People forget that in the early '70s, Saturday was the most-watched night of television of the week. It was where you found 'The Mary Tyler Moore Show' and 'All in the Family.'
I'm a wannabe redhead, definitely wannabe Julianne Moore or Jessica Chastain redhead. But I love being a brunette.
I love players like Thurston Moore. I mean, you can put notes down on a sheet of paper, and if you practice and get your chops up, you can play like an Eddie Van Halen or a Steve Vai. But nobody can do what Thurston Moore does; he's his own guy. He talks through his instrument in a language that's all his own.
What a blast it is to be here with Michael Moore.
They wanted to jump on their own bandwagon. Bobby Charlton had never made it as a manager. Bobby Moore hadn't either. I think they never stopped trying to put me in the same category. That was the road they went down with me.
Michael Moore didn't have to worry that anyone would misinterpret the title of his film, 'Capitalism: A Love Story,' because in Hollywood, no one loves capitalism. That's too bad, because Hollywood is one of capitalism's greatest successes.
Mary Tyler Moore was a working woman whose story lines were not always about dating and men. They were about work friendships and relationships, which is what I feel my adult life has mostly been about.
Michael Moore, whether you like him or hate him, has done something very important.
My admiration for 'Mary Tyler Moore' is very, very big because they went out on top.
I think every celebrity that I love wears my shoes. I'm a particular fan of Julianne Moore, and I adore Jennifer Lawrence. There are so many beautiful women. I love Poppy Delevingne, of course; I even made a collection with her.
Alan Moore is a prophetic writer.
I want to give Michael Moore a run for his money.
If it weren't for Moore's law changing the playing field continuously, I would have been long gone. The rapid pace of hardware evolution still keeps things fresh for me.
Kenya Moore is everything to me. She's everything.
I watched a lot of old television growing up - a lot of Nick at Nite. I watched 'Rhoda', 'Mary Tyler Moore', and 'I Love Lucy.' Growing up, I loved 'My So Called Life' and was devastated when that went off the air.
'The Kids Are All Right' is amazing. The performances are insanely good. Julianne Moore is going to wreck you. This is the best I've ever seen her, and I've seen everything she's ever done. I like the story, and I think it's a great alternative to the big summer popcorn blockbusters.
I have never endorsed Roy Moore. Just the fact that he was forced off the state supreme court is enough for me.
Even though I was trained in play writing and screenwriting, when I sat down to write a comic book for the first time, Alan Moore was first and foremost in my mind.
Here's a list of some of the folks who have written Swamp Thing over the years: Alan Moore, Len Wein, Scott Snyder, Brian K Vaughan, Joshua Dysart, Rick Veitch, Grant Morrison, Mark Millar. That's not even a full list, but you see my point - ol' Swampy has had some seriously brilliant people behind the keyboard in his time.
'Mary Tyler Moore' was - it was my first big hit.
I've studied documentarians extensively to come up with my own in-house style. I'm a student of Michael Moore's films, of Eisenstein, Riefenstahl. Leave the politics aside, you have to learn from those past masters on how they were trying to communicate their ideas.
The next time you download a book on Kindle, buy a Michael Moore screed at Barnes & Noble, or order up a political movie from video on demand, remember that it is the Supreme Court's decision in 'Citizens United' that guarantees you the right to do so.
Even famous poets such as Marianne Moore and William Carlos Williams were rarely asked to read their poems.
I love Joy Williams, Lorrie Moore: such great short-story writers.
I have to tell you, I'm not like Demi Moore, where the tears trickle prettily down my cheeks. My whole face screws up and it's like, 'Oh please, get a room.'
I think Michael Moore is a hero.
In the '80s, when I was watching Bond films in the cinemas, Roger Moore was the man. I'll always have a soft spot for him. His Bond films were light-hearted and silly as well as action-packed. For me, this spoke volumes. It meant that, someday, maybe someone like me with a whacky sense of humour could be James Bond.
I watch a lot of television, for better or worse, and I am particularly interested in what Michael Moore brought up in 'Bowling for Columbine,' which is the idea that they're selling a narrative of fear.
I remember really getting into 'The Wiz' and an old musical called 'Purlie,' which Melba Moore sang. I liked those roof-raising shows because I connected deeply with the gospel aspects of those musicals.
In my teens, I was very insecure. And so I invented Roger Moore.
The first time I met Mary Tyler Moore, I thought she was just beautiful, but I thought she was a little young.
Future generations will know there's nothing mystical about wetware because by 2100, Moore's law will have given us tiny quantum computers powerful enough to upload a human soul.
As hardware doubles its density every 18-24 months, courtesy of Moore's Law, and as software eats the world, technology will replace a broad swathe of jobs outright - from burger-flippers to diagnosticians - and atomize many others from full-time positions into gigs performed by many fungible workers. Tech, in short, will eat jobs.
Clearly the human story is one of acceleration. There has been a Moore curve in terms of the number of people alive on the planet, our technological ability, and our ability to understand ourselves. We have had this extraordinary, explosive growth in our ingenuity.
Working with Dudley Moore was so hilarious. I don't know how we got anything done because everybody was laughing so hard, but he was such a wonderful man, and he had a kindness and a musicality and a dearness to him that was triumphant.
I like Michael Moore, but I think of him more as a rabble-rouser. On his TV show, when he went to the home of the guy who invented the car alarm and set off all the car alarms on the block... pretty funny.