I wash my face with Creme de la Mer cleansing foam. I love Charlotte Tilbury Magic Cream - it's got SPF15 in it, which I love - and then I'll use a little eye cream by Sisley, which I'm obsessed with. That's what I generally use every day.
They don't show Olympic boxing on TV in prime time. They haven't done that since 1988. In 1992, they showed one: Oscar De La Hoya. In 1996, they didn't show it. In 2000, they didn't show it. In 2004, they didn't show it. In 2008, they did not even mention boxing at all. You would think the United States didn't have a boxing team in 2008.
I live in New York. I don't really particularly want to move to LA.
Tony La Russa was quoted as saying that I was using steroids back then, and I was talking about it in the clubhouse, openly.
I bought a house in LA, hanging out there and spending a lot of time in Toronto, but not much.
It's not a deliberate thing. It's not like I was rejecting the UK, which is what the papers said. It's just that when you spend a lot of time in your formative years around an accent, you're going to pick it up. I had been living in LA for a bit and that's what happened.
Since the pharmaceuticals don't make any money and they control the doctors. If the doctors don't make any money then all hell breaks loose. In communities like LA and New York they are using a lot of the youth for a test sight.
I play- it's kind of like a slice-of-life, LA women in their forties, playing forty kind of what's their friendship like, and what's their life like and so I just play one of the four friends.
The 'Dangerous' album has producers like Tiny, who to me is very special. Also, Luny Tunes, Nesty La Mente Maestra, Nelly La Arma Secreta, Haze, and El Ingeniero. I wanted to use everyone who makes music in Puerto Rico and beyond to have variety.
I'm Catholic and Mum taught me the comfort that you can get from going to church. But I'm an a la carte Catholic. I love all the pomp and ceremony of it.
Look at music: I've always loved hiphop and rap, and now there's this whole progressive movement, with De La Soul and Mos Def, Common. It's some of the best stuff around.
Because makeup happens in my life as an actor, face wash is a key. I use La Mer cleansing gel every morning, every night, sometimes three times a day. Also, I use Bobbi Brown's Hydrating Face Tonic that you put on after you wash your face. It just rejuvenates your face. It takes away that morning face.
I love listening to new stuff, at home in LA I always have the radio on to hear what is happening.
I think La Liga is the best league in the world.
It was right after I did Piaf, 'La Vie en Rose'. I started to take singing lessons and finding where I could go.
Proust is a hero of mine. I read 'A la recherche' in one go, and I'm a very slow reader. It had an astonishing impact, reading it on my own and being my main company. I think Proust is the most intelligent person to ever have written a novel.
'La La Land' is about the city I live in. It's about the music that I grew up playing; it's about movies that I grew up watching. Even the big spectacle of the movie feels private to me in that way.
For city dwellers like me who don't get to vacation in the summer, no filmmaker can so effectively make you feel like you went to France for August, fell in love, got hurt, broke up, grew up, and figured some things out - all in 90 minutes or so. My favorite of Rohmer's cinematic escapes is 'La Collectionneuse.'
LA's a very hard place to be unless you have people there that love you. It can be very, very lonely, and it can eat you up if you don't take care of yourself. In LA, nobody wants to talk to each other, everybody's giving each other catty looks.
Tony La Russa is considered among the best in his business. Yet nearly half the time he led his organizations into competition, they were defeated - 2,728 wins, 2,365 losses.
'La Lupe' is my passion project. I've done it as a one-woman show, but I'm raising money to turn it into a film. It's a story of a Cuban singer who became the Queen of Latin Soul, the first woman on the N.Y. salsa scene.
Science trumps magical thinking: there was a reason the Incas called their mercury mine 'la mina de los muertos,' the mine of the dead. Building a life and a community upon principles that ignore such realities is doomed to fail.
In Paris and later in Marseille, I was surrounded by some of the best food in the world, and I had an enthusiastic audience in my husband, so it seemed only logical that I should learn how to cook 'la cuisine bourgeoise' - good, traditional French home cooking.
When I was 13, I read 'Et la paix dans le monde, Docteur?' a physician's account of working with Medecins Sans Fontieres during the Soviet presence in Afghanistan. It was this book that inspired me to work for MSF.
'Livin' la Vida Loca' is not Latin music. It does not represent Latin music.
Someone like Ashlee Simpson, she lip-synchs on 'Saturday Night Live,' gets totally called out la Milli Vanilli, and no one really cares that much. It doesn't make me hate Ashlee; she's just taking instructions.
There is rap music in all my films. In 'La Vie des Morts,' there is rap music too. It's because I'm French, and when it appeared in 1978, it was so new, it set off my musical imagination.
Jacques Doillon wanted me to be in his film, 'La Fille Prodigue,' and there I was, expecting, for some reason, this great bearded man, when a splendid looking red-Indian style man appeared at my door. I said no to his film because I knew that if I said yes, I would run off with him.
For the first time I go to La Scala, for each thing, for each rehearsal, my knees were shaking. But the audience was very fine with me.
A lot of the point mags are going out of business. They dropped the pay tremendously and it's all because of the internet. I used to go out once a month to LA and shoot for one week. I'd make a ton of money then come back to New York and do whatever I wanted.
I love visiting LA. It's an endlessly fascinating city, and is, of course, America's entertainment capital. Each time I go, I fall in love with it all over again. That said, it's not the sort of place I'd want to live.
I certainly want to get back to the U.S. to play. It's such a big country. I've always liked playing there, and enjoyed living there. I lived in New York, LA, and Florida.
If you're a classical actor, every Shakespearean part you play, you then say, 'McKellen did it this way,' and, 'Jacobi did it this way.' There's a whole list of Oliviers and people, whether you play Hamlet or Richard II or Richard III, any of those roles. And I found that a bit when I did 'La Cage.' It didn't bother me one bit.
Lilliet Berne, La Generale, newly returned to Paris after a year spent away, the Falcon soprano whose voice was so delicate it was rumored she endangered it even by speaking, her silences as famous as her performances.
After the Second World War, I returned to California to study composition with Darius Milhaud, who wrote wonderful works like 'Le Boeuf sur le Toit' and 'La Cretion du Monde.' I especially enjoy his work for two pianos, 'Scaramouche.'
You didn't have to go on location if you could just shoot down City Hall, LA.
