There have been so many great moments, and I feel so blessed every day.
The dissenter is every human being at those moments of his life when he resigns momentarily from the herd and thinks for himself.
There was something special about watching a manager and umpire both convinced they were totally right, but knowing that one had to be wrong. As an ump, those moments made my job fun, and getting 'nose-to-nose' was part of my job description.
Number one is that it just scares people! Your hair is standing up on your arms, or at least that there's a few moments when you're jumping. That's what makes it a good horror movie.
I've always been kind of a - you know, I have my moments, where I can be Tommy, and then I flip a switch; when you're on stage, you turn into this other personality.
I think in the darkest moments, we need a break.
There are moments when great music can be the greatest service and charity.
We all know what it's like to go through growing pains and have awkward moments talking to someone you have a crush on.
It's funny because I'm so used to acting in English that any time I have these moments where I have to speak Russian, it definitely takes a different part of my brain to pull it off, but it's always nice and fun.
It is with passion that I love my job. But it is with character that I am able to keep looking forward. Not just beyond criticism or bad results, but also beyond the good moments, too. Everything has to be a balance.
There were a series of moments when I decided that art was important, and it was an important vehicle for me to express my interest in spaces.
I have moments when I'll stare at a script and say, 'I don't know what I'm doing!' But then I push myself into that feeling because I think panic is important.
One of the big moments of my life was watching 'Star Wars' on its opening weekend in Hollywood. I was watching all these people enjoy this film, and I thought: animation can do this.
I think it's important to find humor anywhere you can. In real life, with the darkest, scariest, most intense moments, if you can find something funny, that's good.
My interest in photography is not to capture an image I see or even have in my mind, but to explore the potential of moments I can only begin to imagine.
I remember being told very early on, 'Just say what they want to hear in the audition, and we'll figure it out later on.' So there have been a few tricky moments. I once said I could ride, when the truth is I'm terrified of horses, but I got the job!
I think of House as a deeply moral character, though some would no doubt argue with me. He does not judge. Beyond his normal tetchiness, there were no more than a half-dozen moments of actual condemnation from him. He understood lies and also why you lied, and there was an absolution there that is very, very appealing.
In August 1945, a former Army pilot with an artificial leg pitched five and a third innings for Washington against Boston. This would turn out to be Bert Shepard's only major league game, and it remains one of the heartwarming moments in baseball history.
Doing a play, you have a little bit more time, obviously. You rehearse for a month before you get up in front of people. It's a totally different energy. With film, TV, you want to try to capture lightning-in-a-bottle moments. I don't try to rehearse as much with that stuff, because you want those sparks of something to come out, if they do.
I've played horrible people and done horrible things, and there were moments on 'The Knick' where it was super uncomfortable - some of the things I had to do and say.
Violence can be very grotesque and also intensely attractive. What interests me is how the two - beauty and violence - live side by side, and how moments can be created and erased almost simultaneously. Destruction is painful, but at times it can be very cathartic.
It's funny: over time, if you're fortunate, you build a nice career, and you have these interesting moments, and I would not, looking back, trade any of them - 'Red Tails,' '12 Years a Slave' and 'Undercover Brother.'
I think that when you've only lived 17 years, you don't have, you haven't had a full canon of experiences, so every moment that you have here feels like the last moment in the world, because you've only had a handful of whatever those moments are.
The next time I write a play - in order to get audience trust for a particular sort of tragic line, I'll try to bring the audience a good distance before that. Part of that is allowing comic moments to occur. I had been afraid of that - that once the audience started laughing in the play, they would never stop.
I've definitely had my moments in relationships where I've been able to say yes, I have been heartbroken, my heart has been broken.
I subscribe to no religion. But I believe that in the creation of art, there can be moments of God.
The media was always so focused on the money a movie makes. But I was in Times Square, and a bunch of Japanese tourists looked at me and started shouting, 'Toula!' I loved it. It's these tiny moments of connection that register with me the most and always have.
There is humor in the darkest of moments - People who I have loved and passed away, and very high stake situations where you can't help but laugh. I think that's very human.
I think there are things that you look for when you're younger, and you think they are going to make you happier or make you feel complete. That's not going to happen, and it's really about living the moments. Eventually, you reach a point when you're at ease with your life and don't have any unrealistic expectations.
I'm an actor, so sometimes there are moments where I think about everything that's happening and I want to cry. I'm doing what I love and I will be doing it for a very, very long time - and it's amazing. A lot of people don't get to do that.
Wherever there is injustice, there is anger, and anger is like gasoline - if you spray it around and somebody lights a matchstick, you have an inferno. But anger inside an engine is powerful: it can drive us forward and can get us through dreadful moments and give us power. I learnt this with my discussions with nuclear policy makers.
I've had moments in my life when I've thought if I wasn't acting, if I wasn't doing what I do and I had a career in the private sector and I didn't have a family, that I do have some tendencies where I could really kind of have a monastic existence and be okay with it.
It's often the case that the most strained moments in books are the very beginning and the very end - the getting in and the getting out. The ending, especially: it's awkward, as if the writer doesn't know when the book is over and nervously says it all again.
I always did something I was a little not ready to do. I think that's how you grow. When there's that moment of 'Wow, I'm not really sure I can do this,' and you push through those moments, that's when you have a breakthrough.
What I try to do - I mean 'try,' because you don't get there all the time - is to have impact with content. It's those moments in which you're trying to bring people beyond filmed theater. If I have an ambition, it's that.
I think it's handy for a dramatist of any sort, if I can call myself that, to make use of weddings and wakes, to make use of those moments and those rituals that cause us to pause and look back or look forward and understand that life has changed.