchestras will soon go down in quality.
The sound of the orchestra is one of the most magnificent musical sounds that has ever existed.
His style has the desperate jauntiness of an orchestra fiddling away for dear life on a sinking ship.
I come to New Orleans so often that, one day soon, someone's going to declare me a native. I love the food. I love the music. I serve on the board of the New Orleans Jazz Orchestra.
Only the French, I guess, really use tenor and alto to any great extent in the orchestra.
And over the last ten years, after my work with the Brodsky Quartet, I had the opportunity to write arrangements for chamber group, chamber orchestra, jazz orchestra, symphony orchestra even.
Orchestras are like people. They're the sonic embodiment of their community.
The computer is not, in our opinion, a good model of the mind, but it is as the trumpet is to the orchestra - you really need it. And so, we have very massive simulations in computers because the problem is, of course, very complex.
I would love to do much more singing; it's just one of those things where I can't quite describe what it feels like when you're standing in front of a forty piece orchestra, and there's nothing between you and an audience but a microphone. It's like strapping yourself to a locomotive, and I love it.
I used to go with him and I'd sometimes play, take over from him. That was my first taste of the music business, I suppose, but I was also in the youth orchestra at Johnston Grammar.
There's always a question of duration, there's a question of who the orchestra is. No one is free to write what you want - you collaborate on a film score, and one of the good things is that someone else's work is motivating you.
Conductors must give unmistakable and suggestive signals to the orchestra - not choreography to the audience.
I want to work with the big orchestras. I want to have a big family.
I often play on the cello-bass side of the orchestra, because I prefer the deep sounds. I can't hear the violins well.
Eventually we want to do a puppet musical with turntables in the orchestra pit.
I do basically what a conductor does with a baton, except I also play along with the orchestra. So I have to juggle the roles of playing the concertmaster; sometimes I drop the violin and wave my arms.
Toting around a full orchestra on tour is very ambitious. I would consider doing a show now and then, like do a show at Radio City or Carnegie Hall with a full orchestra.
Then when I was in grammar school I played the clarinet, and then, after clarinet I played the flute in college orchestra - besides singing in the college chorus and things like that.
For me to rehearse with a children's orchestra a Mahler symphony was to really work. We had three or four weeks of rehearsal with the orchestra, every day eight or nine hours, putting the First together. I had been conducting Tchaikovsky a lot and Beethoven, but Mahler was different.
Many people who don't like Rachmaninov's style consider the 'Rhapsody' his masterpiece. It's written fantastically well for orchestra and piano. He combines a lot of effervescence with a deep, Romantic spirit.
In or orchestra we have many nationalities, types, and temperaments.
I had a musician friend once tell me that it's not in the orchestra that you get the true test of the musicians but in the little trios and quintets where you really get to see if they've got the stuff. And the composer.
To me it's no accident that all the symphony orchestras around the world tune up to the note A. And A is 440 cycles, except in Germany where it's 444. But the universe is 450 cycles. So what I'm trying to say is, I think it's God's voice, melody especially. Counterpoint, retrograde inversion, harmony... that's the science and the craft.
The guitar is a small orchestra. It is polyphonic. Every string is a different color, a different voice.
Pardon me for loitering in front of an orchestra.
I did the one concert, and I was not bitten by the conducting bug, and I thought I was done, but then the phone started to ring, and gradually, over time, I started conducting more and more. Now a third of my performances are with orchestras.
Mostly this problem is contained in the fact that the US makes it so difficult for Canadians to get green cards (you heard it here), but if an American orchestra really wants a player, they have their ways.
You get more nervous in front of a lot of people. That's why, when you play a concerto, you play with a small orchestra, in some place where you don't feel that it is as important as Carnegie Hall.
My father will go see Trans-Siberian Orchestra every single year. I mean, he's completely into it.
But a large symphony orchestra basically is a repertory company and it has a very enormous repertoire and it is important for the performers to be able to know how to shift focus so that they instantly become part of the sound world that a particular repertoire demands.
With El Sistema, you can create orchestras everywhere; then they can decide whether they want to become professional musicians. The aim is not only to create musicians, but to create people.
Orchestras are not used to playing the kind of stuff jazz musicians like to play. It requires a lot of rehearsal and recording time, so it's much easier to do on a synth or sampler. So, we came up with that idea.
I always felt that I would become somebody outstanding, whether it was in singing, instrumental playing, orchestra conducting, or anything involving feeling.
There is much modern music that is better adapted to a wind combination than to a string, although for obvious reasons originally scored for an orchestra. If in such cases the interpretation is equal to the composition the balance of a wind combination is more satisfying.