Zitat des Tages über Manuskript / Manuscript:
Good designers are no longer satisfied in taking the manuscript from someone and making it look nice. One of the things that I've tried to do is move from being a designer to a content provider.
The ordinary man looking at a mountain is like an illiterate person confronted with a Greek manuscript.
I can almost always read a new manuscript overnight.
Creativity runs across many categories in life, from the arts-and-crafts project a mum or dad does with their kids, to the bestselling author's manuscript, to the designs of the hairdresser, to the creations of the computer programming genius.
A good many young writers make the mistake of enclosing a stamped, self-addressed envelope, big enough for the manuscript to come back in. This is too much of a temptation to the editor.
There's a fairy story called the 'The Shoemaker and the Elves' where this old cobbler keeps leaving leather out overnight and wakes up the next day, and there's a new pair of shoes. Co-authoring is a little like that. You send off the manuscript to your partner, and a few days later, you check your email, and hey, there's more book in here!
You have to avoid what I call the 'smartest boy in class syndrome,' which is, just because you know it, you don't have to tell it. I often will go through a manuscript crossing stuff out, and say, 'This is just too much,' you know?
When I began writing in the mid-1960s, I thought it was not important for readers to know whether I was male or female. Also, I was a great admirer of E.B. White, so I may have thought that it would bring me luck to submit my first manuscript as 'E.L.' But if I were starting out today, I would use my first name.
I outline fairly extensively because I'm usually dealing with real events. I don't need to give myself as much information as I used to, but I still like to have two pages of outline for every projected 100 pages of manuscript.
Manuscript: something submitted in haste and returned at leisure.
Write a lot. And finish what you write. Don't join writer's clubs and go sit around having coffee reading pieces of your manuscript to people. Write it. Finish it. I set those rules up years ago, and nothing's changed.
The Rift, which was well over a thousand pages of manuscript, took two years.
As a writer, you have control of the words you put on the page. But once that manuscript leaves your hand, you give control to the reader. As a director, you are limited by everything: weather, budget, and egos.
I wrote a great deal of a novel, 'Winter's Tale,' on the roof of a Brooklyn Heights tenement on Henry Street. I was a technical climber, and now and then I would put down my manuscript and get up to walk along parapets and climb walls and chimneys.
I've always been captivated by the Voynich Manuscript - the mysterious, 15th-century encrypted codex that still baffles cryptologists, linguists, and historians.
Sometimes I have given my husband a manuscript to read that has turned out to have fantastic rave reviews and he'll tell me it is no good. Well, if I didn't know him as well as I know him I would be terribly depressed.
You should be writing for the love of the story, and when it comes time to return to the manuscript, everything else belongs behind a closed door.
If you want to send a manuscript, send it to an agent. And send a letter first, asking permission. Launch it into the real world of cold-blooded commercial response, not into the fantasyland of wishful thinking, cowardice and surrender to Resistance.
A manuscript under way always gave me something to do; only while enduring the aimlessness between books was I truly glum.
I teach one semester a year, and this year I'm just teaching one course during that semester, a writing workshop for older students in their late 20s and early 30s, people in our graduate program who are already working on a manuscript and trying to bring it to completion.
I get like a melody that comes up and I try to write it down or record it. Hum it into a tape recorder or write it down on some manuscript paper. It could happen at any time, on the road or off the road, but mostly, you know, at home.
Books can now be on the stands within days from delivery of a formatted manuscript, and often are.
When you start writing a picture book, you have to write a manuscript that has enough language to prompt the illustrator to get his or her gears running, but then you end up having to cut it out because you don't want any of the language to be redundant to the pictures that are being drawn.
Your manuscript is both good and original; but the part that is good is not original, and the part that is original is not good.
J. K. Rowling's first 'Harry Potter' manuscript was rejected 12 times. Stephen King's 'Carrie' was rejected 30 times. 'Gone With The Wind' was rejected 38 times. I was immensely proud to have beaten them all.
Characters are incredibly important, but I tend to build them around the plot during the outline stage. However, once I'm writing the manuscript, the characters I'm writing dictate how the plot unfolds.
I feel sorry for people who have to edit me. Which is why book writing is by far the most enjoyable. Really the only thing it's based on is whether it's good or not. No book editor, in my experience, is getting a manuscript and try to rewrite it.
The writer marks the changes he wants to make, while a proofreader also goes through the galley, checking it page-by-page against the manuscript. Once all these changes are identified, a second-pass proof is made, and this, too, gets sent to the author and the proofreader, and the process begins anew.
Instead of taking a year off, I started 'Dreamers of the Day' exactly 36 hours after I sent the manuscript for 'A Thread of Grace' to the publisher!
There are times when I'll send a manuscript to an editor, and I'll think it is the most likely project I've ever sent them. And they might call me the next morning and say they couldn't tolerate it. That happens so frequently that I've given up any expectation of knowing what anybody's going to like.
I wrote one terrible manuscript after another for a decade and I guess they gradually got a little less terrible. But there were many, many unpublished short stories, abandoned screenplays and novels... a Library of Congress worth of awful literature.
I starved and slept on park benches. I wrapped myself in the pages of my manuscript to keep warm. For two and a half years I took odd jobs; nothing was going to deter me.
The most painstaking phase comes when the manuscript is set in 'type' for the first time and the first proofs of the book are printed. These initial copies are called first-pass proofs or galleys.
I basically wrote five books with 'Night Soldiers,' called them novellas, and came in with a 600-page manuscript.
I thought it was amazing to work with authors, to get a manuscript and try to make up a cover for it.
Although no one loves a typo, it's close to impossible to eradicate every single little mistake in a manuscript.