Guerrilla war is a kind of war waged by the few but dependent on the support of many.
It may be far in the future, but there's some kind of logical way to get from where we are to where the science fiction is.
The menu should be part of the entertainment, part of the dining experience. It's kind of like reading the 'Playbill' when you go to the theater. It should be an alluring and interactive document. Does it have burn marks on it from the candle? If you ever get a greasy menu with food stains on it, it's time to run like hell.
Hanson has rapid female fans, which I'm completely proud of, but a lot of fans are a contingent that have grown up with us really - our peers. There's younger fans. More and more guys are Hanson fans, musicians or kind of guys who were into a Beatles record.
I usually just pick a genre of movie that I feel like saluting and then go off and come up with something that I can sort of pay homage to. That's the great thing about our show is we've sort of created a landscape for 'Psych' where we're kind of allowed to go off and give shout-outs to movies that we love, genres that we love.
The starting line of the New York Marathon is kind of like a giant time bomb behind you about to go off. It is the most spectacular start in sport.
A lot of times, people just want to be more extreme than the next band or the next person, and that's all they focus on. That's kind of lost on me.
When what's around you - such as scripts, or like me being on the show and playing 18, now me doing this film playing 18 - it's kind of been what's been there for me.
'Gimme a Break' ran for six years and gave me the kind of money and freedom that I'd dreamed would make me happy. It didn't.
I went to visit Alcatraz years ago when I was on tour with the Pistols, and I really liked the atmosphere of the place. I genuinely, really, thoroughly enjoyed the whole morning there. I just liked the quietness and stillness of what is basically a cruel prison complex. I still found some kind of joy in that. That's how I am.
I'm an actor in between jobs right now, so I kind of live the life of a 7-year old.
I like the opportunity to play characters who have these dark sides but make the audience empathize with them. You want them to think there is some kind of sweeter, softer side to it.
The piano is kind of my second instrument.
I like to go for a walk or swimming or in the garden when I can. It's a busy kind of life, but I guess I'm lucky.
I was so bad in school that acting gave me some kind of identity and gave me a home.
I didn't have the kind of talent or personality that kept me dreaming about Hollywood. They don't hire little colored girls to do this or that. After I got that in my head, I took another direction.
I don't think there was enough skepticism because I think most of us kind of believed that Saddam Hussein was building biological, chemical, and perhaps even, nuclear weapons.
I am a deeply religious nonbeliever - this is a somewhat new kind of religion.
It's kind of fun to do the impossible.
I feel like with PWR BTTM, Liv and I tried to create something that was kind and cared about the people who come.
I like to think of myself as kind of a sculptor, only I sculpt people.
I add a lot of citrus to my food and I think that flavors it. And, to me, that what makes it healthier, lower in fat, lower in calories. It adds lots of flavor. Spices, of course. But citrus is definitely kind of my go-to to season and really to really make those flavors, make that food come alive.
Everyone knows someone struggling in some kind of way. You are a role model to so many people, even if you don't realize it. Take someone under your wing. Show them the right way to do things.
I was not a cool kid. There was no reason for me to be marginalised. I was just a nerd. I was kind of weird, and I found solace in video games.
My mom and dad got divorced, so it was one of those things where Sundays I'd go to Dad's apartment, and this was, say, 1970-whatever, and it had a pool table on the top floor in a very traditional kind of divorced-dad apartment building.
I mean, making art is about objectifying your experience of the world, transforming the flow of moments into something visual, or textual, or musical, whatever. Art creates a kind of commentary.
I have a random array of ball markers in my bag and don't use any specific one. Many are the plastic kind you find at almost any golf course.
From early childhood, I was interested in understanding how the world worked, and assumed I would be some kind of physical scientist or chemist. But the truth was, I didn't know there was another kind of world, the inner world, that was just as interesting, if not more relevant, than what was going on in the outside world.
But we were doing plays and movies which I had nothing to do with other than being a producer, and I don't have that kind of interest or time any more.
I have just gone over my comet computations again, and it is humiliating to perceive how very little more I know than I did seven years ago when I first did this kind of work.
A painting is a symbol for the universe. Inside it, each piece relates to the other. Each piece is only answerable to the rest of that little world. So, probably in the total universe, there is that kind of total harmony, but we get only little tastes of it.
You do your work as a photographer and everything becomes past. Words are more like thoughts; the photographer's picture is always surrounded by a kind of romantic glamor - no matter what you do, and how you twist it.
I think people from Northern Ireland have some kind of unspoken general feeling of what it is to be around segregation. You have an awareness of it because you know how much grief it's caused.
I'm supportive of practical nationalism, like the kind we need in Canada to avoid being absorbed into a much larger country. The kind of nationalism I despise as destructive and infantile is really just tribalism writ large.
What kind of people will these ghettos of Palestinians produce? What form of morality, national consciousness and hope will people be left with after so many years of stifling occupation and a sense of hopelessness?
I was a sailor. I was torpedoed, spent two weeks in a lifeboat. I was on the Murmansk run; I worked a 20 mm. machine gun, helped bring down a Stuka, all that kind of stuff. I've got letters from Franklin Roosevelt for things I did then. But those kind of credentials didn't work for you in the Cold War.
