I have learned so many things from my mother about the right upbringing, the right values, value for money, value for elders, for family members. I think these things only a parent can teach you.
I definitely think if you're born into the industry, you get easier access, but that's about it. I have never denied that, but after that, only talent and hard work sustains you.
I'm only the third artist who's ever drawn at Gitmo.
You can only offend me if you mean something to me.
What artists are doing, and what people who are receiving the arts are doing, is entering into this agreement to occupy a parallel world. The parallel world is ever-expanding. We used to think that it existed only for people who were wealthy, well-born, or educated. It isn't like that.
We often compare the experience of writing a book to that of playing God. It is up to us, and only us, to determine what happens to the people we invent. It is for us alone to determine what is good and bad, just and unjust, appropriate and inappropriate for the worlds we create. I love that about writing books.
With my first book, 'A Letter to a Young Brother,' I figured it would be my only book I was ever going to write. What happened with that is a lot of young men would reach out to me.
I stepped into the martial arts movie market when I was only 16.
In the midst of the sense of tragedy or loss, sometimes laughter is not only healing, it's a way of experiencing the person that you've lost again.
People only see what they are prepared to see.
I had always been interested in markets - specifically, the theory that in financial markets, goods will trade at a fair value only when everyone has access to the same information.
It certainly would have been adaptive for ancestral man to have a chubby wife during stressful times of famine. Not only would she have had more calories to burn, and thus more energy and endurance, but since fat stores estrogen, she would have remained fertile for longer.
The only time I really feel tired and old is when I look back; I always like to look just in the front of me. I'll always feel like I didn't finish enough, such a short time is left, and there's still so much to do.
Looking back, I'm so proud to have gone to five Olympics - I believe only three other Americans have achieved that. My true gold medal, though, is my daughter, Karsen, who is 18 months old. And I have a wonderful husband, Mike.
I am grateful that I didn't let fear get the best of me. It only holds you back from possibilities and greatness.
Of all Americans who have appeared on the nation's postage stamps, Ayn Rand is probably the only one to have thought that the United States government has no business delivering mail.
I only read the very best music books. Donald Fagan's memoir 'Eminent Hipsters' is great. Bob Dylan's memoir 'Chronicles' and Patty Smith's 'Just Kids' are both incredible.
There are not 'many sides' in the fight against hatred and bigotry. There is only right and wrong.
I've made a dozen films in the English language. But then, for love, for my family and friends, I returned to Europe... I annoyingly - looking back - turned down films like 007, 'For Your Eyes Only,' written specially for me.
The only person that is going to tell you that you can't do things in life are people who have failed.
When you watch one person on stage trying to surmount their fate only in that very action to embody it, it's called a tragedy. When you see a lot of people doing it on stage, it's called 'Fawlty Towers.'
I want to have a huge album that's, like, 18 or 19 tracks. I hate those albums where there's only, like, ten tracks, and you're left thinking, 'Is this it?'
I'm never going to get married again. Three strikes, you're out. I think if I would try to get married again in California, I have to go to prison, don't I? I think you only get three.
If you're one of the only women on a set - if it's you and a bunch of men - you feel like your value doesn't come from your thoughts and your talent and what you say: your value comes from how you look and how you're perceived by the men around you.
Sexuality surrounds us like a dangerous aura. The same reverence that is given to the spirit is not given to the flesh. We have had a sexual revolution, but the sexual revolution only has made sex more pervasive. It hasn't granted the level of reverence and respect that it should have.
I was on the cusp - or thought I was on the cusp - of celebrity, the result of starring as an adorable curly-haired alien in the miniseries 'V' on NBC. 'V' was a hit, and then got green-lit as a series. During the hiatus, the only job I auditioned for that fit my schedule was 'Nightmare on Elm Street.' That's the real reason I said yes.
A myth is far truer than a history, for a history only gives a story of the shadows, whereas a myth gives a story of the substances that cast the shadows.
Creativity, for a lot of young people, is a coping mechanism. It's the only place they feel comfortable. It's the only time they feel like they're being heard or can make a difference, is if they can go into a room and do a drawing or go to a garage and play a song or retreat to this world.
Only a woman can tell you what it's like to be a woman in a society where men are in charge. When you have one demographic that controls the livelihood of minorities, then you're always going to have abuses of power. So this goes way beyond Hollywood.
While the women of the older generation were thankful if only they succeeded in obtaining 'a work and a duty,' however monotonous and wearing it might be, the will of the younger generation for a pleasurable labour has fortunately increased.
I came to Los Angeles for the first time in 1994. I spoke no English. I only knew how to say two sentences: 'How are you?' and 'I want to work with Johnny Depp.'
I think maybe the only time I think of being a woman... is being on the road and making sure my musicians are fed and they sleep. 'Are you OK? Do you need some water? Are you hungry? Can I get you a cookie?' I'm not sure all the men bandleaders do that.
There are so many different narrative traditions across the world, and each of those traditions has evolved dramatically over time. Once I understood that, I felt truly free; I could write and invent the way I wanted to because there never has been only one way to tell a good story.
Not only must we fight to end disastrous unfettered free trade agreements with China, Mexico, and other low wage countries, we must fight to fundamentally rewrite our trade agreements so that American products, not jobs, are our number one export.
A world in which government is burdened by historic debt, philanthropy has limited resources, and the private sector is only interested in its own personal gain is simply unsustainable.
I live in New York, and the only live animals you see are cockroaches, rats and pigeons, which I admire immensely. When I see an animal that thrives in the garbage, I feel relief; in our urban environment, other animals are dying out.
