It just tends to be that the grass is always greener. If I'm doing a movie, I suddenly think, 'Oh God, I wish I could just get a play script I could get my teeth into.' If I'm doing eight shows a week in a West End musical, I think, 'God, how lovely it would be to be in a TV series right now.'
In many cases, here we are, putting out reports that we're spending $100 million a year on, and we're telling the public, 'Oh, you don't have access to them.'
I think I'd want to see the Hollywood sign, that's for sure. I've never seen that yet. And oh, please, please, please, can I go to Disneyland?
No one would say, 'Hey, I think this medicine works, go ahead and use it.' We have testing, we go to the lab, we try it again, we have refinement. But you know what we do on the last mile? 'Oh, this is a good idea. People will like this. Let's put it out there.'
I took a couple of classes in clowning, but that was more like Lucille Ball kind of slapstick, not Ringling Brothers. But we had to do things silently, and the teacher would do this running commentary. 'Does this make Clown sad? Oh, Clown doesn't like that, does Clown?' Always 'Clown.' Never a name.
Hollywood wouldn't suit me. In L.A. it's all about work - studio people have their five minutes with you and they go, 'Oh mah Gahd, I love your movie.' You just feel very self-conscious there.
I love England though; I've been back a few times and just love it. My favorite thing to do there is going to museums and all the castles. Oh, and my husband and I went mountain biking across England on our honeymoon!
I had grand visions of being in professional sports. But when reality set in, I went, 'Oh, OK. I'll just move to Hollywood and be an actor.' I didn't want to look back on my life and wonder, 'What if I had done this? Or I had done that?'
I'll never look down on and I love running into actors who say 'Oh yeah, I did a soap.' I say 'Tell me which one!' It's like being a member of a secret society.
Every time you read an interview with a supermodel, they're always like, 'Oh, I was a such nerd.' I resent that a little bit. I was in the A/V club. I used to eat my lunch in a closet.
Thank God for television. I've been able to consistently work in television even when people say, 'Oh my God, I haven't seen you since this film or that project.' At least I'm working. It's very difficult to get that next movie role. I'm grateful to have the television world accept me.
I know I have a caption that I'm going to use when somebody tells me something I've never heard before. It's very rarely a thought, a philosophy, when somebody says, 'Oh, I don't like cheese' or 'Oh, I think the government should be overthrown,' because so many people share these thoughts. But what people don't share is stories.
Oh, I do get lonely, yes.
After being in a studio, working on games stuff, I'm like, 'Oh my God, I wish I could just sit in my room for a week and listen to music and draw by myself.'
I have bad-mom moments all the time. Sometimes I have the wrong reaction, but I try to remember to pull back and think about it. Even when I make the mistake, I'm able to then go, 'Oh, okay, let's do this again.'
With the 'Silly Boy' track, I mean, people knew about it, but it wasn't really like, 'oh that's Eva Simons.' But when 'Take Over Control' came out, that's when people started to get interested in me personally, which is great because it was something I really believed in.
Oh, isn't it cool? It's so cool being an actor! It's so cool having my face on a bus.
Balanchine is the number one influence for me. His work was really musically driven. He and Jerome Robbins were the ones who really showed me that dance could be about the inner relation between movement and music. When I was a student first seeing their work, I was like, 'Oh, this is a thing?'
Crazy people are my people? Really? I think that's silly. That's another one of those pigeonhole things. Lay somebody on an ironing board and put a scalding hot iron on them, get that going real good: 'Oh, this is who Holly Hunter is.'
I like to mix it up, yeah. I don't sort of think, 'Oh, I need to do a comedy, I've done three dramas this year.' I don't think of it like that, but I definitely from project to project I feel like I want to just do something different all of the time and stop, I don't want to bore myself or anyone else.
My father raised us like... we were not allowed to see people in any sort of colors, but also we were not allowed to call people fat. If ever we were to say, 'Oh that fat person, or this person,' he would make us put a bar of soap in our mouth and count to 10. We weren't allowed to look at people like that.
Oh, the illusion of choice in the modern world - don't get me started. But don't you agree that the Internet has softened our brains and made us forget that 'choice' used to mean something different from selecting options from menus?
Many movie stars or American Idol contestants sort of fall into theater... and say, 'Oh, yeah, I would love to do theater.' And then they get here and say, 'Oh, wait a minute, this actually is a craft!' It's not just show up one day and do it. It's show up eight times a week, twice on Wednesdays and twice on Saturdays.
I never looked at myself as the fat sister. Sometimes I would beat people to the punch and say, 'Oh I'm the fat, funny one,' because that's what people would say about me. But I never really thought that.
Oh I've done bungee jumping. Skydiving, I have motorcycles that I ride. I'm a little bit of an adrenaline junkie in that way.
Oh, I will always be honest with my music. The records are black boxes for me. Like if you want to know who I am, my views, my perspective, things I love, things I hate, my convictions, my anthems. I've never let people's opinions affect the way I write.
I think people, especially in the Muslim community, are rightly cautious any time you hear, 'Oh, there's going to be a Muslim character.'
I was an overweight kid, and I went through a period where, oh my God, they were making cow sounds at me when I walked down the hallway and just humiliating me. Kids can be mean.
I don't set out to transmit a message. I don't write with a political point of view. There are no religious overtones. Looking back at my books, I can say, 'Oh, yes, it is there.' But it's not in my mind when I write.
I wouldn't say I'm personally trying to transition from comedy into drama. I don't look at things like, 'Oh, I need to do a drama now.' I get a lot of material sent to me, and if I feel like something has the creative integrity and the right director and the right whoever involved, the right actors and is a great story, then I do it.
Certain people are like 'Oh, here come the Feminazis!' You end up acting 10 times nicer than you even need to be, to be the opposite of the stereotype like 'You're the man haters!' We're always bending over backwards being extra nice. And I don't know if being nice is my legacy.
Oh my gosh! I can't tell you the number of times people have put autotune on my voice, and I'm like, 'Please take it off!' You don't even sound human; it makes you sound like a robot!
There are designers who say, 'Oh! I see wallpaper and blue carpet.' I usually start by knocking down walls. 'You thought you just needed some new drapes? Well, guess what: That wall's gotta go.'
When I was a teenager, I had pimples - oh, God, every time someone looked at my face I thought they were looking at my pimples. I put mud on my face to dry them out, and it worked.
There were authors I read as an adult who completely inspired me. But when I was a teenager, I got to hang out with Tom Stoppard for a bit. My mum was his wife's secretary. He was obviously super smart, but he was also approachable and normal. I think he was the first person I'd ever met who I'd thought, 'Oh, I see. There's a living in this.'
You don't come to work going, 'Oh my God, I've got all this money I have to worry about'. You come to work going, 'I need more time and more money'. Because whatever resources you're given, you're always trying to push the envelope.
