We could in fact transport a person, say a kid who didn't know what it was like to be in a civil rights march. We could actually take you into that experience, so that you could better appreciate what happened and why it happened.
Don't take anything from me because I'll track it down.
I would watch Gonzalez play and he mesmerized you. It would be like looking into the flame of a fire. You know you couldn't take your eyes off him because you never knew what he would do next.
Everyone is not able, or inclined, to write poetry in the narrower sense any more than everyone is qualified to take part in a walking race. But just as all of us can and do walk, so all of us can and do use language poetically.
I have a tendency to go through my life at full speed and as a one-man band, and so I don't generally stop and take in other people enough to develop many relationships. I'm starting to regret that a bit. I want to change it.
As my other obligations are beginning to take an inordinate amount of time, I have asked to step down as WMG's board chairman, effective January 31, 2012. However, I will remain a director of the company and in that way, continue my association with Warner Music and its extraordinary people.
I've created a vocabulary of different styles. I draw from many different ways to take a picture. Sometimes I go back to reportage, to journalism.
Tonight was a great opportunity to take on the political status quo that has given us trillion dollar deficits and put millions out of work. Our objective was to inject some common sense into the conversation among Republicans at a time when business-as-usual simply won't work.
When you post something, when you text something, you lose ownership of it when you hit enter or send. Who you send it to, where you post it, they take ownership of that information whether you like it or not. Unfortunately, you don't lose responsibility for that text or post.
I've really learned to appreciate a moment. I take things in a lot. I'm kind of weird like that.
So, for me, I make no difference whether I'm training with my shuttle crew or the Expedition crew. Of course, I think I want to take more care of the Expedition crew, because they're going to stay there for a long time.
I will take a back seat when I know my fame is dipping. I'm not delusional.
When you take a lot of stick you want to ram it down people's throats.
The emerging economies, many of them are concerned. They didn't want the money to slosh in. They are afraid when the money sloshes out, but the tapering has to take place, and we have to be able to manage it.
I do not long for the world as it was when I was a child. I do not long for the person I was in that world. I do not want to be the person I am now in that world then. None of the forms nostalgia can take fits. I found childhood boring. I was glad it was over.
To get to the office every day, I either take a Lyft or have my wife drop me off. It's about a 15-minute drive from my house to the office.
The devil take me, if I think anything but love to be the object of love.
I skate about 15 to 20 hours a week and also incorporate a lot of off-ice training. I take ballet and Pilates classes and lift weights with my physical therapist when I'm not on the ice.
I love the idea that it doesn't take one person only to achieve your potential. It takes a village, it takes a community, a street, a teacher, a mother.
My favorite pieces that I've written, either for St. Lucia or for myself, have always had a transporting quality to them, where they take you out of the moment and somewhere positive that feels nostalgic and happy but sad at the same time.
I take a very practical view of raising children. I put a sign in each of their rooms: 'Checkout Time is 18 years.'
Our human calendars take little notice of such dates, but nighthawk migrations tell of shortening days and a season's end.
Some studies show that women can be better money managers than men because they tend to be more conservative and do their homework. Men tend to take more risks without the research.
I actually wanted to be an exotic dancer, but that didn't work out so I thought I'd take on acting.
I often say to people that producing is the best-paid form of cowardice. When you produce things, you almost always get credit if it's a good record, but you hardly ever get the blame if it's not! You don't really take responsibility for your work.
I've moved into directing as well as acting, and it has taught me never to take casting personally.
Liberty, when it begins to take root, is a plant of rapid growth.
Ali had a break that was an inch and a half long, and you keep getting hit as hard and as much as I hit Ali, the pain would take over and you would pass out.
Writing has certain advantages; film is another way to tell a story. An experienced filmmaker will take what she needs from the book and leave out other things. With adaptations, you never get the texture of the writing: it's a different mode.
I take real people and put them in extraordinary situations.
Everything is raw material to me. Land is raw material... I take one form and transform it into other forms.
Well, it's a little harder in New York. It's not as forgiving to a film crew. You hold up a bunch of New Yorkers who can't cross the street, they're not going to take it well. Southern California? They'll wait. It's cool man. In New York, they're like, 'Are you kidding me? I gotta get to work.'
And some of those people that voted Republican are now going to say, what a mistake I made because I didn't know they were going to take my job away. I didn't know they were going to take collective bargaining away.
I've appointed a task force to take a fresh look at the color-code system and whether we should retain it, change it or scrap it.
The way you get your script to the right people is that you put it in an envelope. It's easy. The difficult bit is writing something that is so good people will take a punt on a brand new writer.
You go to something like the Golden Globes, and it's the most glamorous place you could ever be, but then you go home and you're still like, 'Urgh, this dress is too tight, I wanna take off these shoes and put on my pyjamas.' At the end of the night all the glamour goes away and you're just a human.
