I'm a people person, very approachable. I go out every night, tons of functions. I love all facets of this industry... Music, film, TV, books, art. I love being around creative people.
I love L.A. It was an awesome place to spend my 20s, full of creative people, but I never wanted to stay there. It wasn't necessarily Texas that I wanted to move to; I just knew I wanted to live in the country somewhere. My wife and I found this place in Texas that we really liked, so we packed up our stuff and moved.
But unlike the setup in most organizations, where there's an administrator on top and creative people or doers underneath, I'm basically a doer and I like to have administrative people underneath me.
I feel that my job is to create an atmosphere where creative people can do their best work.
Kickstarter was already up and going when I got the Fellowship. Spending time with the other Fellows was about camaraderie, and I talked to a lot of amazing and creative people.
I love the entire process of being on the set and being able to create a character. It's so much fun. In 'Think Like a Man,' I have a very small part. They told me it wasn't a big budget, but I don't care about any of that. I'll do it for free simply because I love being on the set with other creative people.
I just loved being in the theatre with all those crazy, creative people.
A hundred years ago, when Richard Strauss, who has already been quoted and already been heard today, and other creative people, laid the foundation stone for the joint assertion of their rights and interests, they had pioneering work ahead of them in Germany.
Neither of my parents are involved in theater or acting, but they are very artistic. My mom is a painter; she's an artist. She went to school for fashion illustration. My father is into collecting antiques and fine wine, so they're both really creative people.
I love creative people.
There are definitely a lot of creative people I want to work with. I wanna work with Drake!
I'm sure lots of actors and creative people go through this, where you have some weeks where it's all going according to plan and some weeks where you're super frustrated.
With creative people, truly new horizons open up.
You could summarize everything I did at Apple was making tools to empower creative people. 'QuickDraw' empowered all these other programmers to now be able to sling stuff on the screen. The 'Window Manager,' 'Event Manager,' and 'Menu Manager.' Those are things that I worked on that were empowering other people.
I'm surrounded by such beautiful, creative people, and I just love sort of sharing their stories and their journeys.
If making movies was easier, there'd be a lot more good movies. So you kind of learn that if it's just a good script, or if it's just a good producer, that's not always enough. You need an entire team of creative people coming together.
People are doing so many incredible, inspiring, interesting things all over this country, and I think that's where the hope is - seeing how innovative and creative people can be.
It is hard for 2 creative people to work together for that length of time and not fall out.
Marc Jacobs is full of creative people and Louis Vuitton is again a name on the door, a name that has existed for many years but I'm a collaborator there and I bring in other people, other artists and I work with a great creative design team.
Like most creative people I don't fit well into boxes.
I think that the most well-intentioned, optimistic, creative people often live for the moment, and for 'Portlandia,' our goals were always very sort of short-term and attainable.
If the rules of creativity are the norm for a company, creative people will be the norm.
An almost indispensable skill for any creative person is the ability to pose the right questions. Creative people identify promising, exciting, and, most important, accessible routes to progress - and eventually formulate the questions correctly.
I'm thankful for weird people out there 'cause they're some of the most creative people.
The need to make music, and to listen to it, is universally expressed by human beings. I cannot imagine, even in our most primitive times, the emergence of talented painters to make cave paintings without there having been, near at hand, equally creative people making song. It is, like speech, a dominant aspect of human biology.
Creative people are very insecure people because they don't know whether people like them or are in awe of them. That insecurity always comes out. It makes them a better actor, I feel.
The only thing I have no control over is the politics that goes on within the record company. It's always been the same, but it's far tougher now, because record companies are run by financial people; before, they were run by creative people.
Hollywood's like a warehouse. It's just a place that you go. What's interesting in the warehouse has to do with the creative people.
Many creative people are finding that creativity doesn't grow in abundance, it grows from scarcity - the more Lego bricks you have doesn't mean you're going to be more creative; you can be very creative with very few Lego bricks.
The reason so many intelligent and creative people suffer from depression is that when you take the risk of being fully conscious, you open Pandora's box, and you can't close it again.
I enjoy collaborating with creative people and trying to get the best image possible to convey a feeling or story. Plus, I get flown all over the world to exotic places. How can you lose interest in that? It's a great lifestyle. I can take vacations whenever I want, and no two shoots are ever the same.
I'm very supportive of creative people being paid for the work that they do.
Every day you run into artists on the streets in SoHo or other creative people you want to do something with. There's nothing to match that chance encounter.
I understand why creative people like dark, but American audiences don't like dark. They like story. They do not respond to nervous breakdowns and unhappy episodes that lead nowhere. They like their characters to be a part of the action. They like strength, not weakness, a chance to work out any dilemma.
It doesn't matter if they're famous or not - I just want to meet other creative people who can maybe bring something different to the studio than what I have. I think that's the most important thing for me.
I'm really in such a fortunate position to have that foundation with Hall and Oates that lets me do whatever I want. That's the dream of a lot of creative people, and I don't take it for granted. I try to make the most of it.