I think that's the real work of leadership: figuring out where you really believe you have significant risk.
I believe very much in a dialogue between buildings - I believe it's always been there. I think buildings have different identities and live very well next to each other. We always have the shock of the new, and that's fine. The renaissance style is totally different from the medieval, and they have a dialogue across time.
Even if it's a wonderful life, you wanna go somewhere and see the way other people reflect on the world and the lives that we're all living... I think regional theater is the life blood of our cultural lives.
I think the thing that has sort of always separated me, even from when I was younger, is my ability to score goals.
I think any self-respecting educational institution ought to judge its policies by its best estimate of what their long-term consequences for their students and for the society will be.
Yes. I think the anti-Wal-Mart is Costco, which pays much better and has much better health benefits and which is profitable and offers low prices.
I see myself as a social conservative, but I think that there are lots of social institutions that produce beneficial reforms, like public hospitals, for instance, and schools.
I think the secret to what Jim Henson did, ultimately, is that he understood how to cut through to the... I know this sounds corny... but the child inside of you.
When I look at my streams on Spotify, and I just see it's hundreds of millions of streams, I think, 'Wow, that's amazing.' But you don't really get it. Once you see people in front of you singing along to your songs, it's real.
Nobody has Francis Bacon on their walls in their house - or very few people - but sometimes people listen to Beethoven as though it was background and a comfort, and I think that is very dangerous.
I would love to go to Ladakh - there are beautiful monasteries there and because I am from Himachal. I would love to go to Paris. I haven't been to New York, which I have heard a lot about. And, I would love to go to Kanyakumari. I think that would be interesting!
I think what a lot of fiction is, is the imagining of the worst so as to prepare ourselves.
I think the Fed is not designed to have effective tools to deal with the economy. It should settle for just controlling the money supply. And - if it insists, it can worry about inflation.
Time is my biggest luxury. Finding time to do things outside of fashion, which I think for a designer is incredibly important.
I write and write and write, and then I edit it down to the parts that I think are amusing, or that help the storyline, or I'll write a notebook full of ideas of anecdotes or story points, and then I'll try and arrange them in a way that they would tell a semi-cohesive story.
I think about the milestones from my childhood and what it will be like to watch our kids go through them. Taking Riley to her first day of school was a whirlwind. I can't imagine what middle school is going to be like, and high school, and graduation.
I'm extremely proud of my daughter. She's done amazing work. She's worked on herself, which I think is important.
I'm not obsessed with the rights of women; it can be a bit excessive. I want to put men and women on an equal footing. I think we are equal but different.
Ultimately, what we do as musicians, I think of us as a type of emotional engineer. We essential take these sound waves, this sound, and we organize it into emotion, and that's how we connect with our audiences.
I have been working since I was 20, and I'm 38. I actually once averaged out what I had made over my professional life. I think I could have made that much as a waiter or an insurance salesman. You know, I spent so many years in my 20's making $10,000 a year.
I think there's a character one has if you're a chief executive officer. Movies would suggest you're a bad person - if you're wealthy, if you've done well, oh, you must be bad. And frankly, winning the lottery doesn't change who you are; you're the same person inside. And I'm the same person I was as an 18-year-old who fell in love with Ann.
I think the players win the championship, and the organization has something to do with it, don't get me wrong. But don't try to put the organization above the players.
You can't write a thing that is hermetically sealed; there has to be a way for the audience to get in and participate. I think that's a massively valuable discipline for any artist.
I think that what we need to do is say, 'Reading is going to really affect your life.' You take a black man who doesn't have a job, but you say to him, 'Look, you can make a difference in your child's life, just by reading to him for 30 minutes a day.' That's what I would like to do.
I think socializing on the Internet is to socializing what reality TV is to reality.
I think comedy I've learned is really just about relaxing and trusting yourself and allowing yourself to fail.
I think music is a powerful medium because it co-inspires. It inspires the artist who then inspires the listener, and it's a back-and-forth process.
I think any parent, at some time or other, has thoughts of their child dying. That's probably one of the worst things that could ever happen to a parent.
Whether it's an inspiring song or whether it's an entertaining song - whatever it might be about it - I just want people to feel the emotion that I put into it because I think emotion... is everything.
I think right now, you've seen these artists pop up over the last decade who've flirted with branching together a lot of different kinds of music. Some of them have been huge, and sold millions of records. And I think over time it's become a little bit of what the industry can be.
I think that the Cold War was an exceptional and unnecessary piece of cruelty.
I think it's really important that I'm not the only model in the world that goes through personal problems. People forget that we're human. We don't get to call in sick. You have to go and put on a smile. Every single day is a first impression, so you can't have a bummed-out day.
The Chinese government promised Hong Kong '50 years, and change.' And 50 years later, after 1997, will be 2046; I think, 'Well, that's a very interesting promise.' So I want to make a film about promise.
I think, to be a director, sometimes you need to have certain hunches - you have to believe in some gut feeling.
I think Dustin Hoffman's career I would love to emulate just because it's so diversified.
Styx has their own style of music, and I think that's justifiable, the same way that Asia and Yes have had - Yes particularly has a unique style that seems to have transcended all styles of music for 43 years.
