I do shows, stage shows all the time, and I'm so afraid that people are going to recognize themselves, and they never do. They never do. They're always like, 'Oh, that woman was ridiculous,' and yeah, they're talking about themselves.
I didn't really start building my own stuff until I was 24, 25 or so, and even then, I ran into a lot of resistance from, like, older folks, like my bosses at other companies or people in the industry that were like, 'Oh that's an interesting idea, but it will never work.' And, I don't know, I kind of believed everything that they told me.
There are still times when I am walking up, and I look at the Capitol, and I think, 'Oh my goodness.' Right now, I am kind of scared to go onto the floor and speak. Once I get used to it, though, they probably won't be able to keep me off there.
I try to avoid describing one interpretation of my books. Of course I have an opinion. I have things I want to say, but I don't ever want to limit anybody, to have them say, 'Oh, he said this, so that's what it's about.' I'm happy people bring their own stuff to it.
Roger Revelle died of a heart attack three months after the Cosmos story was printed. Oh, how I wish he were still alive today. He might be able to stop this scientific silliness and end the global warming scam. He might well stand beside me as a global warming denier.
Oh, my mama was awesome. Very strict, overreligious, loved the Lord, loved rules. But she had to be that way because of where we were growing up, the neighborhood I was from.
Animation is very singular. Like, even the 'Toy Story' movies. People will go, 'Oh, gosh, you're so lucky, getting to play opposite Tom Hanks!' And it's, like, 'It may have appeared to be that, but we were never in the room together.'
When you're a kid and practice on clay, you're always, 'Oh, I wish I could win Roland Garros.'
Oh, I ain't vegan, I'm good. I eat. I eat everything. Except pork, you know, I try to stay away. I like me some bacon, though!
The more science I studied, the more I saw that physics becomes metaphysics and numbers become imaginary numbers. The farther you go into science, the mushier the ground gets. You start to say, 'Oh, there is an order and a spiritual aspect to science.'
I learn about history and religion and politics. It keeps me tuned in. If I hear something on the news, I'm like, 'Oh my God, this is what somebody is talking about in the play that I'm about to do in two hours.' The act itself - of rehearsing, failing, and still persisting and trying to create - keeps me curious, keeps me searching.
Oh, don't let's ask for the moon. We've already got the stars.
I went through a phase where people would introduce me at parties as a cartoonist, and everybody felt sorry for me. 'Oh, Matt's a cartoonist.' Then people further feeling sorry for me would ask me to draw Garfield. Because I'm a cartoonist, draw Snoopy or Garfield or something.
It's amazing that people still feel, 'Oh my gosh, it's a black guy.' We've been here for a long time; let's get used to it. Let's get used to other cultures.
I get a lot of people that say, 'You know what, I heard that you're a painter, and I thought, 'Oh, another model who is saying she's an artist.' They assumed it was going to be a few splashes on a canvas.
Ah, the Wrecking Crew! They played on everything that came out of L.A. Oh, that was a good band. You really enjoyed going to work. You played for everyone; it didn't matter what it was.
People are proud to be from Baltimore. In any industry you work in, you need support to survive. And this city has that support for anyone who was born here or lived here. And it also gives you the feeling, 'Oh, I stand for this place. And if I do something I'm not proud of, I might not make my town proud.' And I want to make Baltimore proud.
People say to me now, 'Oh, you've given up the piano.' How can you? Music is a virus.
People say, 'Oh, you're famous now, so you must go to L.A.' - I don't live in L.A. now - but it's like, why wouldn't you? The weather is amazing, the film industry's there, it's a great quality of life.
People go to the front page of BuzzFeed partly because they've seen a bunch of things in their stream, and they're like, 'Oh, I like this site. Why don't I go to the source?' I think that happens. But also people are going to look for something to share.
I was never the ingenue, so hopefully that'll make it easier to age and still work. I know a lot of actors who are really dissatisfied with where they're at even though some of them are huge stars and I feel like, 'Oh, my God, you're at the top.' Something interesting will come. It always does. I have faith.
Once you see the impact that you have on people, either at a meet and greet or after a show, you think, 'Oh man, they need to feel better today.'
I didn't get a formal introduction to horror until right about the age of 12, when my uncle showed me 'Twilight Zone: The Movie.' When you're 12 years old, and you see that - oh, God. I devoured as many horror movies and novels as possible.
Even if a story has nothing to do with my life, if I can recognise something of myself in the character and think, 'Oh yeah, that's what I'd do...' Yeah, that's what I look for.
I thought, 'OK, Melissa Gilbert is playing my mom, and I'm playing her old role - no pressure.' So I went up to Melissa and said, 'It's such an honor playing your daughter,' and she smiled and said, 'Oh, shut up.' I thought, 'Great, a normal person.'
I think there's just so many people in the world that don't feel understood, and when you hear a song and you go, 'Oh, that song understands me,' that's an amazing feeling. I get it when I listen to the radio... That's a beautiful part of music.
Adele's voice is incredible. Chet Baker also has one of my favorite voices of all time, and so does Joni Mitchell. And Frank Black. Oh, and Stevie Nicks.
I remember Steven Tyler coming up to me once. He was like, 'Oh my god, you have a God given talent,' and I freaked out. He's so sweet.
The bitter might be just an initial reaction of, 'Oh my goodness, it's sold,' but not really understanding fully that I will be chairman emeritus of the new company, which is Ebony Media Operations. It is African-American led and owned, and I have a seat on the board, and I also have an equity position in the company, so I'm still there.
When the Canadian confederation took place in 1867, a lot of people in Quebec said, 'Could we have a referendum?' They said, 'Oh, no. In the British tradition, the Parliament can do anything, excluding changing a man into a woman, and, therefore, no referendum' - and that was that.
In falling over in heels while trying to look attractive, you don't just hurt your body, you bear the humiliation of injuring your very soul. Physical pain? Whatever, bring it on. But the humiliation? Oh, you have seen to the very weakest part of me.
I've been treated really well for 'Stick It.' There was this cop and he pulled me over and he was like, 'Oh my God, you're in 'Stick It.' I said, 'Yes. Yes. You're the last person I would think would be pumped up by this movie'. He let me go, so that was nice.
When people say hello to me, I feel like maybe I know them from somewhere, because they say, like, 'Hi! How are you?' And I'm like, 'Oh, hi!' And then I realize, 'Oh, no, they just think they know me because they watched me in a movie.' Which is cool, but definitely not a normal thing.
My weak spot is laziness. Oh, I have a lot of weak spots: cookies, croissants.
I think it's very comforting for people to put me in a box. 'Oh, she's a fluffy girlie girl who likes clothes and cupcakes. Oh, but wait, she is spending her weekends doing hardware electronics.'
Sometimes it's just 'Oh my God, I love the taste of fried oysters on French bread with mayonnaise and an order of French fries.' I'm not going to lie to you - I deal with that temptation every single day, many times.
