Richard Nixon was a criminally insane Monster - Bill Clinton is a black-hearted Swine of a friend.
That one was stunt heavy. 'Monster Trucks' was a lot of stunts. I got to do some insane stunts they should've never let me do.
I grew up with a lot of monster movies, robot movies, since I was a kid. I love anime movies, like 'Evangelion' and 'Ghost in the Shell.'
I never intended for the Monster Ball to be a religious experience, it just became one.
Originally, 'The Monster' started out as this indie, Florence And The Machine, tribal-y, almost Spanish-esque dance record.
For me, the terror of the zombie is that at any moment, your friend, your family, you neighbor, your teacher, the guy at the bodega down the street, can be revealed as the monster they've always been.
We all pretend, we all hide things, so why not take the concept to an extreme? That is the basic idea for the character of Dexter. Pretend to be human, while quietly and carefully living out the life of a monster on the side.
Really, Mexico City has always been this big, complex monster of a city that has always had real problems and needs, and I've always found my way through it in different ways.
Whether it's t-shirt and jeans or full monster suit, I'm still an actor underneath it all, and a good director is going to know that.
I have never seen a greater monster or miracle in the world than myself.
I will always vote what I have promised, and always vote the Constitution, as well as I will not vote for one single penny that isn't paid for, because debt is the monster, debt is what's going to eat us up and that is why our economy is on the brink.
'Tickle Monster' is an interactive book and, by the nature of the story, bonds the parent and child through tickling and laughter.
I have to confess that I've never been a great fan of Christmas or, as it's known in our house, The Monster That Ate the Last Third of the Year. It's mostly the rampant consumerism I object to, but I'm also a little wary of the annual crop of new Christmas stories and sometimes wonder why anyone bothers.
When I've written episodes of 'Doctor Who', when it comes to the monster chasing somebody, it's the Doctor and the companion, running down the corridor, being chased by a guy with a stick and a tennis ball on the end. Whereas, when I see the rushes of 'Being Human', we're actually looking at the werewolf, and it just looks real.
'Robopocalypse' joins a proud tradition of techno-apocalyptic tales, stretching from high-flying Icarus, to Frankenstein's monster, and to many a giant radioactive creature who has crashed the streets of Tokyo. And then, of course, there's the Terminator.
For 'Breaking Bad,' people were with Walter White for 99% of that show, even though that guy is a monster.
I don't want to see the zipper in the back of the monster suit. Like everybody else who goes to the movies, I want to believe the monster is real.
Monsters are a departure from 'reality' in a way that allows for a range of fantastic possibilities. I mean this within the world of literature as well as in regards to art. When I sit down to draw, I'm energized by the possibility of creating a monster. That is where I find beauty and pathos.
I wrote 'Monster' and thought that it would solve a lot of my problems, that I'd have money in the bank, but I felt no different. I was still searching for something.
