As a producer, I try to bring as many nice people as I can to insure that there's no screaming, there's no shouting, there's no bullying. The more of those kind of people that you can bring together, the better the experience everyone has on set.
The great art of films does not consist of descriptive movement of face and body but in the movements of thought and soul transmitted in a kind of intense isolation.
Metal is easily my favorite thing - Exodus and Anthrax and Megadeth - so it just kind of organically came through in the standup act.
I don't like my hockey sticks touching other sticks, and I don't like them crossing one another, and I kind of have them hidden in the corner. I put baby powder on the ends. I think it's essentially a matter of taking care of what takes care of you.
Hip-hop kind of absorbed rock in terms of the attitude and the whole point of why rock was important music. Young people felt like rock music was theirs, from Elvis to the Beatles to the Ramones to Nirvana. This was theirs; it wasn't their parents'. I think hip-hop became the musical style that embraces that mentality.
The acting bug just seemed to stick with me. I loved going to theatre school in college and continued to train in film classes and had been auditioning for T.V. and movie roles since I was in my late teens. My career has been slow and steady, and I kind of like it that way.
It's kind of nice in some ways having an Olympic Trials where I finished second. You can kind of go in more under the radar facing a 2:03 guy and facing a lot of dudes who are faster than I am, whereas, before Beijing, I had one of the top 10 times in the field, or something like that.
A dead tree, cut into planks and read from one end to the other, is a kind of line graph, with dates down one side and height along the other, as if trees, like mathematicians, had found a way of turning time into form.
An unimaginative person can neither be reverent or kind.
I think 'One Woman Army' sums up the overall picture. I talk about love, about life, and I talk about what I want and would hope for and what I need as a woman. It kind of just says it all, you know?
Our choices are quite different: what attracts Salman and Shah Rukh are, I think, quite different from what attracts me. So in that sense, we are quite different, but I think we are fortunate to have had the kind of success that we've had.
I am a relationship girl. That's kind of just how I'm made... When you're in my life, it's actually very contained.
There are movies that I love tonally, that I would love to emulate. Anything from Wes Anderson or the Coen brothers is right in my wheelhouse, as something that I would aspire to. I love that kind of indie, fun, colorful, funny, sweet, heartfelt but dark film.
It takes a lot of energy and creativity to make such screwed up lives carry on. And the kind of will people have to survive, year after year, dealing with that stuff, is weirdly impressive.
It's fabulous when you do that, when you discover somebody who you like, when you kind of feel those feelings, even though he articulates them better.
The earliest form in which romances appear is that of a rude kind of verse.
It is a great compliment to go out and be recognized. Although, because I basically go home and go to work, there isn't much opportunity for that kind of thing to happen.
Kissing in films, it's just another thing you have to do. It kind of becomes as technical as how to open a door, really.
I have kind of a funny relationship with movies. I don't have to see the whole movie to get an impression of it or to let it have an influence on me.
Now, I love movies so much, but I find a lot of movies to be arrogant in the way they're kind of know-it-alls - they have perfect characters on the screen that know everything about themselves.
I think you have to control the materials to an extent, but it's important to let the materials have a kind of power for themselves; like the natural power of gravity, if you are painting on a wall, it makes the paint trickle and it drips; there is no reason to fight that.
Women's books are kind of discriminated against. If a man writes a book about his family stories, people think of it as literature. If it's a woman, she's 'spilling her guts,' and it's not art.
I really love Japan, and I liked living there very much, and there are so many terrific things about Japan. However, I do think what's amazing is that Japan really prides itself on being monoracial. It doesn't have the same kind of idea as in the U.K. or Canada or the United States, in which the idea of diversity is a strength.
I spent ten years in London; I trained there. But because I started in English, it kind of feels the most natural to me, to act in English, which is a strange thing. My language is Spanish; I grew up in Argentina. I speak to my family in Spanish, but if you were to ask me what language I connect with, it'd be English in some weird way.
It was truly a lesson in don't take something at face value. You know, so many of us do in life. Whether it's because of how somebody looks or because of what they're wearing or what have you, you kind of assess a person in the first five minutes before they even speak.
Some people seem to gravitate from one fundamentalism to another, from some kind of secular fundamentalism into a religious fundamentalism or the other way around, which is not very helpful.
With any kind of mean girl, or anyone who bullies anyone, there's always a reason for it. There is that sadness in them or insecurity that makes them feel like they need to act out or hurt other people.
I do realize that I am a popular writer who people buy to take on vacation. I'm an escapist kind of writer.
I have made a film about jazz that tries to look through jazz to see what it tells us about who we are as a people. I think that jazz is a spectacularly accurate model of democracy and a kind of look into our redemptive future possibilities.
The one kind of person I have a lot of trouble understanding is the kind of person that says the existence of God or religion doesn't matter, it's not an important decision. I think it's vitally important; it's what all our lives are based on.
I've been obsessed with this kind of visual storytelling for quite a while, and I try to create material that allows me to explore it.
Anytime I switch to another instrument, I immediately turn it into another kind of drum so that I can understand it better.
I know there are lots of positives in the evolution of technology, but I also think it will be responsible for the end of a unique character, of a specific kind of geographical culture. The world is getting so small, and mass production is getting so big. Everything is in danger of becoming the same.
You wonder about it and wonder how will I make an instrument that can handle this kind of a problem.
Everybody kind of understands, Oh yeah you take drugs and it does something to your brain and then you can't stop. It's easier to describe that shame, that horrible feeling of not being able to control your own life.
I take it a little bit hard on myself because I'm comparing myself a lot, and that's the kind of person I am because I'm so competitive, but it's also good, because I am competitive, so it kind of kicks you in the butt.
