Zitat des Tages von Emily Mortimer:
I've only half-admitted I'm a professional. I know I am, I've paid my dues, but one of the things I could do better when I'm acting is to really be rigorous and to think I know how to do it. To use my brain.
I had friends at school, but I was never part of a gang and I dreamed of that sense of belonging to a group. You know, where people would call me 'Em' and shout across the bar, 'Em, what are you drinking?' after the show.
So what I do now is to pre-empt that by making the up into a virtue, and telling funny stories about how crap I am before people have a chance to notice it for themselves and think maybe I haven't realised.
It is brilliant going to the theatre and being forced to sit and listen and think about life. It can be almost a near-religious experience.
I was terribly shy when I was growing up, I really wasn't confident with other people and I think I was always afraid of up or not being this very cool, amazing person that I wanted to be.
But I have to grow out of it, because it's very boring, really. Even when you're telling people how crap you are, you're still banging on about yourself.
It's dangerous talking about yourself too much because you find yourself talking in sound bites.
My dad had this philosophy that if you tell children they're beautiful and wonderful then they believe it, and they will be. So I never thought I was unattractive. But I was never one of the girls at school who had lots of boyfriends.
I never felt I was quite the ticket academically. I always felt I had to put in an enormous amount of effort not to be disappointing. So I worked really hard, but at the time it suited me, because I didn't do very much else.
I want any excuse to come home. My dad is not a spring chicken any more. If anyone says, 'Go buy a postage stamp in London,' I'll go and do it.
Breakfast is my favorite meal. I cook a big one for everyone - bacon and eggs. I own a lot of eggcups.
I did my homework and didn't go out much, and had a very highly developed kitsch fantasy life where I dreamed of being a dancing girl.
The thing I miss about L.A. is time. I feel like I had much more time there, partly because no one is ever really doing anything.
I decided to give acting a serious, committed try, and soon after, I read the script for 'Lovely and Amazing.' The story was beautiful and honest, and the characters struggled with the same insecurities many women - including me - face. I didn't think I had a chance in hell of being in the film, but I knew I had to go for it.
I think that you can get more passionate about somebody the longer you're with them and the more you know them and the more you go through together. Being married is definitely better than it's cracked up to be I think.
To get art nowadays, in cinema or books or anything, that grapples with the possibility of a meaningless universe... it just doesn't happen any more. In even the most indie of the indie films, everything has to come to some kind of neat conclusion.
I'm always sort of anticipating life being difficult, but on a basic level, that's sort of on the surface, on a basic level, I'm optimistic in the sense that I think it's all going to be alright in the end.
The odd thing is if you asked me to do the accent now I would find it very difficult unless I was also playing that part, because I associate it so much with entering into the role and stepping into someone else's shoes.
So far I haven't really been prominent enough to get critical attention focused on me. So, of course, I fully expect bad reviews, but I will be wracked with misery as a result.
51st State was one that I loved doing because the character was so out there, and in a way I was sad to leave the character behind. I'm afraid I could never be that cool in real life!
I think we probably will end up in America because he would be giving up much more to come and live here. If you want to work in film, that's really where you have to be. But I'm not sure that being an ex-pat is very good for one's sense of self.
I want to discover more things about acting.
I am a good mother and I feel proud about it.
New York is great, but I miss L.A. - I feel like there was something exotic about L.A. that I kind of underestimated at the time. It was very unfamiliar to me.
I'm an optimist by nature, myself, I think.
I'm physically completely mal-coordinated. My best friend used to make me run for the bus just to give herself a quick, cheap laugh because I definitely don't have that sophisticated cool thing down.
In my first few years as an actor, I took one terrible TV job after another. But even as I laughed off my awful roles and made fun of myself to friends, my work made me cringe - I dreaded anyone's seeing it. I was crushed that I wasn't doing anything I was proud of.
I think half the time I just assume I don't really know what I'm doing - you have to do that to a certain extent, but you don't have to think you're an idiot savant.
I like to mix it up, yeah. I don't sort of think, 'Oh, I need to do a comedy, I've done three dramas this year.' I don't think of it like that, but I definitely from project to project I feel like I want to just do something different all of the time and stop, I don't want to bore myself or anyone else.
I'm still shy - I'm no good at my children's parent-teacher conferences, and I'm slowly learning how to ask for what I want. But I now know that I have a reserve of courage to draw upon when I really need it. There's nothing that I'm too scared to have a go at.
Lots of people there seemed to be in denial, in absolute denial, of death - everybody's pretending that death doesn't happen in L.A.; if you do enough exercise and take enough wheatgrass and have your pill every day, you might not die.
I must have been a really pretentious little girl.
I'm always drawn to the thing I think I can't possibly do, because I tend to be better when I think I can't possibly do something than I am when I'm pretty sure I can do something.