I find more of an authenticity in people who are a little strange - so I really like characters who are just the tiniest bit weird. I find enormous comfort in that - someone who's kind of normal just doesn't feel as true.
Partnerships are increasingly seen through the prism of promises and expectations, and as a kind of product for consumers: satisfaction on the spot, and if not fully satisfied, return the product to the shop or replace it with a new and improved one! You don't, after all, stick to your car, or computer, or iPod, when better ones appear.
My father has fair skin, and my mother is dark, and I'm kind of cafe au lait.
I don't pick up my work at all. If it's something that's still in progress and I have the chance to make some edits on the material or think about the order, little things like that, I'll keep those stories at hand and go through them. But once it exists as the book, it's locked away in a vault, and I kind of put it behind me.
I'm terrible at solving things. I'm really bad and haven't got any sort of lateral thinking capacity. I am your perfect audience for a mystery. I love that kind of stuff. I'm always on the edge of my seat.
We are already seeing the creation of a new kind of network based on friendships: Startups, which are often founded by friends, are the beginning of something that could reshape social relations.
It's a basketball thing, I think. I said I was just over 6'7," and they made it 6'8", and it's always kind of been that way.
I get kind of sad when I look at all of my magazines and think about how at one time I was much more impressed with a certain fashion editorial, or how I feel like I can't really relate to being that excited about fashion anymore. Maybe it's being jaded, but I honestly like that now, when something's really good, I feel more affected by it.
My folks were very practical. They were also kind of able to think outside of the box. They were not going to let circumstance paralyze them. They knew sometimes you just had to take some new initiative. I think they passed that on to all of us... If you don't find a way, you make one.
I just give off this kind of feminine vibe which has... served me so well with women in my life.
For me, writing is a kind of coping mechanism.
There are lots of things, including changing the kind of inner dialog, that can mitigate anxiety. And yes, there are people who have the glass half full and glass half empty, and I'm afraid the glass is going to break and I'll cut myself on the shards.
In Lebanon, there are completely different opinions and values in one country in terms of religion, modernity, tradition, East and West - which allows for a kind of intellectual development not available anywhere else.
I always had a lot of fun in America, with much more freedom than if I had tried to cook in France. I wouldn't have the same motivation or inspiration, and I wouldn't have cooked for the same kind of people in France, so it wouldn't have given me this edge I had in America.
I've been quite lucky in that the roles that I've been able to play are all kind of outsiders. And, you know, I belong to so many places and belong to none of them at the same time, so there's this sense of displacement - I very much understand what it is to not fit in or belong somewhere.
I mean, in 'Big' and 'Pleasantville,' it's a journey that the characters go on where I think they come to kind of meet themselves at the end and who they actually are and give full voice to who they actually are. And that, you know, obviously fascinates me for some reason. Maybe I didn't adequately grow up.
Catwoman has an awesome, iconic personality. It's a blast to write her. You get her; she's an archetype. You can just kind of put on the cat-suit.
I was lucky. My family is wonderful. And it's funny, because most of my best friends come from very large families. So it always felt as if I had lots of siblings, though in the end I had to leave them and go home. I kind of got the best of both worlds as a kid.
I don't feel any pressure from fans. But I'm always in some kind of state of emotional turmoil. I would not describe myself as happy-go-lucky. That's not to say that I'm not happy.
They were just kind of simultaneous - the film ending and the sets being destroyed. I was struck the first time I saw the Great Hall become a big pile of burning rubble and getting scattered around. It's really quite shocking for the fans.
When I'm sitting at home in the off season and I don't have anything to do, I watch tennis on my computer. It's kind of boring. It's something to do.
While I'd like to make movies that are uplifting, there's always that part of you that goes, 'I want to play the evil guy because it's not me.' So anything that is not me is a challenge, and if I rise to the challenge, then I've kind of proved myself.
I know a lot of actors picture themselves winning Academy Awards. I really just wanted to do a Christmas movie because it's the kind of movie that I really love to watch. I'm a sucker for the holidays.
I'm mostly a keep-to-myself kind of guy, but you slowly find yourself getting folded into the musical tapestry.
You know, I'm one of millions of undocumented people in this country who are living kind of under the shadows. And in many ways, coming out, it was my way of - at the end of the day, I think we have to tell the truth about this immigration system. And because of that, I had to tell the truth about myself.
I think I was one of those kids that I might not fight you if you stepped on my shoes or stole my lunch money or that kind of stuff. But if you picked on a girl or something like that, that would cause me to rear up a little bit.
I'm not super easy to talk to a lot of the time. I'm just kind of weird.
My father and his eight siblings grew up in the kind of poverty that Americans don't like to talk about unless a natural disaster like Hurricane Katrina strikes, and then the conversation only lasts as long as the news cycle. His family squatted in shacks. The children scavenged for food.
When you get as old as I am, you kind of believe there's nothing new under the sun, but there's always a fresh way of looking at something. That's why I love working with young people. They remind you of things you used to know and have since forgotten.
When I was 13, I kind of got into the punk scene. I realized it was easier to wear a pair of combat boots and jeans and a beat-up T-shirt. I think of it as a uniform.
I don't think Iraq could be transformed overnight into a democracy. How can you take a country that doesn't have any kind of tradition of democracy, where its people have been brutalized and repressed for decades, and suddenly impose Jeffersonian ideals?
My dad was an engineer, and he became the CEO of Chevron. His was an engineer's mind-set: Everything's kind of a problem; how do you approach the problem?
What I find kind of annoying as a woman, especially in this society, is how people like to support people who seem like they're struggling when it comes to artists.
There's a thing in the U.K., particularly in London, where it's kind of the idea of subculture and counterculture and the outside and the idea that it's great to be a freak, and the freak always wins. So I think English girls are a lot less scared of being the freak or looking like an idiot.
Things tend to come when they are meant to come. I know that sounds kind of like spiritual and cheesy, but I think things come when they're meant to come.
I guess I have kind of a type. Pretty much anybody who shows up in a black leather overcoat, I've doubled for them.
